Half Man Half Biscuit

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Half Man Half Biscuit

Half Man Half Biscuit
Nigel Blackwell (Half Man Half Biscuit) is the band’s lead singer, guitarist and songwriter.
Nigel Blackwell (Half Man Half Biscuit) is the band’s lead singer, guitarist and songwriter.
Background information
Origin Flag of England Birkenhead, Merseyside, England
Genre(s) Rock
Years active 1985 – present
Label(s) Probe Plus
Website www.hmhb.co.uk
Members
Nigel Blackwell
Neil Crossley
Ken Hancock
Carl Henry

Half Man Half Biscuit, often abbreviated to "HMHB", is a UK rock band from Birkenhead, active sporadically since the mid-1980s, known for its satirical, sardonic and sometimes surreal songs. The group consists of Nigel Blackwell (lead vocals, guitar), Neil Crossley (bass), Ken Hancock (lead guitar) and Carl Henry (drums). Throughout their career they have been signed to Probe Plus records.


Contents

  • 1 History
  • 2 Lyrics
  • 3 Discography
    • 3.1 Albums
    • 3.2 Singles/EPs
    • 3.3 Misc
  • 4 External links
  • 5 References

History

The band's first single, "The Trumpton Riots", topped the British Independent Chart in 1986, and they went on to perform a set at the Glastonbury Festival, rapidly becoming tipped as the 'next big thing'. Their sound at the time was very much in the post-punk tradition, with similarities to Josef K or The Fall. After the first record, someone in the band learnt to tune a guitar, which some feel removed something of the particular character of the music. So, as their second single "Dickie Davies Eyes" entered the national top 40, lead singer Nigel Blackwell announced his retirement claiming that rock and roll success had led to him missing too much daytime television. 1986 saw the release of a compilation album and Nigel's return to the dole.

The band reformed in 1990, beginning to tour and give interviews. Their 3rd album, McIntyre, Treadmore And Davitt, showed a move forwards in terms of musical technique, and a wider musical palette. Since then, the band have produced a new album every two or 3 years, and remain a much loved fixture on the British music scene.

Half Man Half Biscuit were long championed by DJ John Peel, for whom they recorded twelve sessions before Peel's death in 2004, and it was on his programme in 1990 that the band announced their return.

Neil Crossley and Ken Hancock
Neil Crossley and Ken Hancock

The band played live more and more infrequently, preferring one off gigs to tours, driving home each night to sleep in their own beds and arranging concerts to co-incide with Tranmere Rovers' away fixtures, a football team supported by all the members of the band. Half Man Half Biscuit famously turned down the chance to appear on seminal 80s rock show The Tube, as Tranmere were playing that night, even though Channel Four offered to fly them by helicopter to the game following their take in the studio.

The band's musical styles often parody popular genres, while their lyrics are dense with cultural allusions, usually to UK popular culture and geography (Blackwell often refers to North Wales, often in the context of hillwalking in Snowdonia; he also appears fond of Shropshire, East Anglia and Oxfordshire) or to the more obscure backwaters of the lower divisions of British or international football. It is unlikely that any one person would be able to recognise all of the terms and allusions in the songs, and websites such as hmhb.co.uk provide information to help decipher them. Blackwell's enthusiasm does not only encompass popular culture; to give just a few examples, explicit references to Sylvia Plath, the works of Thomas Hardy, and the Bible are all to be found in his lyrics. In the context of HMHB's enthusiasm for football, Blackwell's close resemblance to footballer Jaap Stam has been frequently commented upon.

As the nineties progressed Nigel's love of blues and folk became more and more apparent both in musical style and lyrical references, as befits a group who perhaps more than any other record the minutae of everyday life and culture. In 2002 Andy Kershaw dubbed them "the most authentic English folk group since the Clash". Bassist Crossley's musical tastes include many late-70s/early-80s new wave or post-punk bands, and at gigs HMHB have been heard to perform covers of tracks by acts as diverse as Joy Division, Tim Buckley, The Beach Boys and Tiffany.

Blackwell has also started making references to various fictional bands who appear not only on the sleeves of HMHB releases (for example "Joe Public And The General Consensus") but also in the songs -- a long essay on "Evil Gazebo" (and that band's relationship to "Pankhurst") appears on the liner notes of Trouble Over Bridgwater and both bands are mentioned in the songs. Assorted fake cover version acts have also been mentioned in HMHB songs such as "I Can't Believe It's Not Focus". In interviews Nigel has alluded to the possibility of there being a HMHB tribute band called "It Ain't Half Man, Mum", most recently in a BBC Radio 3 interview with Andy Kershaw prior to last summer's appearance at the Brampton Live folk festival, where they headlined on Saturday night. However as yet no one has come forward with any evidence to support the existence of said tribute act, and the likelihood is that the whole thing is one of Nigel's own creations to amuse or confuse journalists and fans.

In 2001, Nigel Blackwell provided the voice over for a BP television advert.

Lyrics

Nigel Blackwell noquotend -->

Blackwell's personal mythology covers a wide range of topics which are often juxtaposed in counter-intuitive ways. A full understanding of HMHB lyrics is perhaps predicated on being born on Merseyside in the 1950s or 1960s, being unemployed (or at least not working, to permit exposure to daytime television) in the mid-1980s to early 1990s, and being an obsessive hoarder of books, records, soccer trivia, and memories of obscure television programmes. Occasionally Nigel turns his attention to the absurdities of everyday life.

Discography

Albums

  • Back in the DHSS (1985)
  • Back Again in the DHSS (1987) (later re-released as ACD).
  • MacIntyre, Treadmore and Davitt (1991)
  • This Leaden Pall (1993)
  • Some Call It Godcore (1995)
  • Voyage To The Bottom Of The Road (1997)
  • Four Lads Who Shook the Wirral (1998)
  • Trouble Over Bridgwater (2000)
  • Cammell Laird Social Club (2002)
  • Achtung Bono (2005)

Singles/EPs

  • The Trumpton Riots EP (1986)
  • "Dickie Davies Eyes" (1986)
  • The Peel Sessions (1986)
  • "Let's Not" (1990)
  • "No Regrets" (1991)
  • "Eno Collaboration" (1996)
  • "Look Dad No Tunes" (1999)
  • Editor's Recommendation (2001)
  • Saucy Haulage Ballads (2003)

Misc

  • "David Wainwright's Feet"; on the charity album Colours Are Brighter - October 2006

External links

References

  1. Taking the Biscuit - Guardian Weekend (July 21, 2001). Retrieved on 2007-06-20.

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