For other persons named John
Mellor, see John Mellor
(disambiguation).
| Joe Strummer |

Joe
Strummer performing in 1999
|
| Background information |
| Birth name |
John Graham Mellor |
| Born |
August 21, 1952(1952-08-21)
Ankara,
Turkey |
| Origin |
London, England |
| Died |
December 22, 2002 (aged 50)
Broomfield, Somerset, England |
| Genre(s) |
Rock and roll
Punk
rock
Reggae
World
Music |
| Occupation(s) |
Singer-songwriter, rhythm guitarist |
| Instrument(s) |
vocals, guitar,
piano |
| Years active |
1973 – 2002 |
| Label(s) |
CBS Records (1976–1988)
Sony
Records (1988–2002) (The Clash's record label)
Hellcat Records (1999–2002) |
Associated
acts |
The 101ers
The
Clash
The Latino Rockabilly War
The Mescaleros |
| Website |
www.strummernews.com |
| Notable instrument(s) |
| Fender
Telecaster |
John Graham Mellor (August 21, 1952 – December
22, 2002)
better known as Joe Strummer, was the co-founder,
lyricist, rhythm guitarist and lead singer of
the English
punk
rock band The
Clash. He was also a member of the The Mescaleros and
(temporarily) The Pogues.
|
Contents
- 1 The
early years 1952-1976
- 2 Marriages
- 3 The
Clash 1976-1983
- 4 The
wilderness years
- 5 The
Mescaleros and legacy 1999-2002
- 6 Joe
Strummer: The Future is Unwritten
- 7 Solo
discography
- 7.1 With
The 101ers
- 7.2 Solo
recordings
- 7.3 With
The Latino Rockabilly War
- 7.4 With
The Mescaleros
- 8 Selected
filmography
- 9 In
fiction
- 10 Sound
samples
- 11 See
also
- 12 References
- 13 External
links
|
The early years 1952-1976
Joe Strummer was born as John Mellor in Ankara, Turkey on August 21, 1952. His mother, a crofter's
daughter and one of nine children born and raised in the Scottish
Highlands, was a nurse. His father was a British foreign-service
diplomat who had been born in Lucknow, India. The family spent much time moving from
place to place, and Strummer spent his childhood in places such as Cairo, Mexico
City, and Bonn.
At the age of 9, Strummer and his older brother David, 10, began
boarding at the City of London
Freemen's School in Surrey.
Strummer rarely saw his parents during this time. He developed a love
of rock music, listening to records by Little
Richard and Eric Clapton as well as American
folk-singer Woody Guthrie (Strummer would even go
by the name "Woody" for a few years, until changing his name to "Joe
Strummer" a year and a half before the Clash was formed). While
Strummer and his brother often had conflicting values, David's suicide
in July 1970 significantly changed Joe's outlook on life. After
finishing his time at Epsom College boarding school in 1970
Strummer moved on to London's Central School of Art & Design,
where he briefly flirted with the idea of becoming a professional
cartoonist. During this time, Strummer shared a flat in the north
London suburb of Palmers Green with friends Clive Timperley and Tymon
Dogg.
Memorial to Strummer on 7th Street at Avenue A, New York City.
In 1973 Strummer moved to Newport, Wales to attend the Newport College of Art,
but soon dropped out. While there, he joined up with some friends to
form a band called The Vultures. For the next year he was the band's
part-time singer and rhythm guitarist. During this time Strummer also
worked as a gravedigger. In 1974, the band fell
apart and he moved back to London where he met up again with Tymon
Dogg. He busked
on the streets for a while and then decided to form another band with
his West London roommates. The band was called The
101'ers, named for the address of their squat (101 Walterton
Road, in Maida Vale). The band played many gigs in London pubs, playing
covers of popular American R&B and blues songs. In 1975 he
changed his name from "Woody" Mellor to Joe Strummer, and insisted that
his friends call him by that name. The name "Strummer" apparently
refers to his role as rhythm guitarist, in a rather self-deprecating
way. Though left-handed, he was taught to play right-handed by his
friend Tymon Dogg; this hampered his abilities somewhat and confined
him to strumming chords. Strummer was the lead singer of the 101'ers
and began to write original songs for the group. One song he wrote was
inspired by his girlfriend at the time, Slits
drummer Palmolive. The group liked the
song "Keys to Your Heart", and picked it as their first single.
