Kenny
Everett - Capital Radio excerpt (
"Bohemian Rhapsody"
During his time at Capital Radio, Everett was given a copy
of a new single (which record companies felt was too long to be
successful) from Queen by the group's lead
singer, Freddie Mercury, a good
friend, with the proviso that it was not
to be played on the air. As expected, Mercury's reverse
psychology worked – Everett loved the song and began to play it several
times a night on his show (once claiming that "his finger slipped"),
helping the song — "Bohemian Rhapsody" — to go quickly
to number one in the UK. So greatly did Everett love this song he
played it 14 times in one day when it was released. It went on to
become a world-wide hit.
BBC Radio & back to
Capital
In October 1981,
Everett returned to BBC Radio, albeit this time on Radio 2,
on Saturday lunchtime from 11am-1pm. This lasted until 1983, when he was once
again dismissed after making a rude joke about Margaret
Thatcher. He then returned to Capital Radio, presenting the same slot
as he did on Radio 2.
After Capital split its frequencies in 1988 he was heard on Capital
Gold, with a line-up that included people like Tony
Blackburn and David Hamilton. Everett
presented the afternoon show and then moved to the mid-morning show. He
left in 1994
when his health deteriorated to the point that he was unable to
continue.
TV career
Early television work
Besides the radio programmes, he appeared in several
television series. The first, in 1968, was a production for Granada
Television called Nice Time, co-presented by Germaine
Greer and Jonathan Routh. In 1970 he made three
series for London Weekend Television
(LWT): The Kenny Everett Explosion, Making
Whoopee and Ev; and he also took part
(along with such talents as Willie Rushton and John
Wells) in the 1972
BBC TV series Up Sunday.
(It is not currently clear to which of these efforts
Everett was referring when, years later, he spoke dimissively of some
early TV work: "We just used to turn up at the studio and try to be
wacky". However in interviews, co-presenter Greer spoke of him as "a
televisual genius".)
The Kenny Everett Video Show
(ITV Thames, 1978-1980) and The Kenny Everett Video Cassette (ITV
Thames, 1981)
In 1978,
London's
Thames Television offered him a
new venture, which became the very successful and ground-breaking Kenny
Everett Video Show. This was a vehicle for Everett's
characters and sketches (his fellow writers were Ray Cameron, Barry
Cryer and Dick Vosburgh), interspersed with the
latest pop hits, either performed by the artists themselves, or as
backing tracks to dance routines by the supposedly risqué (for the
time) dance troupe Hot Gossip (see also Sarah
Brightman and Arlene Phillips).
In the pre-MTV
era, this mixture of pop bands and comic sketches was a new format for
television. It was so successful that pop and TV stars queued up to
make cameo appearances, including Rod
Stewart, Billy Connolly, Kate
Bush, Cliff Richard, Freddie
Mercury, Terry Wogan and Suzi
Quatro (see also "Friends" section below) and classical
musicians such as Julian Lloyd Webber(clip).
These shows were also unusual in that there was no studio
audience or laughter track. The only reaction sounds were those of the
writers, staff and crew (given this small audience
the shows were recorded at Thames Television House in small
studios normally used for current affairs programmes, rather
than at Thames's main site at Teddington).
Everett would often ad lib and deviate from the script;
his bloopers were sometimes left in the final cut and on several
occasions he would pull the camera around the studio revealing the crew
not quite sure what was going to happen next. Quite often the crew were
victims of his humour - on one occasion Everett encouraged the crew to
sing Happy Birthday
to a cameraman,
presenting to him a cake which he duly pushed in the cameraman's face.
There were also the stories of Captain
Kremmen, a science fiction hero voiced by
Everett and originally developed for his Capital Radio shows, who
travelled the galaxy battling fictional alien menaces, along with his
assistant Dr Gitfinger and his voluptuous sidekick Carla. In the first
three series these segments were animations created by the Cosgrove-Hall
partnership (responsible for the successful children's cartoon series Dangermouse,
among many others). In the fourth series ("Video Cassette") Kremmen was
featured as live action, with Anna Dawson playing Carla; the segments
were comedy shorts, rather than the erstwhile stories.
