Culture Club is a popular English pop group,
that achieved considerable global success in the 1980s. The band were
fronted by gender-bending vocalist Boy
George, the other band members being Mikey
Craig on bass, Roy Hay on guitar and keyboard,
and Jon
Moss (formerly of The Damned, The
Clash, London and Adam
and the Ants) on drums.
|
Contents
- 1 1981-1986
- 2 1998-present
- 3 Discography
- 4 Awards
- 5 References
- 6 External
links
|
1981-1986
Before the formation of Culture Club, George occasionally sang
with the British group Bow Wow Wow with the stage
name "Lieutenant Lush". His popularity in this role caused friction
with the group's lead singer Annabella Lwin. After his tenure with
the group, George decided to start his own band and enlisted Craig.
Next came Moss, and finally Hay. The group recorded demos, which were
paid for by EMI
Records, but the label was unimpressed and decided not to sign the
group. Upstart company Virgin Records heard the demos and signed the
group in the UK, and Epic Records signed them in the US as
Virgin did not have a US presence at the time.
Their first album, 1982's "Kissing
to Be Clever", saw the release of their first single "White Boy".
Although a clever dance song, it failed to reach the UK or U.S. Top 100
but George was still happy because "5000 people bought my song and
didn't even know me". Next single "I'm Afraid of Me" also failed on
radio. The release of the third single "Do You Really Want to
Hurt Me?", a reggae-influenced number, went to #1 in the UK in late
1982 and became a smash international hit, peaking at #1 in over a
dozen countries (#2 in the US).
The debut of the band on the UK's flagship chart show Top
Of The Pops prompted outlandish headlines in
the tabloid
newspapers the next day in reaction to George's androgynous
look, eccentric dress sense and camp performance. "Wally of the week"
and "Mr. (or is it Mrs. ?) weird" were typical of such
headlines and made George a huge national celebrity in an instant,
which he largely took in his stride. It made him a target of the papers
for some years to come.
Culture Club's follow up single "Time (Clock of the Heart)",
featuring George's soulful vocals over an R&B groove, became
another hit in the UK and US, and "I'll Tumble 4 Ya" also became a Top
10 hit in America. This gave Culture Club the distinction of becoming
the first band since The Beatles to garner three
Top Ten hits in the US from a debut album. The album sold over two
million copies in the U.S. and another three million worldwide at its
time of release. George would go on to became a worldwide celebrity and
favorite of new music network MTV.
Their second album, 1983's "Colour
by Numbers" was a huge seller, with first single "Church of the Poison
Mind", featuring backing vocalist Helen Terry, reaching the UK and US Top
10. Second single "Karma Chameleon" gave the band its
second #1 hit in the UK where it sold over one million copies and
became the best-selling single of 1983. It also made #1 in the US,
topping the Hot
100 for three weeks, and would eventually hit #1 in sixteen countries
and become one of the most played songs of the decade.
The album would go on to have additional hits including "Miss
Me Blind" (#5 US), "It's a Miracle" (#4 UK, #13 US), and
"Victims" (#3 UK), and sell four million copies in the US and another
four million worldwide at its time of release.
Despite all this success, trouble was brewing within the
Culture Club camp. Unknown to the public, George was romantically
involved with the band's drummer Jon Moss. Even band members Craig and
Hay were unaware. The relationship lasted over four years and was often
turbulent, with physical and verbal abuse. The pressure to hide the
relationship from the press and the public started to take its toll on
the band.
George and Roy Hay had already written "Love Lies Lost" for
backing singer Helen Terry and "Passing
Friend" for the upcoming Beach Boys album when Culture
Club was asked to write two songs for the movie soundtrack Electric
Dreams. Both "The Dream" and "Love is Love", released as a
single in Canada and Japan, was again written by George and Roy Hay but
royalties split four ways as with the rest of group's songs at the
time. George also collaborated on "Electric Dreams", sung by P. P.
Arnold. The song was written with Phil Pickett who had also helped him
write "Karma Chameleon" and had frequently played keyboards
for the band.
Their next album, 1984's "Waking Up with the
House on Fire", was a commercial and critical disappointment compared
to "Colour by Numbers", (selling one and a half million copies
worldwide upon its release, with 500,000 of those in the US), The album
had one big international hit single with "The War Song", and moderate
hits in "The Medal Song" (UK #32) and "Mistake No. 3" (US #33). George
would later state that he felt the album experienced a lukewarm
reception because it was rushed, due to pressure from Virgin and Epic
to quickly release a followup album. At the end of 1984, the band were
recruited by Bob Geldof to attend the Band Aid
recording. George was in New York when Geldof called him, but managed
to catch the final Concorde of the day and was the last singer
to record a vocal track for the song "Do They Know It's
Christmas". Eventually his interpretation of the second line was used
in the final cut, plus some harmony vocals. He is not seen in the
publicity photograph or the all-in crescendo on the video because these
were done before he arrived at the studio.