Marriages
In the early 1970s, after being offered £100, he married
Pamela Moolman, a South African citizen, so she could
obtain British citizenship. Joe bought his signature Telecaster, later
to be painted black, with the money. He had two daughters with Gaby
Salter but they did not marry. He was with Gaby from 1979 until 1993.
In 1995 he married Lucinda Tait. This final marriage lasted until
Strummer's death.
The Clash 1976-1983
On April
3, 1976, a
then-unknown band called the Sex Pistols opened for The
101'ers at a venue called "The Nashville Rooms" in London, and Strummer
was impressed by them. Sometime after this show, Strummer was
approached by Bernie Rhodes and Mick Jones. Jones
was from the band London SS and wanted Strummer to
join as lead singer. Strummer agreed to join just as the group was
breaking up, but he formed a new band with Jones, bassist Paul
Simonon, drummer Terry Chimes and guitarist Keith
Levene. The band was named The
Clash by Simonon and made their debut on July 4, 1976, opening for the Sex
Pistols at The Black Swan (a.k.a. The Mucky Duck, now known
as the Boardwalk Sheffield, England) . On January
25, 1977 the
band signed with CBS Records and was now a three-piece
after Levene was fired from the band and Chimes quit. Drummer Topper
Headon later became the band's full-time drummer.
The
Clash was the most musically diverse and overtly political of
the original English punk bands. Their songs tackled social decay,
unemployment, racism, police brutality, political and social
repression, militarism and, occasionally, sex. Strummer was involved
with the Anti-Nazi League and Rock
Against Racism campaigns. He later also gave his support to the Rock
Against the Rich series of concerts organised by the anarchist
organisation Class
War. The Clash's London Calling
album was voted best album of the 1980s by Rolling Stone magazine
(although it was released in late 1979 in the UK it was released in
1980 in the USA). The Clash's influence can be clearly heard in
countless subsequent rock bands.
During his time with The Clash, Strummer, along with his
bandmates, became notorious for getting in trouble with the law. On June 10, 1977, he and Topper
were arrested for spray-painting "The Clash" on a wall in a hotel, and
in the early '80s he was arrested for hitting a violent member of the
audience with his guitar during a show in Hamburg, Germany. Before
the album Combat Rock was
released in 1982, Strummer disappeared from the group and "dicked
around" in France for a short while because of poor ticket sales for
their upcoming international tours. This was in spite of the popular
success of the single Rock the Casbah. During this time
band members began to argue a lot, and with tensions high, the group
began to fall apart. In September 1983, Strummer issued the infamous
"Clash Communique", and fired Mick Jones. Topper Headon had earlier
been kicked out of the band because of his heroin addiction, which now
left the band with only two of its original members. Strummer decided
to carry on and added new members. "The Clash Mark Two" released the
album Cut The Crap in 1985. The album was panned by
fans and critics alike and Strummer disbanded The Clash.
The wilderness years
A year later, Strummer worked on several songs for the film Sid
and Nancy, including 'Love Kills' and 'Dum Dum
Club'. Strummer would also later work with Mick Jones and his band Big Audio Dynamite,
contributing to the band's second album by co-writing most of the
songs. In 1987 he starred in the film Walker,
directed by Alex
Cox, as a character named "Faucet" and wrote and performed on the
film's soundtrack. He would star in another Cox film that same year
called Straight to Hell,
as the character Simms. In 1989 Strummer would act in a small role in Jim
Jarmusch's film Mystery Train,
as a man called Elvis with a drunken temper. He also made a brief
appearance in Aki Kaurismäki's 1990 film I Hired a Contract Killer
as a guitarist in a pub, performing two songs ("Burning Lights" and
"Afro-Cuban Bebop"). These were released as a promotional 7" single
limited to a few hundred copies, credited to "Joe Strummer &
the Astro Physicians". During this time Strummer continued to act,
write and produce soundtracks for various films, most notably the
soundtrack for Grosse Pointe Blank.
