| John Foxx |

Cover
artwork of "The Golden Section" album
|
| Background information |
| Birth name |
Dennis Leigh |
| Born |
Unknown |
| Origin |
Chorley, England |
| Genre(s) |
Synthpop, New
Wave, Psychedelic Rock, Ambient,
Electronic |
| Instrument(s) |
vocals, keyboards,
guitars,
percussion |
| Years active |
1973—present |
| Website |
metamatic.com |
John Foxx is the stage name of English musician
Dennis Leigh. He was the original lead singer of the
band Ultravox,
before embarking on a solo career in 1979. Primarily associated with synthesizer
music, he has also pursued a parallel career in graphic design and
education.
|
Contents
- 1 Art
college and Tiger Lily
- 2 Ultravox!
- 3 Systems
of Romance
- 4 Departure
from Ultravox
- 5 Solo
- 6 Withdrawal
from the music scene
- 7 Re-emergence
- 8 Work
outside music
- 9 Discography
- 9.1 Albums
and EPs
- 9.2 Singles
- 10 Notes
- 11 References
- 12 External
links
|
Art college and Tiger Lily
Born in Chorley,
Lancashire,
Leigh first began experimenting with tape
recorders and synthesizers whilst on a scholarship at
the Royal College of Art. In 1973
he formed a band that would eventually be called Tiger Lily.
Tiger Lily released a single on 14 March 1974, the A-side of which was a cover of the Fats
Waller track "Ain't Misbehavin'". It was
commissioned for use in a soft porn movie of the same name. The B-side of "Ain't
Misbehavin'" was "Monkey Jive". The same year, Melody
Maker reviewed one of Tiger Lily's shows at the
London Marquee and
praised the "overall atmosphere", whilst pointing out their rather
predictable "apocalyptic groove".
Ultravox!
Tiger Lily played frequently around London between 1974 and
1976, however their Bowie-esque glam rock sound was rendered superfluous
by the advent of punk. In an interview with the BBC, Foxx acknowledged
that he had an opportunity to join an early version of what became The
Clash, as the vocalist, while they were still the pre-Joe
Strummer band called London SS. London SS's
ever-changing lineup also included future members of Public
Image Ltd. and The Damned.
Eventually, after several name-changes, including Fire
of London, The Zips and even The
Damned, Tiger Lily transformed into Ultravox!,
with an exclamation mark. The group's style fused punk, glam, electronic
and new
wave music. Around this time, Leigh adopted his stage name of John
Foxx.
Among the elements that set the band apart from their
contemporaries were Foxx's lyrics and vocal delivery, and Billy
Currie's violin
and synthesizer playing. The other members were Chris
Cross on bass,
Warren
Cann on drums
and Stevie Shears on guitar. Brian Eno helped get the band
signed to Island Records, where they released
three LPs during 1977-1978. The first Ultravox! single, "Dangerous
Rhythm", backed with "My Sex", was released 19 January
1977. Their
first album (the self-titled Ultravox!) was
released shortly afterwards, produced by Steve
Lillywhite and the band, with assistance from Eno. The album attracted
a lot of attention, but did not sell well. It was quickly followed by
their second album Ha!-Ha!-Ha!,
which featured a more jagged punk sound, and included the single
"ROckwrock".
Systems of Romance
For their third album, Systems
of Romance, Ultravox adopted a smoother sound,
and abandoned the exclamation mark in their name. Also missing was
their first guitarist, the punk-oriented Stevie Shears, who was
replaced by Robin Simon, from a band called Neo (not to be confused
with krautrock
band Neu!).
The album was co-produced by Conny Plank, an early associate of
German electronic band Kraftwerk. The punk sound of the previous
records was abandoned in favour of a sleek, electronic production that
was a precursor of the New Romantic sound. Two singles were
released off this album, "Slow Motion" and "Quiet Men". Sales for the
album were modest, but it did break the band to a wider audience, also
in the United States. Systems of
Romance is often regarded as the first synthpop album and as
such it was highly influential on bands that followed.