Other characters included aging biker Sid Snot (remembered
by fans for unsuccessfully attempting to flip cigarettes into his mouth
- at one point Everett managed to catch one in his mouth, to the
amusement of the studio crew); Marcel Wave, a lecherous Frenchman
played by Everett wearing an absurdly false latex chin; and Angry of
Mayfair, a middle-class City gent complaining of the risqué
content of the show, banging the camera with his umbrella, only then to
be revealed as actually wearing women's underwear.
He also created the never-seen character of Lord
Thames, supposedly the owner of Thames Television (the
company was actually owned by two conglomerates). The character was
often the butt of Everett's rants and was said to symbolise his
contempt for senior management at the company (see below).
Everett's interest in (then primitive) video processing
technology and electronic effects showed itself in such features as the
appearances of a bobbing 'alien' entirely composed of a distorted video
image of his own head ("Hello. I'm Spod, from Planet Thfnnnn. And this
is all I do... Pathetic, isn't it?").
The series ran for four seasons on ITV, and was a big
ratings hit, being required viewing for teenagers of the time. The last
episode ended on a rather sour note (after Everett had locked horns
with Thames management over his show and its scheduling) with Everett
giving a rather restrained farewell speech as the set and scenery was
being stripped down by the crew. The final shot before the closing
credits was Everett himself being picked up and placed inside an
oversized garbage can.
The Kenny Everett Television
Show (BBC 1981-1988)
In 1981,
Everett fell out with Thames regarding the management of his show,
including the scheduling of the programme against the BBC's Top
of the Pops on Thursday evenings (in one skit
on his Thames show, he depicted the Thames management as being behind
an ancient, cobweb-covered door marked "Office Of Saying 'No'". In
fairness to Thames, Everett was never disciplined for his outbursts,
something which had occurred at his previous employers).
TOTP was a ratings powerhouse at the
time, and was effectively unbeatable in the days of three-channel
television in the UK. The BBC offered Everett a contract for a live
audience sketch-format comedy programme, and this partnership came to
fruition at Christmas
1981 with a one-off special, followed by five series.
The writing team was bolstered by the addition of Andrew
Marshall, David Renwick and Neil Shand, and the production standards
were raised by the heavier investment from the corporation.
There were legal concerns when Thames attempted to block
the transfer of Everett's characters to the BBC, claiming them as their
copyright. This led to the creation of new characters such as the spooneristically
named Cupid Stunt, a bearded American B-movie actress with pneumatic breasts
(Everett made no attempt to cover his beard) who told (usually to a
rapt cardboard cutout of Michael Parkinson) lurid and
incredible tales of life on set with Burt
Reynolds and other male stars of the era.
Cupid was originally to have been named Mary Hinge
(another spoonerism referring to a hirsute intimate female body part), but this was
vetoed by the BBC as too obvious. It remains uncertain as to how Cupid
Stunt was then approved. Announcers were often encouraged to simply
refer to her as Cupid, to prevent the possibility of mispronounciation.
A new punk character known as Gizzard Puke was
developed, as Thames were trying to prevent Sid Snot from moving to the
BBC. In the event, Thames's action failed, and all the characters from
the Video Show were released for use. Inept TV
handyman Reg Prescott became another firm viewers' favourite, as each
week he managed graphically and bloodily to injure himself with tools
whilst attempting to demonstrate DIY tips.
Brazilian-born Cleo Rocos, a glamorously curvaceous
co-star, featured heavily in all the BBC series and became one of
Everett's closest friends. She was often portrayed wearing little more
than frilly underwear and high heels, and her figure was used to great
comic effect as a focus for drooling, lascivious men.
