
Background information
Origin
Salford,
Greater Manchester & Macclesfield,
Cheshire,
England
Genre(s)
Post-punk
New
Wave
Alternative dance
House
Techno
Years active
1980–
On Hiatus: 1993-1998
Label(s)
Factory
(1981–1992)
Warner
(1998–) and
Warner subsidaries London (1993–2007), Reprise and QWest
Associated
acts
Joy
Division
Electronic
Monaco
Revenge
The
Other Two
Members
Bernard
Sumner
Stephen
Morris
Phil Cunningham
Former members
Gillian Gilbert (1981-2000)
Peter
Hook (1980-2007)
New Order are an English rock group
formed in 1980 from the remaining members of Joy
Division—Bernard Sumner (vocals, guitars, synthesizers),
Peter
Hook (bass, electronic
drums), and Stephen Morris (drums,
synthesizers). The demise of Joy Division was a result of the suicide of
singer Ian
Curtis. The three-person New Order were soon joined by Gillian
Gilbert (synthesizers, guitars).
New Order melded post-punk and electronic
dance, and became one of the most critically acclaimed bands of the
1980s. Though the band were shadowed by the legacy of Joy
Division in their first years, their immersion in the New
York City dance scene of the early 1980s introduced them to dance
music. The band's 1983 hit "Blue Monday", saw them
fully embrace dance music and synthesized instruments, and has been
described as the best-selling 12" single of all time. New Order were
the flagship band for Factory Records, and their
minimalist album sleeves and non-image reflected the label's aesthetic.
The band has often been acclaimed by fans, critics and other musicians
as a highly influential force in the alternative
rock and dance
music scenes over the past 25 years.
New Order were on hiatus between 1993 and 1998, during which
time the members participated in various side-projects. The band
reconvened in 1998, and in 2001 released Get Ready,
their first album in eight years. In 2005, Phil Cunningham
(guitars,
synthesizers)
replaced Gilbert, who had left the group due to family commitments. In
2007, Peter Hook claimed that he and Sumner had no further plans to
work together, and this was confirmed in an announcement by Sumner and
Morris on the 20th July 2007.[1]
|
Contents
- 1 History
- 1.1 Origins
- 1.2 Power,
Corruption & Lies
- 1.3 Low-Life,
Brotherhood, and Substance
- 1.4 Technique
- 1.5 Republic
and band hiatus
- 1.6 Get
Ready
- 1.7 Waiting
for the Sirens' Call and Singles
- 1.8 Hook's
departure
- 2 Aesthetics
- 2.1 Album
covers
- 2.2 Song
titles
- 2.3 Singles
- 3 Honours
and recognition
- 4 Discography
- 5 Media
- 6 See
also
- 7 References
- 8 Notes
- 9 External
links
- 9.1 Official
websites
- 9.2 Semi-official
websites
- 9.3 Fansites
- 9.4 Resources
|
History
Origins
Between 1976 and 1980, Ian Curtis, Peter Hook, Stephen Morris,
and Bernard Sumner were members of the post-punk band Joy
Division, often featuring heavy production input from
producer Martin Hannett.
Curtis committed suicide on the eve of their American tour, and prior
to release of the band's second album, Closer,
on 18
May 1980.
The rest of the band decided soon after Curtis's death that they would
carry on. Hook told Mojo in 1994, "The first
meeting we all had, which was the Sunday night [Curtis committed
suicide], we agreed that. We didn't sit there crying. We didn't cry at
his funeral. It came out an anger at the start. We were absolutely
devastated: not only had we lost someone we considered our friend, we'd
lost the group. Our life basically."
The members of Joy Division had agreed before Curtis's death
not to continue under the Joy Division name should any one member leave
the band. Rob
Gretton, the band's manager for over twenty years, is credited for
having found the name "New Order" in an article in The
Guardian entitled "The People's New Order of Kampuchea".
The band adopted this name, despite its previous use for ex-Stooge Ron
Asheton's band The New Order. Yet the link with Joy Division made it
hard for critics to ignore the fascistic undertones the name carried
with it, the term "New Order" being featured in Hitler's Mein Kampf
as "the new order of the Third Reich." The band publicly rejected any
claims that the name had anything to do with fascist or Nazi
sympathies, with Sumner later saying, "We really, really thought it
didn't have any connotations, and we thought that it was a neutral
name, it didn't mean much . . ."