Departure from Ultravox
Despite being dropped by their record label at the beginning
of 1979, Ultravox undertook a self-financed tour of the United States
in February, which was successful in terms of crowd enthusiasm and
ticket sales. However, the band came to a parting of the ways during
the tour - Robin Simon decided to stay on in New York and Foxx
announced his plan to go solo upon returning to England. Without a lead
singer, the band went into hiatus, Billy Currie joining Gary
Numan's touring band and contributing to his highly
successful 1979 album, The Pleasure Principle.
The burgeoning popularity of synthesizer music at this time, and
Numan's oft-quoted praise for the Foxx-fronted lineup and song-output
of Ultravox, helped revive interest in the band.
Billy Currie rejoined the group, whilst John Foxx was replaced as lead
vocalist by Midge
Ure, of The Rich Kids, Slik
and Thin
Lizzy. Ultravox then built on some of the ideas explored on Systems
of Romance, achieving huge worldwide success with the album Vienna
in 1980. The band released a series of popular albums and singles.
Midge Ure was active in organizing, and Ultravox performed at, Live Aid in
1985, and at subsequent Live Aid events. This Ultravox lineup lasted
another six years, overshadowing Foxx's concurrent solo career.
Solo
Signing to Virgin Records, Foxx achieved minor
chart success with his first solo single, "Underpass". Released on his
'Metal Beat' record label, its parent album Metamatic
appeared in record shops on January 17, 1980. Foxx played most of the synthesizers and
"rhythm machines", as they were listed on the jacket. "Metal Beat" was
also the name of one of the songs from the album and was inspired by an
odd metallic clunk sound on an early Roland drum machine, the CR-78.
Metal Beat Records lasted from 1980 to 1985 with Foxx as its only
artist.
Foxx's next LP was The Garden,
released 25 September 1981. This recording
was a departure from the stark electronic sound of Metamatic,
bearing a greater resemblance to Foxx’s swansong with Ultravox, Systems
of Romance. The Garden's starting point
was in fact a song called "Systems of Romance", written by Foxx for the
earlier album but not released at the time.
In 1982 Foxx set up his own recording studio, designed by Andy
Munro, also called The Garden, housed in an artists' collective in
Shoreditch East London, in a former warehouse also occupied by
sculptors, painters and film makers. He made demo recordings for
Virginia Astley's first album From Gardens Where
We Feel Secure. Artists such as Depeche
Mode, British
Electric Foundation, Brian Eno, Trevor
Horn, The Cure, Nick Cave and the Bad
Seeds, Tina
Turner, Siouxsie and the Banshees
and Tuxedomoon
also recorded in Foxx's studio.
In 1983, Foxx provided the soundtrack for Michelangelo Antonioni's film
Identification of a Woman (Identificazione
di una Donna). In September that year, his third solo LP The
Golden Section was released. A development of
the sound of The Garden, Foxx described this album
as a "roots check" of his earliest influences such as The
Beatles, psychedelia, and other pre-punk sources.
The album In
Mysterious Ways was issued in October 1985. Musically it was not
considered a significant progression beyond the sound of his two
previous releases, nor was it a commercial success. Foxx later said
that at the time he felt divorced from any contemporary musical
influences. However he did produce, co-write and play on Pressure
Points, by Anne Clark, the same year.
Withdrawal from the music scene
After In Mysterious Ways, Foxx gave up a
public career in pop music. He sold his recording studio and returned
to his earlier career as a graphic artist, working under his original
name of Dennis Leigh. Examples of his work at this time include the
book covers of Salman Rushdie's The
Moor's Last Sigh, Jeanette Winterson's Sexing
the Cherry, Anthony Burgess A Dead Man in Deptford, and
several books in the Arden Shakespeare series. He also
began experimenting in a cappella ambient
music, working on a project called Cathedral
Oceans.
At about this time, Foxx began to find inspiration in the
underground House and Acid music
scenes in Detroit
and London, and was said to have released vinyl dance tracks under
various names. He also worked with pioneers in this field such as LFO and made their first
music
video.
In the very early 1990s, as Nation 12, Foxx released two 12-inch
singles, "Remember" and "Electrofear". The first was a collaboration
with Tim Simenon, best known for his Bomb
the Bass project. The group also wrote the music for the Bitmap
Brothers computer games Speedball 2
(1990) and Gods
(1991).
