Malcolm McLaren
Background information
Birth name	Malcolm Robert Andrew Edwards
Also known as	Malcolm McLaren
Born	January 22, 1946 (1946-01-22) (age 61)
Origin	London, England
Genre(s)	Punk rock
Occupation(s)	Band Manager
Associated acts	New York Dolls, Sex Pistols, Bow Wow Wow

Malcolm McLaren (born Malcolm Robert Andrew Edwards, 22 January 1946, in London) is an English impresario, musician and self-publicist who is best known as being the manager of the punk rock band Sex Pistols.

Contents 1 Early years 2 The New York Dolls and SEX 3 The Sex Pistols 4 Post Pistols management 5 Solo musical career 6 Later career 7 British Airways Advert Theme 8 Discography 9 See also 10 References 11 External links

Early years

McLaren was born to Pete McLaren and Emmy Isaacs in the suburbs of postwar London.

His father left when he was two, so he was raised by his grandmother, Rose Corre Isaacs, in Stoke Newington, London. She was a charismatic, formerly wealthy daughter of Portuguese Sephardic Jews who were former diamond dealers. When Malcolm was six, Emmy Isaac married Martin Levi, a man working in London's rag trade. McLaren’s stepfather and his mother owned a shmatte factory in London’s East End, 'Eve Edwards London Limited', and Malcolm lived in a fine suburban house. Unfortunately, Malcolm and his stepfather never got along, and by the time he hit his teens, Malcolm couldn’t wait to leave home. After a series of jobs (including one as a wine taster), he went on to attend several Art Colleges through the 1960s, being expelled from several before leaving school entirely in 1971. It was during this time that he began to design clothing, a talent he would later utilise when he became a boutique owner.

He had been attracted to the Situationist International movement, which promoted absurdist and provocative actions as a way of enacting social change. In 1968 McLaren had tried unsuccessfully to travel to Paris to take part in the demonstrations there. McLaren would later adopt Situationist ideas into his promotion for the various pop and rock groups he was soon to become involved with.

The New York Dolls and SEX

In 1971 McLaren and his partner, the designer Vivienne Westwood, opened a London clothing shop called Let It Rock on the Kings Road. The shop sold Teddy Boy clothes and McLaren and Westwood also designed clothing for theatrical and cinematic productions such as That'll Be The Day and Mahler. Let It Rock proved a success but McLaren grew to become disillusioned with the style of shop due to problems with the Teddy Boys who were the shop's main customers.

McLaren travelled to New York City for a boutique fair in 1974 and it was there that he first saw the New York Dolls. He convinced the band that he could do a better job of managing and promoting them. Johnny Thunders has publicly stated that McLaren only 'hung around' for the last couple of weeks of their existence. McLaren designed red leather costumes for the group and utilized a Soviet style hammer and sickle motif for their stage show as a provocative feature in promoting them. This ploy was not successful and the Dolls soon broke up. However, it was while he was managing the Dolls that he first saw the Neon Boys perform. The Neon Boys included Tom Verlaine and Richard Hell, who were later to form Television. In May 1975 McLaren returned to Britain after the Dolls' breakup and took what he had seen and experienced in New York with him.

McLaren had been greatly impressed with Hell's torn clothing, studded dog collars and leather jackets, and with Hell's dissolute attitude. According to Hell, McLaren approached him and Verlaine about being their manager, but they were not interested.

McLaren decided to change Let It Rock from a shop which sold Rockabilly/Teddy Boy style clothes to one which sold bondage and fetish clothing, including clothing designed by Westwood using the new 'punk' look McLaren had seen in New York. Let It Rock was renamed SEX and began to attract many of London's disenfranchised youth who were attracted by the rebellious nature of the shop.

The Sex Pistols

By 1975 McLaren had started to manage The Strand, the band who would later become the Sex Pistols. During this year the band changed direction and McLaren saw his chance to bring the 'punk' scene to London.

After finding a new lead singer in Johnny Rotten after an audition in SEX, the band was renamed The Sex Pistols (McLaren stating he wanted them to sound like "sexy young assassins") and the line-up consisted of Rotten, Steve Jones, Paul Cook and SEX employee Glen Matlock. The band played a few small gigs before eventually becoming sought after by record companies and were eventually signed (with a large advance) by EMI in 1976.