The band rehearsed with each member taking turns on vocals. Sumner
ultimately took the role, as the guitar was an easier instrument to
play while singing. Wanting to complete the line-up with someone they
knew well whose musical skill and style was compatible with their own,
New Order invited Morris' girlfriend, Gillian Gilbert from Macclesfield,
to join the band during the early part of October 1980, as keyboardist
and guitarist. Gilbert's membership was suggested by Gretton.
Their initial release as New Order was the single "Ceremony",
backed with "In A Lonely Place". These two songs were written in the
weeks before Curtis took his own life.
With the release of Movement in
November 1981, New Order initially started on a similar route as their
previous incarnation, performing dark, melodic songs, albeit with an
increased use of synthesizers. The band viewed the period as a low
point, as they were still reeling from Curtis' death. Hook commented
that the only positive thing to come out of the Movement
sessions was that producer Martin Hannett had showed the band
how to use a mixing board, which allowed them to produce records by
themselves from then on.
A change in musical direction was brought about when New Order
visited New York City in 1981. The band immersed themselves in the New
York dance scene and were introduced to postdisco, Latin freestyle, and
electro.
Additionally, the band had taken to listening to Italian disco to cheer
themselves up, while Morris taught himself drum programming.
The singles that followed, "Everything's Gone Green" and
"Temptation", indicated
the change in direction toward dance music.
The
Haçienda, Factory Records' own nightclub
(largely funded by New Order), opened in May 1982 and was even issued a
Factory catalogue number: FAC51. This was the UK's first ever superclub.
Its opening was marked by a near-23 minute instrumental piece of Steve
Morris' making, 'Video 586'; released as a single 15 years later. Peter
Hook was later to admit to grievance when he thought New Order 'had
gone and done a single' without him.
Power, Corruption
& Lies
Album cover of Power, Corruption &
Lies (1983).
Power, Corruption &
Lies was released March, 1983, a
synthesizer-based outing and a dramatic change in sound from Joy
Division and the preceding album. Starting from what earlier
singles had hinted, this was where the band had found their footing,
mixing early techno music with their earlier guitar-based sound,
heavily inspired by acts like Kraftwerk and Giorgio
Moroder. Even farther in this direction was the electronically
sequenced, Falklands-themed, four-on-the-floor single "Blue Monday", which
became the best-selling 12-inch single of all time. The
12-inch "Blue Monday" single sleeve was so elaborate, resembling a
large 5¼" floppy
disk, that the band and Factory themselves were said [2] to lose from 2p to £1 on each
copy sold. However, later presses became less elaborate, and the band
reaped large profits from the sales of the single. The American edition
of Power Corruption & Lies, released later,
featured "Blue Monday" and its B-side "The Beach" as extra tracks.
The hip hop-tinged single "Confusion"
(released in 1983 and co-produced by Arthur Baker) firmly
established the group as a dance music force, inspiring many musicians
in subsequent years. It was a crossover success on the club scene, and
set a precedent for remixes of rock or pop songs which has now
become a key part of music marketing. Still, the group did not
pigeonhole themselves as a dance act. Instead they pursued two
simultaneous and sometimes overlapping styles, one guitar- and
rock-based and one dance music-oriented. In 1984 they followed the
largely synthesized single "Thieves Like Us" with the heavy
guitar-drum-bass rumble of "Murder", a not-too-distant cousin of
"Ecstasy" from the Power, Corruption & Lies
album.
Low-Life, Brotherhood,
and Substance
Image:NewOrderLowlifeCover.jpg
Album cover of Low-Life
(1985).
The Low-Life album
(1985) refined and sometimes mixed the two styles, brandishing "The
Perfect Kiss" (the video for which was filmed by Jonathan
Demme) and "Sub-culture". In February 1986, the soundtrack album to Pretty
in Pink featuring "Shellshock"
was released on A&M Records. The instrumental
version of "Thieves Like Us" appeared in
the film but did not make the soundtrack. Also, the instrumental "Elegia" is in the
film and not on the soundtrack.
Image:NewOrderBrotherhoodCover.jpg
Album cover of Brotherhood
(1986).