For some time after this, Foxx disappeared and there is no
account of his life or whereabouts during this period. The only
description of it is in an interview where he briefly mentions he was
"living like a ghost in London".
Re-emergence
On March
24, 1997,
John Foxx made a return to the music scene with the simultaneous
release of two albums, Shifting City and Cathedral
Oceans.
Shifting City was a collaboration with Manchester's
Louis Gordon, categorised by many commentators as an updated stylistic
return to Foxx's Metamatic synth pop
sound. However it also displayed the influence of 1990s underground dance
music and the 'triphop'
style, along with the psychedelic Beatles-esque pop first apparent on
Ultravox’s "When You Walk Through Me".
Cathedral Oceans was a solo John Foxx
record, an ambient return to his Catholic
youth and his love of the cathedrals of England and Europe. Its
roots included traditional evensong, Gregorian
Chant, Brian
Eno, Harold Budd, and German band Cluster.
From his own music Foxx drew on such pieces as "My Sex" from the first
self-titled Ultravox! record, "Hiroshima Mon Amour" from Ha!-Ha!-Ha!,
"Just For a Moment" from Systems Of Romance,
and the title track from The Garden. Cathedral
Oceans began as a project during the sessions for "The
Garden" and has been a work in progress for 20 years before this
release, described by Foxx himself as one of the proudest moments of
his career. The accompanying DVD was made commercially available for
the first time during an installation in Hoxton Square, London in
January 2003.
Foxx’s return to music was well received by fans, and he and
Louis Gordon continued to work together, performing live on the
Subterranean Omnnidelic Exotour in 1997 and 1998 and releasing a second
album The Pleasures of
Electricity, in September 2001. Two years later they toured again, to
promote the higher profile albumCrash and Burn,
released September 2003, on his own Metamatic Records. This continued
the Ballardian
themes of urban landscape and automobiles present in Metamatic,
and was supplemented by the "Drive" EP. 2003 also saw the release of
the second volume volume of Cathedral Oceans as
well as another ambient record, the double CD Translucence
and Drift Music with Harold Budd. In 2004, from
September through October, a collection of Cathedral Oceans
images was exhibited at BCB Art, Hudson, New York, and in the following
year Cathedral Oceans III was released.
In April 2005 Foxx also guested on Finnish DJ Jori
Hulkkonen's album Dualizm, where he provided vocals
for "Dislocated" which Hulkkonen had written especially for him. A
month later, Foxx appeared on stage at the Brighton Pavilion with
Harold Budd and Bill Nelson as part
of a concert to celebrate the work of the retiring pianist, which in
turn lead to the announcement in October of the same year that John was
involved in collaborations with Robin
Guthrie, Steve Jansen and Nelson. The
following month an album's worth of salvaged Nation 12 material was
finally issued under the title Electrofear. Despite
its relatively low-key promotion and status as largely a 'work in
progress', Electrofear encapsulated many of the
original ideas that were more fully realised on Shifting City
and, in its turn, From Trash.
In June 2006, Foxx released an instrumental solo album called Tiny
Colour Movies consisting of fifteen instrumental tracks
inspired by short art films he saw at a private screening. His official
website http://www.metamatic.com described
these as having the "filmic, atmospheric approach" of the Metamatic-era
instrumental B-sides "Glimmer", "Film One" and "Mr No". On Saturday, November
18, 2006,
Foxx gave a performance of the work at the Duke of York's cinema in Brighton,
where Tiny Colour Movies was premiered as part of the city's Film
Festival. Edited versions of the movies were shown on a big screen for
the first time with Foxx playing a mix of live and recorded
accompaniment from the album.
Three collaborative albums with Louis Gordon were released in
late 2006: Live From a Room (As Big as a City), a
live album from the 2003 tour (released in association with an
interview CD entitled "The Hidden Man", in October; the long-awaited
studio album From Trash in November; and a further
album from the same sessions just a few weeks later during the
accompanying mini-tour. This two CD package, entitled Sideways
includes ten original tracks plus two extended versions of songs on From
Trash. The second disc contains an extensive interview with
Foxx describing the making of From Trash which was
available only at concerts on the 2006 tour. The album saw a more
commercial UK-wide release in April 2007.