However after a notorious appearance on Bill Grundy's Today programme in December 1976 the band made themselves nationally known across the UK. The Pistols had been booked to be a last minute replacement on the Grundy show, and their appearance ended in a shower of obscenities which gave them (and Punk) a reputation for causing trouble. The band were fired by EMI in January 1977 and were signed to A&M Records for another large advance on 10 March 1977. After signing the contract outside Buckingham Palace the band returned to A&M's offices for a party which ended in the band causing chaos. The Sex Pistols were sacked from A&M on 16 March 1977.

After this the band signed their last deal with Virgin Records in May 1977. Through Virgin the band released God Save the Queen during the week of Queen Elizabeth II's Silver Jubilee. At the time the UK was still respectful of the Royal Family and releasing what was seen as an attack of the Queen was seen as an attack upon the establishment. McLaren organised a boat trip down the Thames where the Sex Pistols would perform their music outside Houses of Parliament. This ended up with the boat being raided by the police. McLaren himself was arrested and the event saw more national publicity for McLaren and the band.

The band released their album Never Mind the Bollocks, Here's the Sex Pistols in October 1977 and played their last UK gig before embarking upon an American tour in January 1978. This tour saw the band split up after a series of arguments within the band. During his time managing the band McLaren was accused by band members (most notably by John Lydon) of mismanaging them and refusing to pay them when asked for money. However McLaren has stated that he had planned out the entire path of the Sex Pistols and in the film, The Great Rock 'n' Roll Swindle he set this plan out. The film was criticised for being too skewed towards McLaren and for being a launchpad for McLaren's future career in music as a performer (he performs the Max Bygraves song You Need Hands in the film) as well as a manager.

McLaren kept the rights for the Sex Pistols until Lydon took him to court in the 1980s to win the rights from McLaren. Lydon won and gained complete control from McLaren in 1987. McLaren and Lydon have refused to speak to each other since the band split and in the 2000 film, The Filth and the Fury, the surviving members of the Sex Pistols put their version of events on film.

Post Pistols management

After the Pistols breakup McLaren managed Adam & the Ants, sacking Adam after a few weeks, recruiting a new singer and turning them from bleak post-punk into the colourful and percussive Bow Wow Wow. Bow Wow Wow owed much of their unique sound to their use of Burundi style drumming. This use of African rhythms prefigured the world music boom by some years. Ironically, Adam Ant, after being sacked from his own band, recruited new musicians and followed much the same development, but with markedly more commercial success. Bow Wow Wow were fronted by the 14 year old Annabella Lwin who was controversially pictured nude on the cover of the band's See Jungle!... album.

Solo musical career

His solo career has been highly innovative and conceptual, with each album representing a new idea or musical novelty.

In 1983 McLaren released Duck Rock, an album which mixed up influences from Africa and America, including hip-hop. The album proved to be highly influential in bringing hip-hop to a wider audience in the UK. Two of the singles from the album ("Buffalo Gals" and "Double Dutch") became major chart hits on both sides of the Atlantic.

He then turned his eyes to electronic music and opera in the 1984 single, Madame Butterfly, based on the opera. The track is arranged with drum machines, atmospheric synthesizers and spoken verses. It was an unlikely hit, reaching #13 in the UK and #16 in Australia. The producer of the single, Stephen Hague, became a much sought after producer in the techno pop genre following his work with McLaren on the following full length LP Fans.

In 1989, he returned with the album Waltz Darling, a funk/disco/vogueing inspired album. Waltz Darling incorporated elements of his former albums, ie spoken verses, string arrangements and eclectic mix of genres but featured such prominent musicians like Bootsy Collins or Jeff Beck with a glitzy, LA-style production aimed at the US market. The singles, Waltz Darling, Something's Jumpin' in Your Shirt became top-20 radio hits in Europe. While for once McLaren's instincts failed him (there was no sudden interest in waltz music) it still helped to spread the news about the previously underground practice of vogueing.

Later career

McLaren attempted to make a film called Fashion Beast which was scripted by comic book writer Alan Moore during the 1980s. The film was never made, however McLaren has been involved with other film and television projects. One such project was The Ghosts of Oxford Street, made for Channel 4 in 1991. This musical history of London's Oxford Street was directed and narrated by McLaren and included musical numbers by The Happy Mondays, Tom Jones, Rebel MC, Kirsty McColl, John Altman, and Sinead O'Connor.

In 1992, McLaren co-wrote the song 'Carry on Columbus' for the feature film of the same name. The song plays over the end credits of the film and, to most fans of the film series, is acknowledges as a pretty lamentable effort.