Some fans feel that the move to the more traditional BBC
watered down the anarchic spirit of his previous work. The corporation
assumed much tighter control over both content and production, and it
is felt that this removed some of the spontaneity which had become a
hallmark of the Thames series. However, the series performed equally
well in the ratings, and the characters and their catchphrases endure
20 years later.
Quiz shows
Everett hosted two short lived quiz shows late in his
career, Brainstorm [1], and Gibberish
[2].
Friends and guests
Everett was very popular with his peers, and many major
stars of television, radio, and pop music counted him as a friend. This
led to many celebrity guest appearances across all his television work.
Cliff Richard happily
lampooned his clean image many times, as did Lionel
Blair. Terry
Wogan - a long-time colleague from the early days at Radio 1 - made
numerous appearances on both Thames and the BBC shows, as did Billy
Connolly. Other stars who parodied themselves included Rod
Stewart, ABBA,
The
Police and Freddie Mercury.
Political controversy
In the 1983 election campaign, the Young Conservatives invited
Kenny to their conference in an attempt to attract the youth vote.
Egged on by film director Michael Winner, Kenny bounded onto
the stage, wearing the enormously oversized foam rubber hands familiar
from his mock-evangelical character Brother Lee Love.
He shouted slogans
like "Let's bomb Russia!" and "Let's kick Michael
Foot's stick away!" (Michael Foot was the elderly leader of the Labour
party.)
His support for the Conservatives dated back to the late
1960s when the Conservatives, then in opposition, criticised the Labour
government's treatment of the 'pirate' stations.
Bloodbath at the
House of Death
Everett made one foray into film with 1984's Bloodbath at the
House of Death, a spoof of Hammer horror films penned by
Everett's usual writing partners Barry Cryer and Ray Cameron (who also
directed the film). Vincent Price featured as the villain,
credited only as the "Sinister Man", and a number of other popular
comedians and actors also appeared, most notably Pamela Stephenson
Connolly, Gareth
Hunt and Don Warrington. Several regulars from
Everett's television series also appeared.
The film was not a great success, despite winning "Best
Science-Fiction Film" at the Brussels International Festival of Fantasy
Film (tied with Videodrome), and
Everett did not make a successful transition to film star.
Later career and death
The radio shows continued in the same vein and were as
popular as ever, but by the late 1980s the TV show format had run its
course, and Everett's personal life was becoming increasingly
complicated. He had married the singer Lee 'Lady Lee' Middleton (Billy
Fury's former girlfriend) in 1966 ("Kenny proposed to me under a magnolia
tree in Fulham", she later recalled); but by 1979 they had
separated, and Everett came out as gay. He launched himself into the London gay
club scene, and could often be seen in London club Heaven
(then a very popular clubbing destination) on Saturday nights. He was
an active campaigner for gay rights ("I...FOUGHT...for people like
you, and I never got one!" he said in 1979 to David
Bowie, who was guesting on Everett's show.) He seemed never
to fully come to terms with his sexuality, however, and suffered
bouts of severe depression.
By the 1990s
Everett's health was declining. He died of an AIDS-related illness
on 4
April 1995,
at the age of only 50.
Miscellany
- Everett was the announcer on the original version of ATV's
"big box game" Celebrity Squares
which ran on ITV
from 1976 to
1979.
- Everett is often cited as having coined the term 'Beeb'
to refer to the BBC,
although in point of fact the corporation was occasionally referred to
as the "Beeb Beeb Ceeb" in the seminal 1950s radio comedy series The
Goon Show, and it is possible that Everett borrowed the expression from
there. The term is still in popular use; the BBC have used 'the Beeb'
themselves (previously using beeb.com and named their digital
channel for young children CBeebies).
- In 1973, Everett provided the voice of the cat
'Charley' in the Charley Says animated series of public information films.