The remixed surround sound DVD of Cathedral
Oceans was released in March 2007. This
contains his artwork made into a film intended as a 'slowly moving,
hallucinogenic, digital stained glass window, intended to be projected
as big as possible onto architecture and in public places.' The work
was premiered in November 2006 at the Leeds
International Film Festival.
Work outside music
John Foxx has continued to pursue graphic design work parallel
to his music career. In 2000, a Porcupine Tree release called Lightbulb
Sun was issued with cover art by Foxx.
Foxx has more recently taken a senior lecturer position at The
London College of Music and Media TVU in London, working with art, media and music
students across a range of courses. These include a masters degree in
Computer Arts, as well as undergraduate courses such as Digital Arts
and Audio Technology. In mid-2005, he took a sabbatical to record new
music, write, work on the films which make up Tiny Colour
Movies and tour in Europe and the UK.
Discography
Albums and EPs
With Ultravox!:
- Ultravox! (album released 1 March 1977)
- Ha!-Ha!-Ha! (album released 14 October
1977)
With Ultravox:
- Retro Live (EP) (EP
released 1
March 1978)
- Systems of Romance (album
released 9
December 1978)
- Three Into One (complilation album
released June 1980)
- The Island Years (compilation
album released March 1989)
Solo:
- Metamatic (album released 17 January
1980)
- Burning Car (UK/Germany 7-inch, Japan
12-inch EP released 1980)
- The Garden (album
released 25 September 1981)
- The Golden Section (album
released September 1983)
- In Mysterious Ways (album
released October 1985)
- Cathedral Oceans (album released 24 March 1997)
- The Golden Section Tour + The Omnidelic Exotour
(double album released 2 December 2002. The Omnidelic Exotour
disc contains the same material as Subterranean Omnidelic
Exotour listed below)
- Cathedral Oceans II (album
released 2
June 2003)
- Cathedral Oceans III (album
released 8
August 2005)
- Tiny Colour Movies (album released
5
June 2006)
With Louis Gordon:
- Shifting City (album released 24 March 1997)
- Exotour 97 (1000-copy numbered
edition EP from the 1997 UK tour, released 10 October
1997)
- Subterranean Omnidelic Exotour
(500-copy numbered edition album from the rehearsals of the 1998 UK
tour, released 15
April 1998)
- The Pleasures of
Electricity (album released 15 September 2001)
- Crash and Burn
(album released September 2003)
- Drive EP (EP released 9
September 2003)
- Live From a Room (As Big as a City)
(live album released 16 October 2006)
- From Trash (album released 6 November
2006)
- Sideways (album released 2006)
With Harold Budd:
- Translucence/Drift Music (double
album released 25 August 2003)
With Nation 12:
- Electrofear (album released 14
November 2005)
Compilations:
- Assembly (album released June 1992)
- Modern Art (album released 4 June 2001)
- Cathedral Oceans I + Cathedral Oceans II
(double album released 2 June 2003)
Singles
With Tiger Lily:
- "Ain't Misbehavin'" - 3.12 / "Monkey Jive" - 3.36 (7"
single, released 14 March 1974)
With Ultravox!:
- "The Wild, the Beautiful and the Damned" - 5.50 (as part of
compilation LP Rock, Reggae, Derek & Clive,
released early October 1976)
- "Dangerous Rhythm" - 4.14 / "My Sex" - 3.01 (7" single,
released 4
February 1977)
- "Modern Love" (live) - 2.31 / "Quirks" - 1.38 (single,
included with the first copies of Ha!-Ha!-Ha!)