In 1989 Strummer began producing solo records with a band
called The Latino Rockabilly War. The album Earthquake Weather
was a critical and commercial flop, and resulted in the loss of his
contract with Sony Records. He also did the
soundtrack to the movie Permanent Record with this band. In 1991 he
replaced Shane MacGowan as singer of The Pogues
for a tour after MacGowan's departure from the band. Strummer also
produced the Pogues album Hell's Ditch.
On April
16, 1994,
Strummer joined Czech-American band Dirty Pictures on stage in Prague
at the Repre Club in Obecni Dum at “Rock for Refugees”, a benefit
concert for people left displaced by the war in Bosnia. Backed up by
the Pictures, Strummer played a blistering set of Clash songs that he
said he had not played in more than ten years. Although the set
appeared impromptu, Joe and the band had spent the days leading up to
the event rehearsing and “hanging out” in Prague. After these
self-described "wilderness years," Strummer began working with other
bands; he played piano on the 1995 UK
hit of The Levellers, "Just
the One" and appeared on the Black Grape single "England's
Irie" in 1996. In 1997 while in New York City, he had worked with noted
producer and engineers Lee Perry & Marty
Munsch[1]
on a significant amount of remixed Clash and 101'ers reissue dub
material.
Also during this time, Strummer was in dispute with The
Clash's record label, Sony Records. The disagreement lasted
nearly eight years and ended with the label agreeing to let him record
solo records with another label. If The Clash were to reunite though,
they would have to record for Sony.
Also during the nineties Strummer was a DJ on the BBC World
Service with his half-hour programme London Calling.
The Mescaleros and legacy
1999-2002
Strummer and The Mescaleros.
Finally, in the mid-to-late 1990s, Strummer gathered
top-flight musicians into a backing band he called The
Mescaleros. Strummer and the band signed with Mercury
Records, and issued their first album in 1999, which was co-written
with Antony
Genn, called Rock Art and the X-Ray
Style. A tour of England and North
America soon followed; sets included several Clash fan favourites. In
2001 the band signed with Californian punk label Hellcat
Records and released their second album, "Global
A Go-Go". The album was supported with a 21-date tour of North
America, Britain, and Ireland. Once
again, these concerts featured Clash material ("London's Burning", "Rudie
Can't Fail", "White Man In
Hammersmith Palais"), as well as classic covers of reggae and ska hits ("The Harder
They Come", "A Message To You, Rudy") and the band regularly closed the
show with a nod to Joey Ramone by playing The
Ramones' "Blitzkrieg Bop".
On November 15, 2002, Strummer and The Mescaleros played a
benefit show for striking fire fighters in London, at the
Acton Town Hall. Mick Jones was in
the crowd, and surprisingly, joined the band on stage during the
Clash's classic "Bankrobber." An encore followed with Jones playing
guitar and singing on "White Riot" and "London's Burning". This
performance marked the first time since 1983 that Strummer and Jones
had performed together on stage. Jones later remarked that it was
totally unplanned and that he felt compelled to join Strummer on stage.
Strummer's final arena gig was at Liverpool Academy on November
22, 2002,
yet his final performance, just 2 weeks before his death, was in a
small club venue 'The Palace' in Bridgwater, Somerset near to his home.
Shortly before his death Strummer and U2's Bono co-wrote a song, "46664", for Nelson
Mandela as part of a campaign against AIDS in Africa. Strummer had been scheduled to play
at Mandela's SOS fundraising concert in February
2003 on Robben Island. Mick Jones later
recorded a version of the song in studio, performing both the vocals
and guitar work, that has yet to be formally released.
Death and Legacy
Strummer died on December 22, 2002 in his home at Broomfield
in Somerset,
the victim of an undiagnosed congenital heart defect. His
untimely death at age 50 shocked and saddened a generation of fans to
whom he had been an inspirational figure. It was later revealed that
his estate on death was worth just under £1 million, and that he had
left all money to his wife Lucinda.
At the time of his death, Strummer was working on another
album, which was released posthumously in October 2003 under the title Streetcore.
The album features a tribute to American music icon Johnny
Cash ("Long Shadow"), which was actually written for Cash to sing and
recorded in Rick
Rubin's garage, as well as a remembrance of the September 11, 2001
attacks ("Ramshackle Day Parade"), and a cover of Bob
Marley's classic "Redemption Song", which Strummer had
also recorded as a duet with Cash. (The Cash/Strummer duet version
appears on the 2003 box set Unearthed).