Brotherhood
(1986) divided the two approaches onto separate album sides. The album
notably featured "Bizarre Love Triangle" and
"Angel Dust" (available elsewhere under the guise of "Evil Dust"), a
track which marries a synth break beat with Low-Life
era guitar effects. "Brotherhood" also featured "All Day Long", a tale
of child abuse. In addition, the album also included "Every Little
Counts," in which Sumner dissolves into laughter after having sung the
line "I think you are a pig, you should be in a zoo", affording the
track successor-status to 1983's "Your Silent Face".
While New Order toured North America with friends Echo & The Bunnymen,
the summer of 1987 saw the release of the compilation Substance
that featured the new single "True Faith". Substance
was an important album in terms of collecting the group's singles (in
the 12" format) onto CD for the first time and featured two new
versions of "Temptation" and "Confusion", respectively entitled
"Temptation '87" and "Confusion '87". A second disc featured several of
the B-sides
from the singles on the first disc as well as additional A-sides
"Procession" and "Murder" and another new song "1963". The album's main
single "True Faith", with its surreal video, became a hit on MTV and
the band's first American top 40 hit. The song's B-side "1963"
(originally planned on being the A-side until the group's label
convinced them to release "True Faith" instead) would later be released
as a single in its own right several years later.
Technique
Album cover of Technique
(1989).
By this time, the group was heavily influenced by the Balearic
house sounds of Ibiza and the acid house tunes making their way into
the Haçienda. Technique
was released in February 1989. The album debuted at number one in the
UK and contained a mix of the acid house influence (as on "Fine Time",
the opening track) and a more traditional guitar-bass-drums sound on
others (such as the single "Run"). The album is a blend of occasionally
upbeat, accessible music coupled with blunt, poignant lyrics inspired
by Sumner's failed marriage.
Several tracks on this album have attained seminal status for
example "Vanishing Point" which was used as
the theme
tune to the BBC1
TV
series "Making
Out" - for which the band also composed additional incidental
music.
New Order recorded the official song of the England national
football team's 1990 World Cup campaign, "World
in Motion," under the ad-hoc band name EnglandNewOrder. The song,
co-written with comedian Keith Allen, was a number one UK hit,
and the now-famous John Barnes rap was also recorded by Paul Gascoigne
and Peter Beardsley. These versions have not been made available for
release.
At around the same time, Bernard Sumner teamed up with fellow
Mancunian Johnny Marr for the Electronic
project (also enlisting the help of Neil
Tennant and Chris Lowe of the Pet
Shop Boys), while Peter Hook in retaliation
started a project called Revenge, each of them
leaving New Order but continuing to make New Order-style recordings.
Unusually for such a major group, New Order never had a formal
contract with their label Factory Records. (This was in fact
the label's standard practice until the mid-1980s. According to
Factory's co-founder Tony Wilson, "All our bands are free to
fuck off whenever they please", a pledge he made by writing it in his
own blood). Because of this, the group (rather than Factory Records)
legally owned all their own recorded material. This has often been
cited, not least by Wilson himself, as the main reason London
Records' offer to buy the ailing label in 1992 fell through.
Republic and
band hiatus
Republic,
released around the world in 1993, was the band's first album release
since parting company with the now defunct Factory Records. It featured
an ultimately polished, inoffensive sound, but with a sombre edge. The
release spawned the singles "Regret" (their highest charting single
in the US), "Ruined in a Day", "World" and "Spooky".
Following the release of Republic, the band put New
Order on hold, whilst each member continued on with their own
side-projects: Sumner once again teamed up with Johnny
Marr in Electronic for Raise
the Pressure. Karl
Bartos (formerly of Kraftwerk) also assisted with this record.
Sumner also collaborated with the Chemical
Brothers on a track from their album Surrender,
"Out Of Control"; Hook formed the band Monaco
with former Revenge member David
Potts; and Morris and Gilbert formed the aptly named The
Other Two.
In 1994, a second singles collection was released, entitled The
Best of New Order. It featured all of the
band's singles since Substance as well as a few extra tracks:
"Vanishing Point" (from 1989's Technique), "The
Perfect Kiss", "Thieves Like Us", "Shellshock", and remixed versions of
"True Faith", "Bizarre Love Triangle", and "1963". The remixes of "True
Faith" and "1963" were released as singles to promote the album. In the
US, the tracklisting was altered to set it apart from Substance
as well as the UK release of The Best of New Order
which had been available months prior. This collection was followed by
a remix album, The Rest of New Order,
featuring a selection of old remixes and newly-commissioned mixes of
classic New Order tracks. Some versions contained an extra
disc/cassette comprised entirely of remixes of "Blue Monday". "Blue
Monday" was again trotted out as a single for a third time in order to
promote the collection.
