Emerson, Lake & Palmer
The band on an early album centrepane
Background information
Origin	England
Genre(s)	Progressive rock Symphonic Rock
Years active	1970–1978, 1992–1998
Label(s)	Manticore
Website	emersonlakepalmer.com
Members
Keith Emerson Greg Lake Carl Palmer

Emerson, Lake & Palmer (ELP) were an English progressive rock group. In the 1970s, the band was extremely popular, selling over 30 million albums and headlining huge concerts.

Contents 1 Overview 2 History 3 Trivia 4 Discography 4.1 As Emerson, Lake and Palmer 4.2 Compilations 4.3 As other bands 4.4 Video 5 See also 6 External links 6.1 Band member websites 7 References

Overview

The trio consisted of:

• Keith Emerson (originally from The Nice) keyboards
• Greg Lake (originally from King Crimson) guitars, bass guitar, vocals
• Carl Palmer (originally from Atomic Rooster) drums, percussion

History

The band formed in 1970. On two occasions in 1969, The Nice and King Crimson shared the same venue, first on August 10, 1969 at the 9th Jazz and Blues Pop Festival in Plumpton, England and on October 17, 1969 at Fairfield Hall in Croydon, England.

After playing at a few of the same concerts, Emerson and Lake tried working together and found their styles to be not only compatible, but complementary. They wanted to be a keyboard/bass/drum band, and so searched out a drummer.

Jimi Hendrix was considering joining the group; the British press, after hearing about this, speculated that such a supergroup would have been called "Hendrix, Emerson, Lake & Palmer", or HELP. Before settling on Carl Palmer, they approached Mitch Mitchell of the Jimi Hendrix Experience; Mitchell was uninterested but passed the idea to Jimi Hendrix. Hendrix, tired of his band and wanting to try something different, expressed an interest in playing with the group. Due to scheduling conflicts such plans were not immediately realized, but the initial 3 planned on a jam session with Hendrix after their second concert at the Isle of Wight Festival (their debut being in Plymouth Guildhall a day or two earlier), with the possibility of him joining. Hendrix died shortly thereafter, so the three pressed on as Emerson, Lake and Palmer.

Greg Lake made this comment on ELP's discussions with Hendrix:

"Yeah, that story is indeed true, to some degree...Mitch Mitchell had told Jimi about us and he said he wanted to explore the idea. Even after Mitch was long out of the picture and we had already settled on Carl, talk about working with Jimi continued. We were supposed to get together and jam with him around August or September of 1970, but he died before we could put it together."

Their first 4 years were a creatively fertile period. Lake produced their first six albums, starting with Emerson, Lake and Palmer (1970), which contained the hit "Lucky Man". Their best known early performance had been a relatively modest show at the August 1970 Isle of Wight Festival, one of the last of the great Woodstock-era festivals. At the end of their set, Emerson and Lake lit two cannons either side of the stage.

Tarkus (1971) was their first successful concept album, described as a story about "reverse evolution". The March 1971 live recording (Newcastle, UK) of the band's interpretation of Modest Mussorgsky's Pictures at an Exhibition was issued as a low-priced record, the success of which contributed to the band's overall popularity. The 1972 album Trilogy contained ELP's best-selling single, the understated "From the Beginning".

In 1973, the band had garnered enough recognition to form their own record label, Manticore Records, and purchased an abandoned cinema as their own rehearsal hall. In late 1973 Brain Salad Surgery, with an eye-catching sleeve designed by H.R. Giger, was released and became the band's best-known studio album. The lyrics were partly written by Peter Sinfield, who was the lyricist for King Crimson's first 4 albums. The subsequent world tours were documented with a massive three-LP live recording, Welcome Back my Friends to the Show that Never Ends.

By April 1974, ELP were top of the bill during the California Jam Festival, pushing co-stars Deep Purple to second billing. ELP's California Jam performance was broadcast nationwide in the US and is often seen as the summit of the band's career.

The ELP sound was heavily dominated by the Hammond organ and Moog synthesizer of the flamboyant Emerson. The band's compositions were heavily influenced by classical music in addition to jazz and – at least in their early years – hard rock. Many of their pieces are arrangements of, or contain quotations from, classical music, and they can be said to fit into the sub-genre of symphonic rock.

Onstage the band exhibited an unorthodox mix of virtuoso musicianship and over-the-top theatrical bombast. Their extravagant and often aggressive live shows received much criticism in this regard – although in retrospect it was all rather small change compared to later rock spectacles: the theatrics were limited to a Persian carpet, a grand piano spinning end-over-end, a rotating percussion platform, and a Hammond organ being thrown around on stage to create feedback (it was the same organ every time, called the L100, that was repaired overnight for the next show). Emerson often used a knife given to him by Lemmy (who had roadied for Emerson's previous band, The Nice) to force the keys on the organ to stay down. Another unusual factor was that Emerson took a full Moog modular synthesizer (an enormous, complex, and touchy instrument under the best of conditions) on the road with him, which added greatly to a tour's complexity.