At the Grammy Awards in February 2003, "London
Calling" was performed by Elvis Costello, Bruce
Springsteen, Steven van Zandt, Dave
Grohl, Pete Thomas, and Tony
Kanal in tribute to Strummer. In March 2003, The
Clash were inducted into the Rock and Roll Hall of
Fame.
Strummer was instrumental in setting up Future
Forests (recently rechristened The Carbon Neutral
Company), an organization dedicated to planting trees in various parts
of the world in order to combat global warming. Strummer was the
first artist to make the recording, pressing and distribution of his
records carbon neutral through the planting
of trees. Many other artists such as Foo
Fighters, Coldplay
and Pink
Floyd have followed suit and fans can visit the Carbon
Neutral Company website to buy trees to be planted in their
favourite artist's forest (Strummer's being christened "Rebel's Wood",
a specially selected section in Orbost, on the Isle
of Skye.) In his remembrance, Strummer's friends and family have
established the Strummerville Foundation for the
promotion of new music. The Belfast punk rock group Stiff
Little Fingers also recorded a tribute song "Strummerville" on their
album, Guitar and Drum.
On February
12, 2005 the
Class 47 locomotive
47828 was named "Joe Strummer". The nameplates were unveiled by his
widow Lucinda Tait in a ceremony at Bristol Temple
Meads railway station. On July 22, 2005 Tait unveiled a plaque on the house in
Pentonville, Newport where Strummer lived from 1973 to 1974 and where
his first foray into recorded music, "Crummy Bum Blues" was recorded.[2]
Throughout his career, Strummer was noted for his devotion to
fans. It has been said that Strummer never left a venue until everyone
who had waited around got an autograph and talked with him personally,
a process which often lasted for hours. In fact, even after being hit
in the leg with a cherry bomb in Asbury Park, when he was being driven
to the hospital, he made the driver stop the car so he could talk to
some fans first.
A documentary by Dick Rude titled Let's
Rock Again! was released in 2006. The film,
completed after Strummer's death, chronicles life on tour in the United
States with the Mescaleros to support Global
a Go-Go.
New Orleans-based rockers Cowboy Mouth released a song called
"Joe Strummer" on their latest album Voodoo Shoppe.
The song tells the story of a man who had to break up with his
girlfriend because "...she didn't know who/Joe Strummer was." The
popular track is a tongue-in-cheek salute to Strummer and the Clash
that received significant radio play in 2006.
An earlier, less popular take was Ike Reilly's "Hip-Hop
Thighs," from the Libertyville, IL rocker's 2001 Salesmen
& Racists CD, with its caustic lyric "Hip-hop has
blown my mind/John Cash has done his time/when you and I were in the
weeds drinkin' wine/with that English singer and your hip-hop
thighs/From the guns on the roof to the acid jazz/to the reels and
rhymes of that Gaelic trash/dancin' with the ex-lead singer of The
Clash/guns on the bar and his hands on your American ass."
In addition, the Joe Pernice-penned "High As a Kite," included
on The Pernice Brothers 2006 album
Live a Little, was, in part a tribute to Joe
Strummer. Lyrics included, "Heavy downbeat of one and the show
began/London calling, strike up the contraband" and the memorable
opening to the chorus, "We wore pictures of Strummer."
