| Boy George |
| Background information |
| Born |
June 14, 1961 (1961-06-14) (age 46) |
| Origin |
Eltham,
Kent, England |
| Genre(s) |
Pop
Reggae
Rock
Electronica
Dance |
| Occupation(s) |
Singer, songwriter, DJ |
| Instrument(s) |
Vocals, Turntables |
| Years active |
1982 – present |
| Label(s) |
Plan A Records, Virgin
Records |
| Website |
http://www.iamboygeorge.com |
George Alan O'Dowd, better known as Boy
George (born June 14, 1961 in Eltham) is a pop
singer-songwriter. George grew up in a large, working-class Irish
family, which originated in Thurles, in Co.
Tipperary, Ireland.
O'Dowd gained fame with his group Culture
Club during the 1980s. His music is often classified as blue-eyed
soul, since he was heavily influenced by Rhythm
and Blues and reggae.
Early recordings with Culture Club showed that
O'Dowd's vocals had an emotional quality which was reminiscent of
American soul
music of the 1960s and 1970s. His later solo work has also touched on glam rock
influences and was particularly influenced by David
Bowie and Iggy Pop.
Boy George is also known for his flamboyant and androgynous
appearance back in the 80s and early 90s.
|
Contents
- 1 Career
- 1.1 Discovery
- 1.2 Culture
Club
- 1.3 Solo
career
- 1.4 Culture
Club reunions
- 2 Personal
life
- 2.1 Drug
use
- 2.2 Legal
problems
- 3 Memoirs
- 4 Sexual
orientation
- 5 Recent
activity
- 6 Miscellaneous
facts
- 7 Discography
- 8 References
- 9 External
links
|
Career
Discovery
Boy George's androgynous style caught the attention of
music executive Malcolm McLaren, of Sex
Pistols fame, who arranged for O'Dowd to perform with the
group Bow
Wow Wow, featuring Annabella Lwin, at various shows. He
was christened Lieutenant Lush and he nearly stole
the spotlight from Lwin.
Culture Club
Boy George's association with Bow Wow Wow ended soon
afterwards, and he started his own group with bassist Mikey
Craig. The group was to be called In Praise Of
Lemmings, but the name was later abandoned. Jon
Moss (who had drummed with The
Damned, Adam and the Ants and London)
then joined the group and became George's lover. The final member to
join the band was Roy Hay (who at the time was
guitarist in a band called Russian Bouquet), who was selected after the
group's association with another guitarist, 'Suede', proved
unsatisfactory. The group abandoned another name, Sex
Gang Children, and settled on the name Culture
Club after assessing that the group consisted of an Irish
singer, a Jamaican-Briton on bass, a Jewish drummer, and an Englishman
on guitar.
The band signed with Virgin Records in the UK and with Epic
Records in America, and released its debut album Kissing To
Be Clever in 1982. The album's third single, "Do You Really Want to
Hurt Me?", enjoyed massive success. It reached #1 in sixteen countries
(#2 U.S.), and the group became a staple on American radio and the new MTV network. This single
was followed by "Time (Clock Of The Heart)" (not on the UK LP), which
reached #2, and "I'll Tumble 4 Ya", which reached #9. This gave Culture
Club the distinction of being the first group since the
Beatles to amass at least three top 10 hits on the Billboard
Hot 100 from a debut album. Their next album, Colour By
Numbers was also a success. The single "Church Of The Poison
Mind" (featuring Helen Terry) became a Top 10 hit, and "Karma
Chameleon" became a #1 single in numerous countries around the world,
including the U.S., where it stayed at #1 for four weeks, and the UK,
where it was the best-selling single of the year, spending six weeks at
#1. It
stands as the group's biggest hit. "Miss Me Blind" and "It's A Miracle"
were Top 5 and Top 20 hits respectively, and "Victims" was another Top
3 UK hit.
That George had become the main songwriter of the band became
evident when Culture Club contributed to the movie soundtrack Electric Dreams.
George and Roy Hay had already written "Love Lies Lost" for backing
singer Helen
Terry and a new tune "Passing Friend" for the upcoming Beach Boys album but the two
Culture Club songs for Electric Dreams, "The Dream"
and "Love is Love", was also written solely by George and Roy Hay.
Moreover, the P. P. Arnold song "Electric Dreams" was
credited only to George and Phil Pickett who also co-wrote "Karma
Chameleon"
By now Boy George had become a household name in many
countries around the world and he was a natural choice for one of the
lead vocals on the Band Aid single "Do They Know It's
Christmas". In early 1986, he guest-starred on an episode of The A-Team
entitled "Cowboy George", in which he played himself. The plot involved
(ficticious) country singer Cowboy George being
booked to play in a small rural town, to be used as a cover for an
armed robbery, but due to a mix up Boy George arrives instead.
In late 1985, George had become addicted to drugs. The
addiction quickly evolved into a heroin addiction and Culture
Club started to lose its place musically. Their 1986 album From Luxury to Heartache
dragged on for so long that producer Arif Mardin had to disband the sessions
and leave it up to engineer Lew
Hahn to record the final vocals. Songs like "Gusto Blusto" and
"Reasons" took days for George to finish. Following the release of the
album, rumours of George's addiction began to circulate, and by the
summer of 1986, he announced that he was indeed addicted to drugs. In
July, he was arrested by the British police for possession of cannabis.
Several days later, keyboardist Michael Rudetski, who played on From
Luxury to Heartache and had co-written “Sexuality” and "What
Have I Got To Lose" with George, was found dead of a heroin overdose in
George's home. An American Culture Club tour was cancelled and the
group had disbanded by late 1986.
Solo career
Still battling his heroin addiction and subsequent dependence
on prescription narcotics, George started recording his first solo
album. In 1987, Sold was
released and George enjoyed several hit singles including "Everything I
Own" (UK#1), "Keep Me In Mind" (UK#29), "To be Reborn" (UK#13) as well
as the title song (UK#24).
Despite UK success, George never really managed to duplicate
that success in the US, especially because he was not able to go to
America because of the previous year's drug charges, though he did
score a moderate hit with the song "Live My Life" (#40 US) from the Hiding
Out soundtrack. His second US album High Hat
comprised of songs from two of his solo British albums released after Sold.
The R&B song "Don't Take My Mind On A Trip", produced by Teddy Riley, became the
only hit from High Hat, reaching top 5 on the
R&B chart.
His following release was a song to protest against the
governing UK Conservative Party's legal
restrictions on anyone working for a local authority promoting
homosexuality,
'No Clause
28 (Emilio Pasquez Space Face Full Remix)' was a big underground acid house
hit.