ELP then took a three-year break to reinvent its music but lost contact with the changing musical scene. The band toured the US and Canada in 1977 and 1978 on a killing schedule of night after night performances – some with a full orchestra, which was a heavy burden on the tour revenues. These late-1970s tours found ELP working harder than ever to stay in touch with their audience. But as disco, punk rock, corporate rock and New Wave styles began to alter the musical landscape, ELP could no longer generate the excitement of being forerunners in musical innovation. Eventually they drifted apart due to personality conflicts and irreconcilable differences concerning musical direction.

Their last studio album of the 1970s, Love Beach, (1978), was dismissed even by the trio itself, who admitted it was delivered to fulfill a contractual obligation. The Love Beach album has been ill-received not only by the music press but also by the fans, who easily understood that the group was tired, something Greg Lake admitted in various interviews. Side One features Lake and consists of several shorter songs in a late 70's attempt to put something in the pop charts although one of them, "Taste of My Love", is an R-rated ode to one of the perks of rock stardom. Side Two's composition, "Memoirs of an Officer and a Gentleman", is a four-part narration of the tale of a soldier in the Second World War, and his ordeal of love and death as well as tragedy and triumph. The album's cover engendered no small amount of ridicule, with Palmer complaining the group looked like the Bee Gees.

In 1985, Emerson and Lake formed another "ELP" band with heavy metal drummer Cozy Powell. Palmer declined to participate in a reunion, preferring to stay with Asia. Rumours also linked Bill Bruford to their new lineup, but the former Yes drummer remained committed to King Crimson and his own group, Earthworks. The album Emerson Lake & Powell charted reasonably well, with a major single, "Touch and Go" generating some radio and MTV exposure for the trio. However, the old interpersonal tensions between Lake and Emerson resurfaced during the 1986 tour. Emerson and Palmer subsequently joined with Robert Berry to form the unsuccessful band 3.

The original ELP lineup reformed and issued a 1992 comeback album, Black Moon, on Victory Records. Their 1992/1993 world tours were successful, culminating in a performance at the Wiltern Theatre in Los Angeles in early 1993 that has been heavily bootlegged. But, reportedly, Palmer suffered from carpal tunnel syndrome and Emerson has been treated for a repetitive stress disorder in one hand. So it was no surprise that the follow up album In the Hot Seat (1994) did not live up to expectations.

Emerson and Palmer recovered to tour again. The last ELP tours were in 1996, 1997, and 1998. Their tour schedules brought them to Japan, South America, Europe, the USA and Canada and ELP played fresh new versions of older work. However enjoyable these tours were, ELP played in significantly smaller venues for significantly smaller audiences (sometimes fewer than 500 people, as in Belo Horizonte, Brazil). Their last show was in San Diego, California, in 1998. Conflicts about a new album inspired a new and final break up. Greg Lake insisted on producing the next album, having produced all successful ELP albums in the early 1970s. Keith Emerson complained in public (on the internet) that although he and Carl Palmer worked out on a daily basis to maintain their musical skills, Greg Lake did not make the effort to do the same. Lake admitted that he did not train his voice: a few live shows were generally enough to get it in shape, he claimed.

In 2003 UK independent label Invisible Hands Music released a 3CD box set under the title Reworks: Brain Salad Surgery. This was a new work created by Keith Emerson in collaboration with British dance maverick Mike Bennett, using sampling technology and with an eye on club and ambient music styles. Emerson and Bennett sampled musical elements from the entire ELP oeuvre, creating entirely new music in an exotic, electronica style, opening with a dramatic reinterpretation of Fanfare For The Common Man. The musical complexity of the source material provided rich pickings for sampling and while not universally loved by ELP fans, the album found favour with critics and, impressively, the dance music community. Cuts from the album were widely played in clubs and, fleetingly at least, the band's music found a gigantic new audience who had never heard (or even heard of) Emerson Lake & Palmer.

Keith Emerson toured Britain with his old bandmates from The Nice during 2003, and played another tour with The Keith Emerson Band across North America and Europe. Drummer Carl Palmer tours on an irregular basis with his Carl Palmer Band, playing electric guitar adaptations of ELP's keyboard work on the club circuit. Greg Lake has toured the USA with Ringo Starr in 2001, and most recently has recorded with The Who. Lake has recently formed his own band featuring David Arch, Florian Opahle, Brett Morgan, Trevor Barry and Josh Grafton and toured the UK in Autumn 2005. The band was due to do a tour of the USA in September 2006 but was cancelled because of management problems. In 2006, Carl Palmer rejoined the other three members of Asia for a 25th reunion world tour.

