| Art Bears |
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|
| Background information |
| Origin |
England |
| Genre(s) |
Avant-progressive rock,
Experimental |
| Years active |
1978 – 1981 |
| Label(s) |
Recommended |
Associated
acts |
Henry Cow,
News from Babel |
| Former members |
Chris
Cutler
Fred
Frith
Dagmar
Krause |
Art Bears were an English avant-garde
rock
group formed during the disassembly of Henry
Cow in 1978 by three of its members, Chris
Cutler (percussion, texts), Fred
Frith (guitar, bass guitar, violin, keyboards) and Dagmar
Krause (vocals). The group released three studio
albums between 1978 and 1981, and toured Europe in 1979.
|
Contents
- 1 Biography
- 2 Music
- 3 Name
- 4 Discography
- 4.1 Albums
and CDs
- 4.2 7"
Singles and EPs
- 5 Footnotes
- 6 External
links
|
Biography
Art Bears were formed during the recording of Henry Cow's last
album after disagreements arose over the album's content. Frith and
Cutler favoured song-oriented material, while others in the band wanted
instrumental compositions. As a compromise, Frith, Cutler and Krause
agreed, early in 1978, to release the songs already created on their
own album, Hopes and Fears,
under the name Art Bears, with the rest of Henry Cow credited as
guests. The instrumental material appeared later on the final Henry Cow
album, Western Culture
(1979).
Hopes and Fears (1978) thus consisted of
Henry Cow songs plus new Art Bears material recorded later by Frith,
Cutler and Krause to complete the album. Towards the end of 1978, Art
Bears returned to the studio to record their first "true" album, Winter
Songs (1979). It comprised fourteen short songs
composed by Frith around texts by Cutler that were based on carvings on
the stylobate
of the Amiens Cathedral in France.
In December 1978, Art Bears joined Rock
in Opposition (RIO), and toured Europe in April and May 1979. For the tour,
they added Peter Blegvad (ex-Slapp
Happy, guitar, bass guitar, voice) and Marc
Hollander (Aksak Maboul, keyboards, clarinet) to
their line-up, and rehearsed at the Cold Storage Recording Studios in Brixton, London before
leaving for Italy
in late April. They performed in Italy, France, Belgium and Czechoslovakia,
including a RIO festival on the 1st of May in Milan. Some of the
songs recorded during the tour were later added to the CD release of Hopes
and Fears and The Art Box
(2003), a box
set of Art Bears material.
The band returned to the studio in 1980 to make one final
album, The World as It Is Today
(1981), before splitting up. In 1993 Frith, Cutler and Krause reunited
again on a song project, Domestic Stories (1993) by
Chris Cutler and Lutz Glandien. While similar to Art
Bears, the addition of Glandien's electronic music made Domestic
Stories a distinctly different album.
Music
Art Bears's music was often deeply political in content,
reflecting the band's socialist leanings, and frequently experimental.
Art Bears were more "song oriented" than Henry Cow, although much of
the material that comprised their debut album release was actually
written with the intention of being performed by the latter band.
Their music was dark in concept and in atmosphere.
Reviewing The Art Box, the BBC described it as:
"Carefully wrought dissonances, angular folk tunes, sudden shifts in
dynamics, dense layers of spectral drones, slabs of noise, topped off
with Dagmar's strange, elastic Sprechstimme."
Krause's voice contributed significantly to the mood and
character of the songs. Cutler described her singing on the albums:
| “ |
I
don't write simple or obvious words, [...] they are not easy to sing.
Dagmar had the amazing ability to make them make sense, to make them
sound obvious. She sings from the inside and her accent helps to lift
words out of their slots and give them a slightly resonant
displacement. No one else could have done what Dagmar did on those LPs.
I'm still amazed by her. |
” |
In "progressive" circles, the Art
Bears were generally well received. All
Music Guide wrote: "Their life was fleeting, but the Art Bears wrote
and recorded bold, challenging, idiosyncratic music that, despite its
occasional difficulty, is ultimately very rewarding."
Name
Art Bears took their name from a sentence in a Jane
Ellen Harrison book Ancient Art and Ritual (1913):
"Even to-day, when individualism is rampant, art bears traces of its
collective, social origin."
Chris Cutler explains that it was a deliberate out-of-context quote,
transforming "bears" from a verb to a noun, but that "... not too much
should be read into this; it just sounds intriguing, has an animal in
it, plays with ambiguity and is mildly ridiculous."
Discography
Albums and CDs
- Hopes and Fears,
1978
- Winter Songs, 1979
- The World as It Is Today,
1981
- The Art Box, 2003
(6xCD box set of all Art Bears releases with live and unreleased
tracks, plus remixes by other musicians)
- Art
Bears Revisited, 2004
(2xCD of Art Bears tracks remixed by other musicians – discs 4 and 5 of
The Art Box)
7" Singles and EPs
- "Rats & Monkeys" / "Collapse", 1979
- "Coda to Man and Boy", 1981 (single-sided screened 7") –
given free to subscribers of The World as It Is Today
(1981)
- "All Hail", 1982 (flexi-7")
Footnotes
-
Art Bears. New Gibraltar
Encyclopedia of Progressive Rock. Retrieved on 2006-12-28.
-
Marsh, Peter. Art
Bears, The Art Box. BBC Music. Retrieved
on 2006-12-28.
-
Wu, Brandon. Art Bears. Ground and Sky.
Retrieved on 2006-12-28.
-
Dougan, John. The Art Bears. All Music
Guide. Retrieved on 2006-12-28.
-
Harrison, Jane. Ancient Art and Ritual, Chapter VII: Ritual,
Art and Life. The Internet Sacred Text Archive.
Retrieved on 2006-12-21.
-
Colli, Beppe. An interview with Chris Cutler, February 8,
2004. Clouds and Clocks. Retrieved on 2006-12-21.
External links
| v • d • e Art Bears |
Chris Cutler
• Fred Frith
• Dagmar Krause
Peter Blegvad • Marc
Hollander
|
| Discography |
Hopes and Fears
(1978) • Winter
Songs (1979)
• The World as It Is Today
(1981)
The Art Box (2003)
• Art Bears Revisited
(2004) |
| Related
bands and movements |
| Henry Cow • News
from Babel • Rock
in Opposition |