In 1994 McLaren recorded the concept album Paris, with French artists such as Catherine Deneuve and Françoise Hardy.

In 1998, correctly foreseeing that Asian culture would become increasingly influential and popular in the West, he created a band called Jungk, consisting of three Asian females intended to emulate appeal of the then popular Spice Girls. However, this project was not a commercial success. In the wake of his forming of this group, the NME described McLaren as an "ethnic pirate" and a "charlatan".

Also in 1997/1998, he released a track called 'The Bell Song'. Various remixes were released on 12" single. It was widely slated in the music press as "lame" and "derivative".

During 2000, there was speculation that he might stand to be elected as Mayor of London (see [[1]]), although ultimately he did not run. He had an exhibition of some autobiographical work at the German ([Zentrum fuer Kunst und Medientechnologie]) called "Casino of Authenticity and Karaoke" about which he gave ([[2]], [[3]]) an interview.

In 2002, Eminem released a track called 'Without Me', which sampled McLaren's song, 'Buffalo Gals'.

In 2003 he heard Bitpop and Chip music and wrote the article ([[4]]) 8-Bit Punk championing 8-bit music. It also notes a planned release in that style by McLaren.

His song About Her, based on She's Not There by The Zombies, rose to prominence when used by director Quentin Tarantino in Tarantino's movie Kill Bill Vol. 2. He was accused of plagiarism for this song in 2005 for allegedly copying the work of a French musician, but was cleared of the charges in November 2005 when the court in Angers, France (see [[5]]) threw out the case.

McLaren is one of the producers for the film adaptation of Fast Food Nation, which premiered on May 19, 2006 at the Cannes Film Festival. It was released in fall 2006 and featured Richard Linklater as its director.

In 2007 McLaren's song "World's Famous" is sampled by R&B singer Amerie on the song titled "Some Like It" for her album Because I Love It.

British Airways Advert Theme

In 1989 McLaren and composer Yanni arranged The Flower Duet into a work called 'Aria'. The 'Flower Duet' theme, taken from the French opera Lakme by Léo Delibes, had already been used by composer Howard Blake to accompany BA commercials since 1984. However, from 1989 McLaren and Yanni continued the musical brand identification established by Blake, further arranging the 'Flower Duet' and featuring it in BA's 'World's favourite Airline' global campaign of the 1980s and 1990s. 'Aria on Air' has become synonymous with the airline's brand as a result of the campaign's success. An example of the advertisements can be viewed here http://www.youtube.com/watch?v=jxs106rp5RQ And another variation here: British Airways - Lakme commercial.

Discography

• Duck Rock (1983)
• D'ya Like Scratchin' (EP) (1984)
• Madam Butterfly (1984)
• Fans (1985)
• Swamp Thing (1985)
• Waltz Darling (1989)
• Round the Outside, Round the Outside (with the World Famous Supreme Team Show) (1990)
• Paris (1994)
• Buffalo Gals Back to Skool (1998)
• Tranquilize (2005) (only available from Habitat stores)

See also

• Bow Wow Wow
• Jimmy The Hoover
• Sex Pistols
• Vivienne Westwood
• Seditionaries clothing
• WORLDS END clothing

References

1. Channel 4 - 100 Greatest Christmas Moments, accessed 9 July, 2007
2. http://www.howardblake.com/music/Commercials/567/British-Airways-Theme-Tune-Lakme.htm British Airways Theme Tune

External links

• [6] McLaren's homepage
• [7] McLaren Vh1 Biography
• [8] SEX & SEDITIONARIES, the largest website showcasing the work of Malcolm McLaren & Vivienne Westwood circa 1975 to 1979
• [9] a WORLDS END website dedicated to the collaboration between Malcolm McLaren and Vivienne Westwood on their PIRATE collection launched in 1981
• [10] Discusses McLaren's role in introducing hip hop to the UK
• [11] The Situationist, an essay by Craig Bromberg
• [12] Malcolm McLaren interviewed by Ginny Dougary (2006)
• [13] The Wicked Ways of Malcolm McLaren: Sex Pistols, Boy George, Adam Ant, Butterfly, Bow Wow Wow, Buffalo Girls, Too Fast To Live, Too Young to Die, by Craig Bromberg. 1989 biography, published by Harper & Row and Omnibus Books, UK (1991).
• [14] Malcolm McLaren interviewed in the design magazine ROGER (2007)