- In 1982, he said "When England was a kingdom, we had a
king. When we were an empire, we had an emperor. Now we're a country
... and we have Margaret Thatcher." This remark
reportedly led to the non-renewal of his contract with BBC Radio 2.
- In 1980, the band Fox regrouped to record the theme
music for Everett's show, "Electro People".
Quotes and catchphrases
- "It's all done in the best PAH-SIBBLE taste!"
-- regular punchline uttered by character 'Cupid Stunt', accompanied by
her swapping her crossed legs over in the most vigorous way possible.
- "'Ello my leetle chickadees" (and
variations, in heavy French accent) -- introductory
remark uttered by character 'Marcel Wave'.
- "Round 'em up, put 'em in a field, and BOMB
THE BASTARDS!" -- all-purpose solution to any perceived
social problem, declared by 'Marvin Bombthebastards', a handgun-waving
US General with immense shoulders (equipped with retractable cannon)
and chest to support many medals.
- "Brother, Brother, Brother Lee Love!"
-- gospel-style
sung introduction to huge-handed US minister 'Brother Lee Love', whose
frenetic sermons called for the 'congregation' to echo the last two
syllables of some sentences, with amusing (and occasionally very rude)
results.
- "I hate pornography ... I haven't even got a
pornograph!" -- 'Angry of Mayfair'.
- 'This morning, I spilled coffee all over my
wife's dressing gown! Serves me right for wearing it! --
'Angry of Mayfair'.
- "Colonel Muriel Kleen here, of the Campaign
for Nice Things on Television!' (A couple of bars of 'Hallelujah!' from
the 'Hallelujah Chorus'.) 'We believe in goodness, truth and beauty! We
believe that Julie Andrews should get her own series, and that Joan
Collins should get her own breakfast! And remember: you don't have to
watch this endless display of perversitude and fleshybollery! You've
all got a knob there! SO USE IT!"
-- 'Angry of Mayfair.'
- (Electronic rendition of Bach's
choral prelude Wachet Auf)
-- (possibly performed by transsexual Walter/Wendy
Carlos) musical accompaniment to all sketches featuring 'Maurice
Minor', parody of French mime artist Marcel
Marceau.
- "Ello, I'm Gizzard Puke, mugger to the gentry,
and anyone who says punk's dead, will be."
- "Some people think these soles are crêpe. I
don't think they're that bad."
- "Me faddah ust'a yell at me so much when I was
a kid, I ust'a think me name was 'Shaddup!" - 'Sid Snot'
- "Great(Grate)!... doesn't it?"
- "It's a cock up at the OK Corral"
Shows hosted
The following is a list of the main shows Everett has
presented:
Television
- Nice Time Granada Television - (1968)
- The Kenny Everett Explosion LWT - (1970)
- The Kenny Everett Video Show Thames
Television - (1978-1980)
- The Kenny Everett Video Cassette Thames
Television - (1981)
- The Kenny Everett Television Show BBC - (1981 - 1987)
- Brainstorm BBC -(1988)
- Gibberish BBC
- (1992)
Radio
- Kenny & Cash Show Radio London - (1964-1965)
- Kenny Everett Show Radio
Luxembourg - (1966)
- Midday Spin BBC Radio 1 - (1967)
- Everett is Here BBC Radio 1 Saturdays 10am-12midday
(1968-1970)
- Kenny Everett Show BBC
Local Radio (1971)
- Kenny Everett Show BBC Radio 1 Sundays 1-3pm (1972)
- Kenny Everett Show Capital Radio (1973)
- Breakfast Show Capital Radio (1974-1980)
- Kenny Everett Show BBC Radio 2 Saturdays 11am-1pm
(1981-1983)
- Kenny Everett Show Capital Radio Saturdays 11am-1pm
(1983-1988)
- Weekday Afternoons Capital Gold 1-4pm (1988-1991)
- Weekday mid-mornings Capital
Gold 9am-12midday (1991-1994)
External links
General links
Radio links
Television links