Ian Anderson (musician)

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Ian Anderson (musician)

Ian Anderson
Anderson, in an October 2005 promotional photo.
Anderson, in an October 2005 promotional photo.
Background information
Birth name Ian Scott Anderson
Also known as The Voice of Jethro Tull
Born August 10, 1947 (1947-08-10) (age 59)
Origin Dunfermline, Fife, Scotland
Genre(s) Rock
Occupation(s) Singer, Songwriter, Guitarist, Flautist
Instrument(s) Vocals, Guitar, Flute, Harmonica
Years active 1965 - Present
Label(s) Chrysalis, Fuel 2000, RandM
Website IanAnderson.com

Contents

Education

Early life

Ian Anderson was born the son of a hotel manager. He spent the first part of his childhood in Edinburgh, an influence which has dominated his artistic output ever since. He would return much later in life to live in Scotland for several years.

His family moved to Blackpool in the North West of England in 1959, where he gained a traditional grammar school education before going on to study fine art. Much of his work referring to this period suggests a somewhat turbulent upbringing.

Early career

While a teenager, Anderson took a job as a sales assistant at Lewis' department store in Blackpool, then as a vendor on a newsstand. He later said it was reading copies of Melody Maker and the New Musical Express during his lunch breaks that gave him the inspiration to play in a band.

In 1963 he formed The Blades from among school friends: Barriemore Barlow (drums), John Evan (keyboards), Jeffrey Hammond (bass) and Michael Stephens (guitar). This was a soul and blues band, with Anderson on vocals and harmonica - he had yet to take up the flute.

By 1965 the group had turned into the John Evan Band, comprising a larger line-up. It broke up within a couple of years, by which time Anderson had moved to Luton. There he met drummer Clive Bunker and guitarist and fellow vocalist Mick Abrahams from fellow blues band McGregor's Engine. Along with Glenn Cornick, a bassist he had met through John Evan, he created the first incarnation of the band with which he was to stay for over 40 years: Jethro Tull.

At this time Anderson abandoned his ambition to play electric guitar, and as he himself tells it in the introduction to the video "Live at the Isle of Wight", he traded it in for a flute which, after some weeks of practise, he found he could play fairly well in a rock and blues style. According to the sleeve notes for the first Tull album, "This Was", he had been playing the flute only a few months when the album was recorded. His guitar practice was not wasted either, as he continued to play acoustic guitar, becoming one of the few recording artists outside the classical realm to use the nylon-string acoustic guitar as a melodic, rather than a rhythm instrument. As his career progressed, he added soprano saxophone, mandolin, keyboards and other instruments to his arsenal.

His famous tendency to stand on one leg while playing the flute came about by accident. As related in the "Isle of Wight" video, he had been inclined to stand on one leg while playing the harmonica, holding the microphone stand for balance. During the long stint at the Marquee Club, a journalist described him, wrongly, as standing on one leg to play the flute. He decided to live up to the reputation, albeit with some difficulty. His early attempts are visible in the "Rock and Roll Circus" film appearance of Jethro Tull. In later life he was surprised to learn of iconic portrayals of various flute playing divinities, particularly Krishna and Kokopelli, which show them standing on one leg.

Later career

While Anderson has recorded a small number of critically-acclaimed projects under his own name, and frequently makes guest appearances in other artists' work, he has been identified in the public eye as the frontman of Jethro Tull for nearly 40 years.

This is undoubtedly because a signature motif of Anderson's career has been a highly distinctive stage image, which has often been counter to the prevailing rock music culture. While he has habitually drawn inspiration from British folklore - at different times deploying stylistic elements of Medieval jester, Elizabethan minstrel, English country squire and Scottish laird - at other times he has appeared as astronaut, pirate and vagrant. His personae often involve a large degree of self-parody.

Ian Anderson plays the Orchestral Jethro Tull - in Butzbach (Germany) 6. June 2007
Ian Anderson plays the Orchestral Jethro Tull - in Butzbach (Germany) 6. June 2007

As a flautist, Anderson is self-taught; his style, which often includes a good deal of flutter tonguing and occasionally singing or humming (or even snorting) while playing, was influenced by Roland Kirk. In 2003 he recorded a composition called Griminelli's Lament in honour of his friend, the Italian flautist Andrea Griminelli. In the 1990s he began working with simple bamboo flutes. He uses techniques such as over-blowing and hole-shading to produce note-slurring and other expressive techniques on this otherwise simple instrument.

