John Paul Jones (musician)
Shopping


CDs by John Paul Jones (musician) at amazon


 DVDs by John Paul Jones (musician) at amazon


books about John Paul Jones (musician) at amazon


rare music at Gemm.com


rare music at Music Stack
Unused button
 John Paul Jones (musician)
More info


search the web for John Paul Jones (musician)


pictures of  John Paul Jones (musician)
Videos - John Paul Jones (musician)


Unused Search button


Spare search button
Site Search

John Paul Jones (musician)

John Paul Jones
Jones playing "Dazed and Confused" in the Denmark Radio show, 1969.
Jones playing "Dazed and Confused" in the Denmark Radio show, 1969.
Background information
Birth name John Baldwin
Also known as John Paul Jones
Born January 3, 1946 (1946-01-03) (age 61)
Flag of England Sidcup, London, England
Genre(s) Hard rock
Heavy metal
Blues-rock
Instrumental Rock
Occupation(s) Musician
Songwriter
Multi-instrumentalist
Instrument(s) Bass guitar
Keyboards
Mandolin
Cello
and more...
Years active 1960 - Present
Label(s) Discipline Global Mobile
Atlantic Records
Swan Song Records
Associated
acts		 Led Zeppelin
Website www.johnpauljones.com

John Paul Jones (born John Baldwin on January 3, 1946 in Sidcup, London), is an English multi-instrumentalist musician, and was known for being the bassist and the keyboardist for rock band Led Zeppelin from its inception until the band's breakup following the death of John Bonham in 1980. In recent years he has developed a successful solo career, and is widely respected as both a musician and a producer. A versatile musician, Jones also plays guitar, mandolin, koto, lap steel guitars, autoharp, ukulele, cello, and the three over-dubbed recorders heard on "Stairway to Heaven".

Contents

  • 1 Early years
  • 2 Session work
  • 3 Led Zeppelin
  • 4 After Led Zeppelin
  • 5 Gear
  • 6 Discography
    • 6.1 With Led Zeppelin
    • 6.2 Solo albums
  • 7 Filmography
  • 8 References
  • 9 External links

Early years

Jones was born in Sidcup, Kent, now part of Greater London. The name John Paul Jones was suggested to him by a friend, Andrew Loog Oldham, after seeing a movie poster for the film of that name in France.

Jones learned his keyboard skills from his father, Joe Baldwin, who was a pianist and arranger for big bands in the 1940s and 1950s, notably with the Ambrose Orchestra. His mother was also in the music business which allowed the family to often perform together touring around England. His influences ranged from the blues of Big Bill Broonzy, the jazz of Charles Mingus, to the classical piano of Sergei Rachmaninoff. Jones was a student at Christ College boarding school in Kent where he formally studied music. At the age of 14, he became choirmaster and organist at a local church and during that year, he also bought his first bass guitar, a Dallas solid body electric followed by a Fender Jazz bass. The fluid playing of Chicago musician Phil Upchurch made him decide to take up the bass guitar. Jones continued to use that Fender bass up until 1975.

Session work

Jones joined his first band, The Deltas, at 15. He then played bass for jazz-rock London group, Jett Blacks. His big break came in 1962 when he met Jet Harris and Tony Meehan (who had just left the Shadows) and played bass for their band for two years. Jet and Tony had just had a Number 1 hit with "Diamonds" (a track on which Jimmy Page had played.)

Jones played his '61 Fender Jazz Bass on hundreds of sessions from 1962 to 1968 and in 1964, Jones began session work with Decca Records on the recommendations of Tony Meehan. Between 1964 and 1968 he was much in demand arranging, and playing keyboards or bass guitar for artists including the Rolling Stones on Their Satanic Majesties Request (It's Jones' string arrangement which is heard on "She's A Rainbow".) ; Herman's Hermits; Donovan on Sunshine Superman and Mellow Yellow; Jeff Beck; Cat Stevens; Rod Stewart; Shirley Bassey; Lulu; and numerous others. As well as recording sessions with Dusty Springfield, Jones also played bass for her Talk of the Town series of performances. His arranging and playing on Donovan's "Sunshine Superman", resulted in producer Mickie Most using his services as choice arranger for many of his own projects, with Tom Jones, Nico, Wayne Fontana, the Walker Brothers, and many others. Jones also got to record with fellow friends of Tony Meehan and Jet Harris, none other than Meehan and Harris' ex-band, Cliff Richard and the Shadows.