Image:NewOrderReading1998.jpg
New Order performing at Reading
Festival (1998)
The group reconvened in 1998 at the suggestion of Rob Gretton.
The group had not seen each other in nearly five years. Sumner said "we
decided before we agreed to doing any gig, to have a meeting, and if
anyone had any grudges to bear, to iron them out." By the second
meeting everyone agreed to continue playing, scheduling their reunion
gig for the Phoenix Festival that same year. In addition to rarer
songs, New Order also decided to begin playing Joy Division songs again.
Since then, Joy Division songs have appeared regularly in New Order's
setlists. When the Phoenix Festival was cancelled due to low ticket
sales, New Order instead played the second night of that year's Reading
Festival.
Get Ready
Image:NewOrderGetReadyCover.jpg
Album cover of Get Ready
(2001).
Their 2001 release Get Ready
largely departed from their more electronic style and focused on the guitar. According
to Sumner, "Get Ready was guitar-heavy simply
because we felt that we'd left that instrument alone for a long time."
Longtime fan Billy Corgan of The
Smashing Pumpkins performed guitar and vocals on the track "Turn My
Way", and in 2001 toured with the band deputising for Gillian. Primal
Scream's Bobby Gillespie provided
vocals on the track "Rock the Shack". Singles from the album included
"Crystal", "60 Miles an Hour" and "Someone Like You".
In 2002, Q magazine featured
New Order on their list of the "50 Bands To See Before You Die",
although this was as part of a sub-list of "5 Bands That Could Go
Either Way". Both New Order and Joy Division were portrayed in the Michael
Winterbottom film 24 Hour Party People,
which depicts the rise and fall of Factory Records as seen through the
eyes of label founder Tony Wilson. Cameos by Wilson himself,
along with Mark
E. Smith of The Fall and former members of The
Stone Roses and Inspiral Carpets, lend a
degree of legitimacy to the proceedings. The film touches on some of
Factory's other artists, including Happy
Mondays and The Durutti Column. The
soundtrack features a collaboration between New Order and the Chemical
Brothers entitled "Here To Stay", which was released as a single. The
DVD release of the single contains scenes taken from the film.
Waiting for the Sirens'
Call and Singles
The band released a new album on March 27 2005,
entitled Waiting for the Sirens'
Call, their first with new member Phil
Cunningham. Cunningham replaced Gilbert (now married to Morris) so she
could look after her children. Singles from this album were "Krafty", "Jetstream"
(which features guest vocals by Ana Matronic from the Scissor
Sisters), and the title track.
According to Peter Hook, the band wrote and recorded enough material
during the sessions for this album to release a follow-up in the near
future. As 2006 drew to a close, no new album had been released. At the
2005 NME awards, New Order
received the award for 'Godlike Geniuses' (for lifetime achievement).
Previous winners include Ozzy Osbourne, The
Clash, and the Happy Mondays.
In the fall of 2005, the group released another greatest hits
compilation, in the form of Singles.
The two-disc release was an updated version of the Substance
collection and contained every single released from their 1981 debut
all the way through to the title track to Waiting for the
Sirens' Call. However, unlike Substance,
which focused almost exclusively on the 12" versions of the group's
singles, Singles collected the 7" versions, many of
which (like Temptation and Confusion)
had never been released on CD. The album was accompanied by a two-disc DVD set, entitled
'Item', that collected the extended UK version of NewOrderStory
with a DVD of all New Order music videos as well as two newly
commissioned videos for Temptation '87
and Ceremony.
Hook's departure
In 2006, the band played several one-off live dates as well as
short tours in the UK and Brazil. At the end a show in Buenos
Aires in November 2006, Peter Hook suggested that the band would stop
touring.
Rumors spread that the band was breaking up, but in January of 2007
Stephen Morris denied the rumors, commenting, "It's the first I've
heard of it." Morris added they were working on a new album as well as
preparing for the release of Control,
the upcoming Ian Curtis biopic.