Joe Strummer: The Future is
Unwritten
Joe
Strummer: The Future is Unwritten is a
documentary about Joe Strummer by Julien Temple. It comprises archive
footage of him spanning his life, and interviews with friends, family,
and other celebrities. It debuted at the 2007 Sundance Film Festival. [3]
Solo discography
- For recordings made with the Clash please see The
Clash discography
With The 101ers
Albums
| Year |
Album |
Additional
information |
| 1981 |
Elgin Avenue Breakdown |
Compilation
album with material recorded from 1974 to 1976. |
Solo recordings
Albums
| Year |
Album |
Additional
information |
| 1986 |
Sid
and Nancy Soundtrack |
Soundtrack for
the film Sid and Nancy,
featuring 2 songs by Strummer. |
| 1987 |
Walker |
Soundtrack for
the film Walker, scored
by Strummer. |
| 1987 |
Straight
To Hell Original Soundtrack |
Soundtrack for
the film Straight to Hell,
featuring 2 songs by Strummer. |
| 1993 |
When
Pigs Fly Soundtrack |
Unreleased
soundtrack for the film When Pigs Fly,
scored by Strummer. |
| 1998 |
Chef Aid: The South
Park Album |
Features "It's
A Rockin' World", performed by Strummer, Flea,
Nick
Hexum, Tom
Morello, DJ Bonebrake, and Benmont
Tench. |
| 2003 |
Unearthed
(guest appearance) |
A duet of
"Redemption Song" with Johnny Cash. |
| 2004 |
Black
Magic (guest appearance) |
Strummer
performed the song "Over The Border" with Jimmy
Cliff. |
With The Latino Rockabilly War
Albums
| Year |
Album |
Additional
information |
| 1988 |
Permanent
Record Original Soundtrack |
Features songs
by Strummer and The Latino Rockabilly War. |
| 1989 |
Earthquake Weather |
Strummer's only
full-length studio album with The Latino Rockabilly War. |
With The Mescaleros
Albums
| Year |
Album |
Additional
information |
| 1999 |
Rock Art and the X-Ray
Style |
Strummer's
first album with The Mescaleros. |
| 2001 |
Global
A Go-Go |
Peaked at #23
on Billboard's Top Independent Albums chart in the US. |
| 2003 |
Streetcore |
Strummer's last
album, released posthumously. |
Selected filmography
| Year |
Title |
Role |
Other notes |
| 2007 |
Joe
Strummer: The Future is Unwritten |
Himself, footage |
| 1997 |
Docteur Chance |
Vince Taylor |
|
| 1990 |
I Hired A Contract Killer |
Himself |
by Aki Kaurismaki |
|
| 1989 |
Mystery Train |
Johnny aka Elvis |
|
| 1988 |
Candy Mountain |
Mario |
|
| 1987 |
Walker |
Faucet |
|
| 1987 |
Straight to Hell |
Simms |
|
| 1983 |
The King of Comedy |
Street Scum |
|
| 1980 |
Rude Boy |
Semi-Documentary Subject |
|
In fiction
- The Bedroom
Secrets of the Master Chefs, by Irvine
Welsh, has a fictional Joe Strummer being implicated in a paternity
scandal.
Sound samples
- Download
sample of Joe Strummer & The Mescaleros performing Bob
Marley's "Redemption Song"
- The video of the Joe Strummer And
The Mescaleros version of Redemption Song from the album Streetcore. A
tribute to Joe by his friends.
See also
References
- Gilbert, Pat. Passion is a Fashion: The Real
Story of The Clash, 2004. DA CAPO Press. ISBN 0-306-81434-X (pbk.)
- Gray, Marcus. Last Gang in Town: The Story and
Myth of The Clash, Henry Holt and Co., 1995.
- Yewdall, John Leonard. Joe Strummer with the
101'ers and the Clash, 1974-1976, 1992. Image Direct. ISBN 0-9519216-0-6
- "Clash star Joe Strummer dies". CNN. link - last accessed on June 26, 2007.
- Matula, Theodore. "Joe Strummer, 1952-2002." Popular
Music and Society. December 2003. Vol. 26, Iss. 4; p. 523-525.
External links
Joe Strummer noquotend
-->
| v • d • e The
Clash |
| Joe
Strummer | Mick Jones | Paul
Simonon | Topper Headon |
| Nick Sheppard | Keith
Levene | Pete Howard | Terry Chimes | Vince
White | Rob Harper |
| Discography |
| Studio albums: The
Clash | Give
'Em Enough Rope | London
Calling | Sandinista!
| Combat Rock | Cut
the Crap |
| Compilations and lives: Black Market Clash
| The Story of the
Clash, Volume 1 | Clash
on Broadway | The
Singles | Super Black Market Clash
| From Here to Eternity:
Live | The
Essential Clash | London
Calling: 25th Anniversary Legacy Edition | Singles
Box |
| Related
articles |
| Punk rock | The
101ers | London SS | Public
Image Ltd | Big Audio Dynamite | Havana 3am
| The Latino Rockabilly War
| The
Pogues | The Mescaleros | The
Libertines | Carbon/Silicon | The Good, the Bad
and the Queen |