In late 1985, George became addicted to cocaine. The addiction evolved to a heroin addiction
and the band started to lose its place musically. Recording of their
1986 album "From Luxury to Heartache"
dragged on for so long that producer Arif Mardin had to disband the sessions
and leave it up to engineer Lew Hahn to record the final vocals. Songs
like "Gusto Blusto" and "Reasons" took days for the addicted singer to
finish. Nevertheless, the album consisted of decent musical output (and
the hit single "Move Away", #7 UK, #12 US) but George and Jon's fights
plus George's addiction created too much tension for the band to
continue and a forthcoming American tour was cancelled. "From Luxury to
Heartache" reached the Top 10 in the UK and the Top 40 in the US but
sold only under a million worldwide.
Following the release of the album, rumours of George's
addiction began to circulate, and by the summer of 1986, he announced
that he was indeed addicted to drugs. In July, he was arrested by the
British police for possession of cannabis. Several days later, keyboard
player Michael Rudetski, who played on From Luxury to
Heartache and had co-written “Sexuality” with George, was
found dead of a heroin overdose in George's home. The band soon broke
up.
1998-present
In 1998, the band put their issues aside and decided to do a
reunion tour. Kicked off with a performance on VH1
Storytellers, the tour was a major success. A
new compilation was released based around the Storytellers performance
including new songs such as "I Just Wanna Be Loved", which hit UK #4.
"I Just Wanna Be Loved" had been written during the Peter
Asher reunion sessions in the early 1990s. Other songs from
those sessions include "Bow Down Mister", "After the Love", "Life Has
Rules" and "Mogul Tomb".
Despite heavy promotion their 1999 studio album Don't
Mind If I Do was a commercial failure peaking
at no. 64 in the UK album chart. The album included another UK top 30
hit single "Your Kisses Are Charity" (UK#25) and "Cold Shoulder"
(UK#43).
The band went on to tour for a few more years, then reunited
for a 20th anniversary concert in 2002 at the Royal
Albert Hall, which was released on DVD the following year. Culture Club
then became inactive again, largely due to Boy George's concentration
on his successful career as a DJ.
Two original members of Culture Club (Craig and Moss), will
possibly launch a new tour with another lead singer. (George and Roy
Hay have declined to tour). Earlier in 2006, the band's record company
placed an ad for a lead singer to "...take part in a 2007 World Tour
and TV Series." The new singer, Sam
Butcher was selected because of his own personality, "not a Boy George
lookalike." George expressed his displeasure in the press with his
replacement, even though Culture Club's MySpace page says otherwise. [1]. A tour was announced for
December 2006 in the UK, but was postponed to give the new line-up time
to finish recording their album. Without official press statements, in
2007, band manager Tony Gordon, said that the project was "on hold,"
while drummer Jon Moss stated that the project was shelved.
Discography
Albums
| Year |
Album |
UK |
U.S. |
GER |
JP |
NOR |
SWE |
SWI |
| 1982 |
Kissing
to Be Clever |
2 |
14 |
8 |
7 |
3 |
3 |
- |
| 1983 |
Colour
by Numbers |
1 |
2 |
6 |
1 |
2 |
3 |
4 |
| 1983 |
Time
EP [Japan Only] |
- |
- |
- |
8 |
- |
- |
- |
| 1984 |
Waking Up with the
House on Fire |
2 |
26 |
22 |
4 |
9 |
19 |
21 |
| 1986 |
From Luxury to Heartache |
10 |
32 |
45 |
13 |
18 |
13 |
24 |
| 1987 |
This
Time: the First Four Years |
8 |
- |
- |
30 |
- |
- |
- |
| 1993 |
At
Worst... The Best of Boy George and Culture Club |
- |
169 |
- |
- |
- |
- |
- |
| 1998 |
Greatest
Moments/Live VH1 Storytellers |
15 |
148 |
- |
94 |
23 |
- |
- |
| 1999 |
Don't
Mind If I Do |
64 |
- |
- |
- |
- |
- |
- |
| 2002 |
Culture
Club Box Set |
- |
- |
- |
- |
- |
- |
- |
| 2005 |
Greatest Hits |
- |
- |
- |
- |
- |
- |
- |
Singles
| Year |
Song |
UK |
U.S. |
U.S.