However, in early May 2007, bassist Peter Hook was interviewed
by British radio station XFM
— originally to talk about his contribution to the debut album of
former Jane's Addiction singer Perry
Farrell's new band Satellite Party — and when asked "Is
New Order over now?" replied "Yeah, me and Bernard [Sumner] aren't
working together." The interviewer appeared unconvinced because, as he
said, the band had split up and reunited numerous times before. Hook
promptly added that "Bernard went off for a break with Electronic,
but it was different then." The interviewer flipped that the band would
be working together again shortly anyways, to which Hook, sounding
somewhat desperate, replied "No-one believes me... it's like The Boy Who Cried Wolf!"
Hook further commented on the band's breakup on his MySpace page:
"I'm relieved... Really hated carryin' on as normal with an awful
secret, so let's move on, shall we?"
Further complicating the news, NewOrderOnline, a website with
support from New Order management, reported that, according to "a
source close to the band", "the news about the split is false... New
Order still exists despite what (Hook) said [...] Peter Hook can leave
the band, but this doesn't mean the end of New Order."
Hook mocked the "source close to the band" in a blog entry he made
after returning from Cannes, where the group attended the premiere of
the Ian
Curtis biopic
Control,
writing "Well, who could be closer to the band than me! I love these
unnamed sources, or shall we call them cowards, eh?"
Hook also reiterated that New Order had split in various interviews.
However on July 20, 2007, Morris and Sumner released a further
statement claiming that New Order would continue without Hook,
expressing their stance on the on-off break-up situation. The statement
ran "After 30 years in a band together we are very disappointed that
Hooky has decided to go to the press and announce unilaterally that New
Order have split up. We would have hoped that he could have approached
us personally first. He does not speak for all the band, therefore we
can only assume he no longer wants to be a part of New Order."
NME.Com reported on 31st July 2007 that Peter Hook had posted
a message on his MySpace blog, claiming he would take steps to prevent
Morris and Sumner continuing as New Order, writing "This group [New
Order] has split up! You are no more New Order than I am! You may have
two thirds, but don't assume you have the rights to do anything 'New
Order-ey', because you don't. I've still got a third! But I'm open to
negotiation."
Aesthetics
Both New Order and Joy Division were among the most successful
artists on the Factory Records label, run by Granada television
personality Tony Wilson, and partnered with Factory in the financing of
the Manchester
club The Haçienda. The band rarely gave
interviews in the '80s, later ascribing this to not wanting to discuss
Curtis. This, along with the Peter Saville sleeve designs and the
tendency to give short performances with no encores, gave New Order a
reputation as standoffish. The band became more open in the '90s, for
example the aforementioned NewOrderStory (and in
particular the long UK version) featured extensive personal interviews.
Their music has trodden the line between the rock and dance
genres, which can be seen on signature tracks such as "True
Faith" and "Temptation". This
synthesis laid down the groundwork for dance/rock groups of today. The
group's album art earned them the status of icons in the alternative
community, and have shown considerable longevity. "Does the Catholic
Church pour its wine into mouldy earthenware pots? I think not...",
Tony Wilson has offered.
They have heavily influenced techno,
and were themselves influenced by the likes of Kraftwerk, Cabaret Voltaire
and Giorgio Moroder, and they have also
significantly influenced electro, freestyle
and house.
Bassist Peter Hook contributed to New Order's sound by developing an
idiosyncratic bass guitar technique. He often used the bass as a lead
instrument, playing melodies on the high strings with a signature heavy
chorus effect, leaving the "actual" basslines to keyboards or
sequencers. This has often been the defining characteristic of the New
Order sound.
Drummer Stephen Morris regularly played a mixture of acoustic
and electronic drums, and in many cases played along seamlessly with
sequenced parts. All the band members could and did switch instruments
throughout gigs, as evidenced on Jonathan Demme's video for "The
Perfect Kiss" and the fairly common Taras Shevchenko
and Pumped Full of Drugs concert videos. In
particular, every member could be seen playing keyboards at times. Taras
Shevchenko is notable for the fact all four members of the
group have left the stage before the final song ("Temptation") comes to
an end.
Album covers
New Order albums, and Factory Records products in general,
frequently bore the minimalist packaging of Peter
Saville. The group's record sleeves bucked the 1980s trend by rarely
showing the band members (the Low-Life album was
the exception) or even providing basic information such as the band
name or the title of the release. Song names were often hidden within
the shrink wrapped package, either on the disc itself (such as the
"Blue Monday" single) or on an inconspicuous part of an inner sleeve
("The Perfect Kiss" single), or a cryptic colour code invented by
Saville (Power Corruption & Lies). Saville
said his intention was to sell the band as a "mass-produced secret" of
sorts, and that the minimalist style was enough to allow fans to
identify the band's products without explicit labelling.