Before these recordings, Cliff Richard and the Shadows came close to changing history by nearly preventing the future formation of Led Zeppelin, when they had talks about Jones replacing their ex-bassist Brian "Licorice" Locking. Instead they chose John Rostill.

However, by 1968 Jones was quickly becoming burnt out. As a session arranger he was composing scores for horns and strings the night before, handing them out the next day and finishing the product. "I was arranging 50 or 60 things a month and it was starting to kill me."

Led Zeppelin

Main article: Led Zeppelin

During his time as a session player, Jones often crossed paths with fellow session veteran, guitarist Jimmy Page. In June 1966 Page joined The Yardbirds, and in 1967 Jones contributed to their Little Games album. The following winter, during the sessions for Donovan's The Hurdy Gurdy Man, Jones expressed to Page an interest in being a part of any projects the guitarist might be planning. Later that year, The Yardbirds disbanded, leaving Page and bassist Chris Dreja to complete some previously booked Yardbird dates in Scandinavia. Before a new band could be assembled, Dreja left to take up photography. Jones inquired to Page about the vacant position, and the guitarist gladly welcomed his old friend into the new project. Vocalist Robert Plant and drummer John Bonham had joined after the collaboration of John Paul Jones and Jimmy Page. Initially dubbed the "New Yardbirds" for the Scandinavian dates, the band would soon come to be known as Led Zeppelin.

Jones' decision to leave session work and join a group was due to his desire to express his artistic creativity. Despite the spotlight invariably being placed on the more flamboyant members of Led Zeppelin, many cite Jones' temperament, musicianship and experience as crucial elements adding to the success of the band. He was responsible for the classic bass lines of the group, notably those in "What Is and What Should Never Be" (Led Zeppelin II), and power crunch and shifting time signatures, such as those in "Black Dog" (Led Zeppelin IV). As Led Zeppelin's rhythm section-mate with drummer John Bonham, Jones shared an appreciation for funk and soul rhythmic grooves which strengthened and enhanced their musical affinity.

After "retiring" his Fender Jazz Bass in 1975, Jones switched to using custom-designed Alembics [1] while out on the road, but still preferred to use the Jazz in the studio. His keyboard skills added an eclectic dimension that realised Led Zeppelin as more than just a heavy metal band, most notably on the delicate "The Rain Song" (Houses of the Holy) played on a Mellotron, the funky, danceable "Trampled Underfoot" (Physical Graffiti), and the eastern scales of "Kashmir" (also on Physical Graffiti). In live performances, Jones' keyboard showpiece was "No Quarter", often lasting for up to half-an-hour and sometimes including snatches of "Amazing Grace", Joaquín Rodrigo's "Concierto de Aranjuez", which had inspired Miles Davis' Sketches of Spain, and variations of classical pieces by composers such as Rachmaninoff. His diverse contributions to the group extended to the use of other instruments, including an unusual triple-necked acoustic instrument consisting of a six and a twelve string guitar, and a mandolin. Jones often used bass pedals to supplement the band's sound while he was playing keyboards and mandolin.

While all members of Led Zeppelin had a reputation for off-stage excess (a label Robert Plant later claimed was somewhat exaggerated), Jones was widely seen as the 'quiet one' of the group. His professionalism ensured that any excesses experienced on the road never hindered his performance. However, following several exhausting tours and extended periods of time away from his family, by late 1973 Jones was beginning to show signs of disillusionment with life as a member of the biggest band in the world. He seriously considered quitting Led Zeppelin to become choirmaster at Winchester Cathedral, but was talked into returning by the band's manager, Peter Grant.[2] Jones later claimed that everything he did was kept private, so no one would know about it.

It is rumoured that the Led Zeppelin song "Royal Orleans", from their album Presence is about an experience Jones once had on tour in the United States. The song is about a person who mistakenly takes a drag queen up to his hotel room, who then falls asleep with a joint of marijuana in hand, lighting the room on fire. "Royal Orleans" was the name of a hotel where the members of Led Zeppelin would stay when they visited New Orleans because not as many people asked for autographs there.

Jones' involvement with Led Zeppelin did not put a halt to his session work. In 1969 he returned to the studio to play bass guitar on Family Dogg's Way of Life album, in 1970, keyboards for guitarist Peter Green on his solo album The End of the Game. Jones was Madeline Bell's first choice to produce and arrange her 1974 album Comin' Atcha. He has also played keyboards on many Roy Harper albums, and contributed to Wings Rockestra, Back to the Egg.