Anderson plays several other musical instruments, including acoustic and electric guitar, bass guitar, bouzouki, balalaika, saxophone, harmonica, and a variety of whistles.

He has recorded several songs on which he plays all the instruments as well as carrying out all the engineering and production (such as 1988's Another Christmas Song). His earliest foray into one-man recording was apparently on the popular Tull piece "Locomotive Breath". Unable to get his ideas across to the rest of the band verbally, he laid down percussion and guitar tracks himself before adding vocals and then bringing in the others, at a time when tracks were usually recorded with all band members in the studio. Ironically this is one of the most vital pieces on the 1971 Aqualung album and is a mainstay of Tull's stage show.

Anderson's music blends styles such as folk, jazz, blues, rock and pop. His lyrics are frequently complex, (mostly) tongue-in-cheek criticism of the absurd rules of society and/or religion (Sossity, You're a Woman; Hymn 43; Thick as a Brick). He often combines lyrics with other leitmotifs such as:folk, mythological, fantastic (The Minstrel in the Gallery, Jack-in-the-Green, Broadsword and the Beast). In the 2000s, Anderson's songs often capture 'snapshots' of his daily life (Old Black Cat, Rocks on the Road).

Business activities

Anderson is a successful businessman away from the music industry, and he has owned several salmon farms. His Strathaird concern,, based on his estate on the Isle of Skye was worth £10.7 million in the late 1990s, when parts of it began to be sold off. He currently owns a group of companies which reported a gross profit of £1.8 million in 2004, when the Sunday Herald newspaper reported:

"He and his wife Shona, the sole shareholders and directors, shared a £500,000 dividend and emoluments, excluding pension contributions, of £850,954. A modest pre-tax loss of £5806 was booked for the year but the balance sheet shows shareholders’ funds stand at £3.2m. Income included a payment of £209,517 following one of the rock group’s regular checks on its flow of royalties."

Family Life

From 1970 to 1974, Anderson was married to Jennie Franks, a photographer who is credited with writing many of the lyrics to the song, Aqualung.

Anderson married Shona Learoyd in 1976, described by Rolling Stone magazine as a "beautiful convent-educated daughter of a wealthy wool manufacturer". She had studied ballet for 10 years, though Anderson met her when she was working as a press officer at Jethro Tull's then record-label Chrysalis Records. She later became involved with the band's on-stage special effects. The couple have lived in a 16th-century redbrick farmhouse on the 74-acre Pophleys estate in Buckinghamshire, England, and in the Western Isles of Scotland. They currently live in Minety Wiltshire, England. They have two children: James Anderson, also a musician, and Gael, who works in the film industry and is married to the actor Andrew Lincoln.

Recognition

In recognition of his life-long contribution to popular music, Anderson received two honours in 2006: the Ivor Novello Award for International Achievement and an honorary Doctorate of Literature at Heriot-Watt University, on 11 July 2006.

He remains widely regarded as the man who introduced the flute to rock music.

Trivia

Solo discography

For his records with Jethro Tull, see Jethro Tull Discography

Year Album Info Chart Statistics Label
1983
  • Walk into Light
  • Studio album
  • U.S. chart peak position: -
  • UK chart peak position: 78

Chrysalis Records

1995
  • Divinities: Twelve Dances with God
  • Studio album
  • U.S. chart peak position: 1
  • UK chart peak position: -

EMI

2000
  • The Secret Language of Birds
  • Studio album
  • U.S. chart peak position: 26
  • UK chart peak position: -

Fuel 2000

2003
  • Rupi's Dance
  • Studio album
  • U.S. chart peak position: -
  • UK chart peak position: -
  • German chart peak position: 40

RandM Records

2005
  • Ian Anderson Plays the Orchestral Jethro Tull
  • Live album / DVD
  • U.S. chart peak position: -
  • UK chart peak position: -
  • German chart peak position CD: 68
  • German chart peak position DVD: 3

ZYX Music

Notes

  1. Strathaird Salmon Ltd. Retrieved on 2007-04-22.
  2. Jim Gough. "Anderson swaps fish for his flute", Sunday Herald, 2004-05-30. Retrieved on 2007-04-22. 
  3. Rock's heavist breather is Ian Anderson (1977-03-21). Retrieved on 2007-04-22.
  4. Ian Anderson. Indian Food Guide. Retrieved on 2007-04-22.
  5. Ian Anderson's Diary - January 2007. Retrieved on 2007-04-22.

External links


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