Song titles
Many New Order song titles have nothing to do with the song.
In some cases songs with normal titles appear to have had their titles
swapped to other songs. For example, the phrase "This Time of Night"
appears in the song "As It Is When It Was" on Brotherhood
but is the title of a song on Low-Life. Also, the
track "Chemical" from the 1993 album Republic
featured the word Brotherhood, which was the name
of the 1986 album. Other song titles were taken from the titles of old
movies ("Thieves Like Us," "Cries and Whispers," etc.) For a full list
see New
Order tracks which include the title in the lyrics.
Singles
New Order released many singles for songs not included on
albums. Singles were released in many formats and often with varying
track lists and exclusive artwork. According to Tony Wilson, Factory
intentionally released other singles, LPs and compilations in non-UK
markets to increase their collectibility. Indeed, the complete New
Order discography is far too sprawling for most fans to collect in its
entirety, and the compilations released by Factory and other labels are
notoriously incomplete. In the late 90s, London Records spoke of
releasing a Depeche Mode-esque singles
retrospective for New Order, complete with original packaging and track
lists. In fact, the project was at times named Cardboard and
Plastic and Recycle, with t-shirts for
the latter appearing at the infrequent New Order gigs. Eventually, the
financial aspects caused the project to devolve into the Retro
box set
(2003), which featured many tracks that were readily available
elsewhere. The single-disc International
compilation (2003) similarly omits the classic, out of print recordings
in favour of updating the conventional (The Best of) New Order
(1995) and Substance
(1987). At least one single, "Run 2" (1989), may never be reissued; it was
the subject of legal action from John Denver, who argued that the song's
wordless guitar break was based on his own song "Leaving on a Jet Plane". An
out-of-court settlement ensured that the song would never be
re-released in its original form. Denver is now co-credited as a writer
of the song on the "Singles" compilation.
Singles often feature remixes. The number of remixes were few
at first but increased a great deal with increased popularity of dance
music during the release of 1993's Republic. New
Order remixes tend to have one or more of these characteristics:
- Dub Versions: Inspired by the dub musical
genre, these have titles related to the original track (e.g., "The
Beach," a lyric in "Blue Monday," is a dub version of that song;
"Bizarre Dub Triangle" is the dub version of "Bizarre Love Triangle",
"Dub Vulture" for "Subculture", etc.). Dubs were often solitary B-sides
on the Factory original 12-inch singles, and were often recognizable
rearrangements of the title tracks with few, if any, added parts.
- Edits: These were shortened versions of
other mixes, often meant for distribution on a 7 inch record.
- Extended Versions: These preserve much
of the original track but add extended intros, outros and instrumental
parts (e.g., "Round and Round 12" Version", "True Faith (Shep
Pettibone Mix)").
- Instrumentals: The title track minus
vocals (e.g., "Fine Line", "Vanishing Point Instrumental"). An
interesting twist on this is the "Confusion (A Capella Mix)" which has
a sole vocal track.
- Re-recordings: Later takes of the title
track (e.g., "Ceremony" on the white and blue
12-inch and on Substance, "Shame of the Nation").
- Live Versions: Live recordings (e.g.,
"The Perfect Kiss (Video Version)", the 60 Miles An Hour Tour
Disc).
Honours and recognition
- BRIT Awards for Best Music Video, 1988
(for True Faith)
- Mercury Music Prize shortlist,
1993 (for Republic)
- NME
Godlike Genius Award, 2005
- UK Music Hall of Fame
Inductee, 2005 (Joy Division/New Order)
- Grammy Award nomination , Best Dance
Recording for 'Guilt is a Useless Emotion' from album Waiting for the Sirens'
Call, 2005
- Ivor Novello Award for
Outstanding Song Collection, 2006
Discography
For details on New Order releases, see New
Order discography. Below is given the list of
original studio albums.
- Movement
(1981)
- Power, Corruption &
Lies (1983)
- Low-Life (1985)
- Brotherhood
(1986)
- Technique
(1989)
- Republic
(1993)
- Get Ready
(2001)
- Waiting for the Sirens'
Call (2005)
Media