- "Young Savage" - 2.58 / "Slipaway" - 4.09 (live at The
Rainbow, a non-LP single, released 28 May 1977)
- "ROckwrok" - 3.33 / "Hiroshima
Mon Amour" - 4.54 (7" single, released 14 October
1977)
- "The Peel Sessions" (12" single, recorded for the John Peel
Show, BBC
Radio 1, 21
November 1977
and released April 1988)
With Ultravox:
- "Slow Motion" - 3.27 / "Dislocation" - 2.55 (12" and 7"
singles, both released 4 August 1978)
- "Quiet Men" - 3.15 / "Cross Fade" 2.56 (12" and 7" singles,
both released 20 October 1978)
Solo:
- "Underpass" - 3.18 / "Film One" - 4.00 (7" single, released
10
January 1980)
- "Underpass" (full length) - 3.56 / "He's a Liquid"
(alternate) - 3.06 (12" promo single, released 10 January
1980)
- "No-One Driving" (remix) - 3.42 / "Glimmer" - 3.35 / "This
City" - 3.05 / "Mr. No" 3.12 (double 7" single, released 20 March 1980)
- "Burning Car" - 3.12 / "20th Century" -
3.04 (7" single, released 11 July 1980)
- "Miles Away" - 3.17 / "A Long Time"
- 3.49 (7" single, released 29 October 1980)
- "Europe After the Rain" - 3.37 / "This Jungle" - 4.41 (7"
single, released 20 August 1981)
- "Europe After the Rain" - 3.59 / "This Jungle" - 4.41 /
"You Were There" - 3.49 (12" single, released 20 August 1981)
- "Dancing Like a Gun" - 3.38 / "Swimmer 2" - 3.30 (7"
single, released 30 October 1981)
- "Dancing Like a Gun" - 4.11 / "Swimmer 1" - 5.08 / "Swimmer
2" - 3.30 (12" single, released 30 October 1981)
- "Endlessly" - 3.51 / "Young Man" - 2.53 (7" single,
released 16
July 1982)
- "Endlessly" (new version) - 4.18 / "A Kind of Wave" - 3.39
(7", released 17
June 1983)
- "Endlessly" (new version) - 4.18 / "Dance with Me" - 3.31
(7", released 17
June 1983)
- "Endlessly" (new version) - 4.18 / "Ghosts on Water" - 3.12
/ "A Kind Of Wave" - 3.39 / "Dance with Me" - 3.31 (double 7", released
17
June 1983)
- "Endlessly" (12" version) - 7.40 / "A Kind of Wave" (12"
version) 4.58 (12", released 17 June 1983)
- "Your Dress" - 3.59 / "Woman on a Stairway" - 4.28 (7",
release 15
September 1983)
- "Your Dress" - 3.59 / "Woman on a Stairway" - 4.28 / "The
Lifting Sky" - 4.44 / "Annexe" - 3.04 (double 7", released 15
September 1983)
- "Your Dress" - 4.26 / "The Garden" - 7.14 (12", released 15
September 1983)
- "Like a Miracle" - 5.11 / "The Lifting Sky" - 4.44 (7" and
12", released 28 October 1983)
- "Like a Miracle" (extended version) - 8.11 / "Wings
& a Wind" - 5.17 (7" and 12", released 28 October
1983)
- "Stars on Fire" - 4.52 / "What Kind of a Girl" - 4.40 (7",
released mid-1985)
- "Stars on Fire" - 4.52 / "What Kind of a Girl" - 4.56 /
"City Of Light" - 3.38 / "Lumen de Lumine" - 2.36 (double 7", released
mid-1985)
- "Stars on Fire" - 7.15 / "City of Light" - 3.38 / "What
Kind Of A Girl" - 4.56 (12", released mid-1985)
- "Enter the Angel" - 3.58 / "Stairway" - 5.00 (7", released 20
September 1985)
- "Enter the Angel" - 5.52 / "Stairway" - 5.54 (12", 20
September 1985)
With Nation 12:
- "Remember" /"Remember" (Sub Dub Mix) / "Listen to the
Drummer" / "Remember" (12", released 1990)
- "Electrofear" (Beastmix) - 4.20 / "Electrofear" (Shemsijo
Mix) - 4.20 / "Electrofear" (Dogmix) - 3.56 (12", released 1991)
Notes
References
- Vladimir Bogdanov, Chris Woodstra, Stephen Thomas Erlewine,
John Bush (2001). All Music Guide to Electronica.
External links