After Led Zeppelin

Since 1980 Jones has collaborated with a number of artists, including R.E.M., Heart, Ben E. King, Foo Fighters, The Mission, La Fura dels Baus, Brian Eno, Karl Sabino, the Butthole Surfers and Uncle Earl. He appeared on several sessions and videos for Paul McCartney and was involved in the soundtrack of the film Give My Regards to Broad Street. In 1986, Jones was asked by director Michael Winner to provide the soundtrack for the film, Scream for Help, with Jimmy Page appearing on two tracks. He recorded and toured with Diamanda Galás on her 1994 album, The Sporting Life (co-credited to John Paul Jones). Jones set up his own recording studio called Sunday School, as well being involved in his daughter's (Jacinda Jones) singing career.

Zooma, his debut solo album, was released in September 1999 on Robert Fripp's DGM label and followed up in 2001 by The Thunderthief, which includes his debut as a solo vocalist. Both albums were accompanied by tours, in which he played with Nick Beggs (Chapman stick) and Terl Bryant (drums).

In 2004, he toured as part of the group Mutual Admiration Society, along with Glen Phillips (the front man for the band Toad the Wet Sprocket) and the members of the band Nickel Creek.

Jones plays on two tracks on Foo Fighters' album In Your Honor : mandolin on "Another Round" and piano on "Miracle", both of which are on the acoustic disc. The band's frontman Dave Grohl (a big Led Zeppelin fan) has described Jones' guest appearance as the "second greatest thing to happen to me in my life".

He has also branched out into album production, having produced such albums as The Datsuns' second album Outta Sight, Outta Mind (2004) and Uncle Earl's upcoming album.

Recently he accompanied Robyn Hitchcock and Ruby Wright in performing the song Gigolo Aunt at a Syd Barrett tribute evening in London, which he did on mandolin.[3]

He played at Bonnaroo 2007 in a collaboration with Ben Harper and Roots drummer ?uestlove as part of the festival's all-star Super-Jam, an annual tradition in the festival that brings together several famous, world-class musicians together to jam on stage together for a few hours. He came out and played mandolin with Gillian Welch at Bonnaroo during the song "Look at Miss Ohio" and a cover of the Johnny Cash song "Jackson." He also appeared during the set of Ben Harper & the Innocent Criminals where they played a cover of "Dazed and Confused". Jones then closed Gov't Mule's first set, playing part of Moby Dick and then Livin Lovin Maid on bass, then proceeded to play keyboards on the song Since I've Been Loving You and No Quarter. Jones also performed on mandolin with all female blue-grass group Uncle Earl, whose album he had produced.

Gear

Discography

With Led Zeppelin

Solo albums

John Paul Jones' first solo recording was a single for Pye Records in April 1964 which featured "Baja". The B-side was "A Foggy Day in Vietnam".

In August 2004, Jones announced on his personal website that he was in the process of writing material for a new album. In February 2006, an update on Jones' website announced that he was still in the process of recording the album. Another update was posted in December 2006 indicating that Jones is still working on the new album, albeit slowly.

Filmography

References

  1. Tollinski, Brad , (Jan. 1998). "Like a Rock". Guitar World, p. 60.
  2. Tollinski, Brad , (Jan. 1998). "Like a Rock". Guitar World, p. 122.

External links


 v • d • e Led Zeppelin
Jimmy Page • Robert Plant • John Paul Jones • John Bonham
Discography

Studio albums: Led Zeppelin • Led Zeppelin II • Led Zeppelin III • Led Zeppelin IV (Led Zeppelin IV) • Houses of the Holy • Physical Graffiti • Presence • In Through the Out Door

Live albums: The Song Remains the Same • BBC Sessions • How the West Was Won

Compilations: Coda • Box Set • Profiled • Remasters • Box Set 2 • Complete Studio Recordings • Early Days: Best of Led Zeppelin Volume One • Latter Days: Best of Led Zeppelin Volume Two • Mothership

The Song Remains the Same • Led Zeppelin DVD

Other

Peter Grant • Richard Cole • Swan Song Records • The Yardbirds • XYZ • The Firm • Page and Plant • Strange Sensation • Bootlegs • Concerts • Songs

Return to Index

 ------  Copyright © 2007 UKPopMusic.org -----  contact webmaster

videos lyrics discography biography article music mp3 gallery pictures