Discography

As Emerson, Lake and Palmer

• Emerson, Lake and Palmer (1970) #4 UK, #18 US
• Tarkus (1971) #1 UK, #9 US
• Pictures at an Exhibition (live) (1971) #3 UK, #10 US
• Trilogy (1972) #2 UK, #5 US
• Brain Salad Surgery (1973) #2 UK, #11 US
• Welcome Back My Friends to the Show That Never Ends (1974) (live) #5 UK, #4 US
• Works, Vol. 1 (1977) #9 UK, #12 US
• Works, Vol. 2 (1977) #20 UK, #37 US
• Love Beach (1978) #48 UK, #55 US
• In Concert (live) (1979) #79 US
• Black Moon (1992) #78 US
• Live at the Royal Albert Hall (live) (1993)
• Works Live (1993)
• In the Hot Seat (1994)
• I Believe In Father Christmas (1995)
• Live at the Isle of Wight Festival 1970 (live) (1997)
• Live in Poland (live) (1997)
• Reworks: Brain Salad Perjury (2003)

Compilations

• The Best of Emerson Lake & Palmer (compilation, 1980) #108 US
• The Atlantic Years (compilation) (1992)
• The Return of the Manticore (box set, 1993)
• The Best of Emerson, Lake & Palmer (compilation, 1994)
• King Biscuit Flower Hour: Greatest Hits Live (live, 1997)
• Then & Now (live, 1998)
• The Very Best of Emerson, Lake & Palmer (compilation, 2000)
• Fanfare for the Common Man - The Anthology (compilation, 2001)
• The Original Bootleg Series from the Manticore Vaults: Volume One (live, 2001)
• The Original Bootleg Series from the Manticore Vaults: Volume Two (live, 2001)
• The Original Bootleg Series from the Manticore Vaults: Volume Three (live, 2002)
• As Heard on Radio Soulwax Pt. 2 (mix album, 2004)
• The Ultimate Collection (compilation, 2004)
• The Original Bootleg Series from the Manticore Vaults: Volume Four (live, 2006)
• The Essential Emerson, Lake & Palmer (compilation, 2007)

As other bands

• Emerson, Lake & Powell (1986, as Emerson, Lake & Powell) #35 UK, #23 US
• To The Power Of Three (1987, as 3)
• The Sprocket Sessons (2003, rehearsal tapes, as Emerson, Lake & Powell)
• Live In Concert (2003, recorded live in Lakeland, Florida, November 1986, as Emerson, Lake & Powell)

Video

• Pictures at an Exhibition (Tape & DVD, 1986)
• The Manticore Special (Video tape, 2003)
• Works Orchestral Tour (Video tape, 2003)
• Live at the Royal Albert Hall (DVD, 2003)
• Welcome Back .... (DVD, 2003)
• Masters From The Vaults (DVD, 2004)
• Live At Montreux 1997 (DVD, 2004)
• Beyond The Beginning (DVD, 2005)
• Pictures At An Exhibition - 35th Anniversary Special Edition (DVD, 2005)
• The Manticore Special; Works Orchestral Tour (DVD, 2005)

External links

• ELP Digest
• Official ELP site
• ELP at the Open Directory Project
• [1]

Band member websites

• Keith Emerson
• Greg Lake
• Carl Palmer

References

• Forrester, George, Martyn Hanson and Frank Askew. Emerson, Lake & Palmer, The Show That Never Ends, A Musical Biography. (2001) Helter Skelter Publishing ISBN 1-900924-17-X.

v • d • e Emerson, Lake & Palmer
Keith Emerson | Greg Lake | Carl Palmer
Former members: Cozy Powell | Robert Berry
Discography
Studio albums: Emerson, Lake & Palmer | Tarkus | Trilogy | Brain Salad Surgery | Works Volume I | Works Volume II | Love Beach | Black Moon | In the Hot Seat
Live albums: Pictures at an Exhibition | Welcome Back My Friends to the Show That Never Ends | In Concert (also known as Works Live) | Live at the Royal Albert Hall | King Biscuit Flower Hour: Greatest Hits Live | Live in Poland | Live at the Isle of Wight Festival 1970 | Then & Now | The Original Bootleg Series From Manticore Vaults Vol. 1 | The Original Bootleg Series From Manticore Vaults Vol. 2 | The Original Bootleg Series From Manticore Vaults Vol. 3 |
Compilations albums: The Best of Emerson, Lake and Palmer | The Atlantic Years | The Ultimate Collection | The Essential Emerson, Lake & Palmer
Box Set: The Return of the Manticore
Related articles
Emerson, Lake & Powell | 3 | The Nice | King Crimson | Atomic Rooster