AC |
JP |
CAN |
GER |
NOR |
SWE |
SWI |
Album |
| 1982 |
"White Boy" |
114 |
- |
- |
- |
- |
- |
- |
- |
- |
Kissing
to Be Clever |
| 1982 |
"I'm Afraid of
Me" |
100 |
- |
- |
- |
- |
- |
- |
- |
- |
Kissing
to Be Clever |
| 1982 |
"Mystery Boy
(Japan only)" |
- |
- |
- |
- |
- |
- |
- |
- |
- |
Kissing
to Be Clever (Japanese edition) |
| 1982 |
"Do You Really Want to
Hurt Me?" |
1(1) |
2 |
8 |
23 |
1 |
1(2) |
2 |
1 |
1 |
Kissing
to Be Clever |
| 1982 |
"Time (Clock of
the Heart)" |
3 |
2 |
6 |
- |
4 |
16 |
- |
11 |
9 |
Kissing
to Be Clever |
| 1983 |
"I'll Tumble 4
Ya" (US/Canada) |
- |
9 |
33 |
- |
9 |
- |
- |
- |
- |
Kissing
to Be Clever |
| 1983 |
"Church of the Poison Mind" |
2 |
10 |
- |
23 |
7 |
23 |
11 |
13 |
- |
Colour
by Numbers |
| 1983 |
"Karma
Chameleon" |
1(3) |
1(4) |
3 |
26 |
1 |
2 |
1 |
1 |
1(5) |
Colour
by Numbers |
| 1983 |
"Victims" |
3 |
- |
- |
- |
- |
39 |
- |
- |
18 |
Colour
by Numbers |
| 1984 |
"Miss
Me Blind" |
- |
5 |
12 |
61 |
5 |
- |
- |
- |
- |
Colour
by Numbers |
| 1984 |
"It's a Miracle" |
4 |
13 |
8 |
17 |
5 |
41 |
- |
- |
- |
Colour
by Numbers |
| 1984 |
"The War Song" |
2 |
17 |
- |
52 |
3 |
12 |
5 |
6 |
10 |
Waking
Up with the House On Fire |
| 1984 |
"The Medal Song" |
32 |
- |
- |
68 |
- |
- |
- |
- |
- |
Waking
Up with the House On Fire |
| 1984 |
"Mistake No. 3" |
- |
33 |
18 |
- |
10 |
- |
- |
- |
- |
Waking
Up with the House On Fire |
| 1984 |
"Don't Go Down
That Street" (Japan Only) |
- |
- |
- |
69 |
- |
- |
- |
- |
- |
Love
Is Love EP (Japan) |
| 1985 |
Love
Is Love |
- |
- |
- |
9 |
3 |
- |
- |
- |
- |
Love
Is Love EP (Japan) |
| 1986 |
"Move Away" |
7 |
12 |
11 |
- |
4 |
21 |
8 |
7 |
18 |
From
Luxury to Heartache |
| 1986 |
"God Thank You
Woman" |
31 |
- |
- |
- |
- |
- |
- |
- |
- |
From
Luxury to Heartache |
| 1986 |
"Gusto Blusto" |
- |
D.C. |
- |
- |
24 |
- |
- |
- |
- |
From
Luxury to Heartache |
| 1998 |
"I Just Wanna
Be Loved" |
4 |
- |
- |
- |
18 |
80 |
- |
- |
- |
Greatest
Moments |
| 1999 |
"Your Kisses
Are Charity" |
25 |
- |
- |
- |
- |
88 |
- |
- |
- |
Don't
Mind If I Do |
| 1999 |
"Cold
Shoulder"/"Starman" |
43 |
- |
- |
- |
- |
- |
- |
- |
- |
Don't
Mind If I Do |
1. For 3 consecutive weeks. (Total chart run in the UK Top
100 : 19 weeks).
2. For 6 consecutive weeks. (Total chart run in the German Top
100 : 22 weeks in 1982/1983; 4 weeks in 1992).
3. For 6 consecutive weeks. (Total chart run in the UK Top
100 : 21 weeks).
4. For 3 consecutive weeks. (Total chart run in the US Top
40 : 16 weeks).
5. For 5 consecutive weeks. (Total chart run in the Swiss Top
20 : 14 weeks).
Awards
- Grammy Awards 1983 - Best New Artist
- BRIT Awards 1984 - Best British Group
- BRIT Awards 1984 - Best Selling Single
(for Karma Chameleon)
References
- David, Maria (1984). Boy George and Culture Club.
Southampton: Crescent. ISBN
0-517-45474-2
- De Graaf, Kasper and Garrett, Malcolm (1983). Culture
Club: When Cameras Go Crazy. London & New York: St.
Martin's Press. ISBN
0-312-17879-4
- Rimmer, David (1986). Like Punk Never Happened:
Culture Club and the New Pop. London: Faber & Faber. ISBN 0-571-13739-3
- Robins, Wayne (1984). Culture Club. New
York: Ballantine Books. ISBN
0-345-32216-9
External links