Clouds were a 1960s Progressive rock band that
disbanded in October 1971.
The band consisted of Ian Ellis (bass & lead vocals), Harry
Hughes (drums) and Billy Ritchie (keyboards).
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Contents
- 1 Biography
- 1.1 Early
Days: The Premiers
- 1.2 1-2-3
- 1.3 Clouds
- 2 Discography
- 3 References
- 4 External
links
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Biography
Early Days: The Premiers
In early 1964, Ian Ellis and Harry Hughes were playing in a
band called The Premiers. The band itself consisted of Bill Lawrence (bass
guitar), ‘Shammy’ Lafferty (rhythm guitar), Derek (Lead
guitar), Harry Hughes (drums)
and Ian Ellis (vocals).
An audition was held and Billy Ritchie was selected.
Cyril Stapleton took the band to London to record some demos which drew no
attention. Derek and Bill Lawrence decided to leave within months of
Ritchie joining the band. Ian Ellis decided that he would take up the
position of bass guitarist and also sing at the same time. The group
decided to move in a new musical direction and changed their name from The
Premiers to 1-2-3.
1-2-3
1-2-3 had a much different sound from the
previous band. After achieving no success in Scotland the
band moved to London, England where they hoped
that their original music would catch on but "early audiences were
confused by the lack of a guitarist."
The band were given a steady job performing at the Marquee
Club. A Marquee programme in 1967 describes the band as "a unique
group...who have created an entirely new sound in pop group music....
We hope that Marquee patrons will recognise the truly exciting nature
of 1-2-3" . Performances at the club during 1967
were the principal reason why they were subsequently signed by NEMS management
company.
Among the Marquee audiences were future superstars such as Keith
Emerson, Rick Wakeman, King
Crimson, Yes, and David
Bowie, who himself stated a liking for the band when
interviewed by Record Mirror in 1967, saying "three
thistle and haggis voiced bairns [who] had the audacity to face a mob
of self-opinonated hippies with a brand of unique pop music which,
because of its intolerance of mediocrity, floated, as would a Hogarth cartoon
in Beano."
The death of Brian Epstein, founder of NEMS, left the band in
the care of Robert Stigwood, his successor. But
Stigwood had just signed The
Bee Gees, fellow Australians, and was preoccupied
with making them a success. After parting company with NEMS, the band kept
busy playing in the local London club circuit. At a club in Ilford, east
London, the band were seen by Terry
Ellis who quickly signed them to his new agency, and re-named the band Clouds.
Clouds
Originally known as the Ellis-Wright agency, the organisation
grew and became Chrysalis Clouds had also risen in
prominence, playing many major tours, and appearing at the Royal
Albert Hall and many of the headlining concert venues in the world,
including the Fillmore East in New York.
The band released a number of albums during this period. The recordings
were generally very well received by the critics, with respectable
sales.
Concert reviews were also favourable. Reviewing a 1970 concert at the
Arragon ballroom, Chicago, Billboard magazine began the review by
saying 'This band will be a giant'.
Despite some limited success Crysalis focused its attention on
Jethro Tull. The
disbanded in 1971.
Discography
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| Date of release |
Title |
Record label |
| 1969 |
"Make No Bones About It" b/w "Heritage" (single) |
Island WIP6055 |
| 1969 |
You Can All Join In (sampler) |
Island IWPS2 |
| 1969 |
"Scrapbook" (album) |
Island ILPS9100 |
| 1969 |
"Scrapbook" b/w "Carpenter" (single) |
Island WIP6067 |
| 1969 |
"Scrapbook" b/w "Old Man" (single) |
Island (European continent only) |
| 1969 |
"Bumpers" (sampler) |
Island IDP1 |
| 1969 |
"Up Above Our Heads" (album) |
Deram Records DES18044 (USA/Canada
only) |
| 1970 |
"Take Me To Your Leader" b/w "Old Man" (single) |
Island (European continent only) |
| 1971 |
"Watercolour Days" |
Island/Chrysalis ILPS9151, Deram |
| 1996 |
"Scrapbook/Watercolour Days" (re-issue) |
BGO Records BGOCD317 |
| 1999 |
"Coda" |
Sunrise Records |
| 2007 |
"Strangely Strange but Oddly Normal" |
Island-Universal Records 9822950 Box set |
References
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The Illustrated History of Rock
External links