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Joe Jackson (musician) |
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| Joe Jackson | ||
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| Background information | ||
| Birth name | David Ian Jackson | |
| Born | August 11, 1954 |
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| Genre(s) | Rock, Pop | |
| Instrument(s) | Piano Vocals |
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| Years active | 1979 - Present | |
| Label(s) | Virgin Records Sony |
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| Website | http://joejackson.com/ | |
Joe Jackson (born David Ian Jackson, 11 August 1954, Burton upon Trent, Staffordshire) is an English musician and singer-songwriter probably best-known for the 1979 hit song "Is She Really Going Out With Him?", which still gets extensive FM radio airplay, and for his 1982 hit, "Steppin' Out".
Along with Elvis Costello and Graham Parker, Jackson was a part of the trio of British-based artists that challenged the punk scene and brought a New Wave sound to the United States in the late 1970s. He was popular for his power-pop and New Wave sound early on before moving to more eclectic, though less commercially successful, pop/jazz/classsical musical pieces.
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Although born in Staffordshire, Jackson grew up in Portsmouth, England.
He started off learning to play the violin but soon switched to piano. From the age of sixteen he played in bars, and won a scholarship to study musical composition at London's Royal Academy of Music. Jackson did not like the prospect of being a serious composer, and moved towards pop and rock.
His first band was Edward Bear, later renamed Arms and Legs,
which collapsed after two unsuccessful singles.
He then spent some time in the cabaret circuit to make money to
In 1978 a record
producer heard his tape, and got him signed to
The Joe Jackson Band was very successful and toured
extensively. After the breakup of the band, Jackson took a break and
recorded an album of old-style swing and blues tunes,
Jackson hit paydirt with 1982's
He recorded another record that was heavily influenced
by jazz, pop and jazz
standards, and salsa,
Jackson followed with Big World,
a three-sided double record (the 4th side consisted of a single
centring groove and a label stating "there is no music on this side").
The instrumental
"Will Power" set the stage for things to come later, but before he left
pop behind he put out two more cerebral and celebratory albums,
In 1990, thrash metal band Anthrax recorded a cover of Jackson's "Got The Time" for their Persistence of Time album, which got considerable airplay on MTV.
Whilst 2000's Night and Day II lacked any radio-friendly individual tracks, it succeeded in displaying fine lyrics and some elegant songwriting, as is usually the case with Jackson's work. Volume 4 in 2003 reunited the original band and was well received. A promotional CD, bundled with the initial release, of the 'live' band playing some of Jackson's strongest material was widely admired.
Jackson is also an author, having written A Cure for Gravity, published in 1999, which Jackson has described as a "book about music, thinly disguised as a memoir". It traces his early musical life from childhood until his twenty 4th birthday. Life as a pop star, he suggested, was hardly worth writing about.
In 2001, Tori Amos covered Jackson's song "Real Men" on her album Strange Little Girls.
In 2002 "Steppin' Out" appeared in the popular videogame
In 2003, he reunited his original quartet for an
album (entitled
In 2004 Jackson performed a cover of Pulp's "Common People", with William Shatner for Shatner's album Has Been.
Jackson toured 45 U.S. and Europe cities in 2005 with Todd
Rundgren and the string quartet
Thereafter, he embarked on a short tour in a piano-bass-drums trio format. He toured Europe in spring 2007, again in a trio format, and announced that he is recording, with plans for a new release in 2008.
He has actively campaigned against smoking bans in both the U.S. and the UK [1], writing a 2005 pamphlet The Smoking Issue, a 2007 essay Smoke, Lies and the Nanny State [2], and issuing a satirical song ("In 20-0-3") on the subject [3]. It was in 2003, soon after the New York City smoking ban, that Jackson fled the city that had been his home for more than two decades and returned to Portsmouth, England, where he lives in a flat in the oldest part of the city that overlooks the harbour.
He has been quoted as saying he now "divides his time" between the two cities, presumably at least partly dictated by work commitments. When at home in Portsmouth, he is often spotted in city pubs that serve real ale, his enthusiasm for which is noted in his autobiography, A Cure For Gravity.
| Year | Title | Chart positions | Album | |||||
| U.S. Hot 100 | U.S. |
U.S. |
UK | German Singles Chart | Dutch Singles Chart | |||
| 1978 | "Is She Really Going Out With Him?" | #21 | - | - | #13 | Look Sharp | ||
| 1979 | "Sunday Papers" | - | - | - | - | Look Sharp | ||
| 1979 | "One More Time" | - | - | - | - | Look Sharp | ||
| 1979 | "Fools In Love" | - | - | - | - | Look Sharp | ||
| 1979 | "I'm The Man" | - | - | - | - | I'm The Man | ||
| 1979 | "It's Different For Girls" | - | - | - | #5 | I'm The Man | ||
| 1980 | "Kinda Kute" | - | - | - | - | I'm The Man | ||
| 1980 | "The Harder They Come" | - | - | - | - | - | #35 | non-album track |
| 1981 | "Jumpin' Jive" | - | - | - | #43 | Jumpin' Jive | ||
| 1982 | "Real Men" | - | - | - | - | - | #15 | Night And Day |
| 1982 | "Steppin' Out" | #6 | - | #7 | #6 | #28 | - | Night And Day |
| 1983 | "Breaking Us In Two" | #18 | - | - | #59 | Night And Day | ||
| 1983 | "Memphis" | #85 | - | - | - | ' |
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| 1984 | "You Can't Get What You Want" | #15 | - | - | - | Body And Soul | ||
| 1984 | "Happy Ending" | #57 | - | - | #64 | - | #34 | Body And Soul |
| 1984 | "Be My Number Two" | - | - | - | #70 | - | - | Body And Soul |
| 1986 | "Left Of Centre" (Suzanne Vega f/Joe Jackson) | - | - | - | #32 | - | - | |
| 1986 | "Right And Wrong" | - | - | #11 | - | - | - | Big World |
| 1988 | "Is She Really Going Out With Him? (Live)" | - | - | - | - | - | #3 | Live 1980/1986 |
| 1989 | "(He's A) Shape In A Drape" | - | - | - | - | - | #29 | Tucker soundtrack |
| 1989 | "Nineteen Forever" | - | #4 | #16 | - | - | #27 | Blaze Of Glory |
| 1991 | "Obvious Song" | - | #2 | #28 | - | - | - | Laughter And Lust |
| 1991 | "Stranger Than Fiction" | - | - | - | - | #53 | - | Laughter And Lust |
| 1991 | "Oh Well" | - | #20 | #25 | - | - | - | Laughter And Lust |
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