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Richard Youngs

Richard Youngs
Richard Youngs

Richard Youngs (born 29 May 1966) is a British musician, best known for his prolific and diverse output and his many collaborations. Born in Harpenden, England, and based in Glasgow since the early '90's, his extensive back catalogue of solo and collaborative work begins with Advent, issued in 1990. He plays many instruments, especially the guitar, but has been known to use a huge variety of instruments and objects, including the shakuhachi, theremin, oven tray, dulcimer and even, in his early days, a motorway bridge.

He has toured only once (in 2002, supporting Low) and live appearances are occasional; he has stated publicly that he finds live performance "incredibly nerve-racking: stomach cramps, tension headaches..."[1].

Contents

  • 1 Style
  • 2 Collaborations
    • 2.1 Jandek
  • 3 Labels
    • 3.1 No Fans Records
  • 4 Recent work
  • 5 Discography
    • 5.1 Early Recordings
    • 5.2 Solo recordings
    • 5.3 With Simon Wickham-Smith
    • 5.4 With the A Band
    • 5.5 With Neil Campbell
    • 5.6 With Matthew Bower
    • 5.7 With Brian Lavelle
    • 5.8 With Andrew Paine
    • 5.9 With Alex Neilson
    • 5.10 With Jandek
    • 5.11 Other collaborations
    • 5.12 Miscellaneous
    • 5.13 Unreleased material
    • 5.14 Compilations, etc
  • 6 External links

Style

His music has been noted for its diversity, with Dusted saying that he had been "defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him"[2]. He has been recording for most of his life, telling Foxy Digitalis that "I've made music as long as I can remember - ever since I was a child - and recorded the stuff as long as I've had the technology - I began with a cheap cassette player. So, it's strange to think what it'd be like not to make or record music. It seems unnatural!"[3]. When reviewing his 1996 CD Festival, Melody Maker described him as "grand-meister of contemporary British improv, spiritual son of Eddie Prevost and Maddy Prior; gentle manipulator of English hymn-notics and religious incantations; protege, challenger and radicaliser of folk, blues, rock, minimalism and improvisation; translator for the sea and the rain and the sky; ambassador to war and peace, to love and anguish"[4].


It could be suggested his musical styles range from acoustic to indie style folk to progressive rock to improvisation to space rock with creditation of electronics. Some recordings have been compared to the work of minimalists like Lamonte Young, although with a more spontaneous recording process.

Whilst early works were characterized by a somewhat minimalist lo-fi production quality (frequently recording to reel-to-reel 4-track or minidisc in his Harpenden bedroom), Youngs has since graduated to using a professional standard computer-based recording system.

Collaborations

A keen collaborator, he has released albums with Matthew Bower, Brian Lavelle, Neil Campbell, Stephen Todd, Makoto Kawabata, Alex Neilson, Andrew Paine (both under their given names and as prog-revivalists Ilk), Telstar Ponies, and most extensively with Simon Wickham-Smith, their releases occasionally being issued under the obtuse moniker R!!!S!!!. He has performed live with Vibracathedral Orchestra, Sunroof! and Skullflower and was also a member of the collective A Band, appearing on many of their releases. In recent years, his work with Andrew Paine has been especially plentiful, with 8 full length releases between 2005 and 2006.

Jandek

Recently, Youngs has been gaining attention from his recent live sideman gigs as bassist for the notoriously reclusive American avant-folk/blues singer/songwriter Jandek. Youngs can be heard on the Glasgow Sunday, Newcastle Sunday and Glasgow Monday albums, which were recorded at Jandek's first 3 known live performances, taking place in Glasgow on 17th October 2004, in Gateshead on 22nd May 2005 and in Glasgow on 23rd May 2005 respectively.


Labels

Throughout his career, he has recorded for over a dozen independent record labels, with VHF releasing much of his collaborative work and Jagjaguwar issuing the lion's share of his recent solo albums. Other labels have included Freek, Fourth Dimension, Majora, Fusetron, Table of the Elements and his own labels, beginning with Jabberwok in the 1980s, and then the self-deprecatingly named No Fans Records.

No Fans Records

No Fans Records is Richard's own label. Thus far, he has released only his own solo and collaborative work through the imprint. Although only used sporadically, the imprint has issued some of Youngs' most highly regarded music and several sought-after collectors' items. The label exists as a microcosm of Youngs' aesthetic with recent homemade CDR releases emphasising both the spontaneous nature of much of his work and the diversity of his activities.

NFR Discography

Recent work

His 2005 solo album The Naïve Shaman saw him receive some of the most positive reviews of his career to date and appear on the front cover of The Wire. He has since released his first collaboration with Simon Wickham-Smith in 5 years - the aptly titled 5 Years - as well as issuing many duo sets with Andrew Paine (almost all on Paine's Sonic Oyster imprint) and reviving his No Fans label for a series of limited solo releases on the CDR format. He has also performed live more than in previous years; he played at Thurston Moore's All Tomorrows Parties in December 2006 and followed this with 2 appearances in Glasgow (one with Alex Neilson) and shows in Stirling and London. It is anticipated that further Jandek performances in which he was a participant will be released by Corwood Industries.

Discography

The No Fans releases noted above have been included in this section, both for reasons of completeness and in order to include re-releases of NFR editions.

Early Recordings

Youngs's 1980s recordings were mostly as Omming For Woks - principally Youngs and Andrew Trussler with Barry Lamb joining them for the Show Me A Sane Man EP. Several privately issued cassettes on their own Jabberwok label including Living in Harmony (1984) and Shouting The Silent Slogan (1986) and a clutch of compilation appearances including Sympathy on Time And Time Again with Assorted Artists (1985 Clump - temporarily unavailable, but may eventually be reissued on CD via Fragment Music of Essex) and Marjorie Daw on Sensationnel N°5 - All with voices (Illusion Productions 1987).

Jabberwok issued several cassette compilations which featured OFW material: Fugitive Pieces (1984), The Great Difficult Music Swindle (1985), and Cars and T-Shirts (1985). A 4-song release entitled Show Me A Sane Man was issued in 1984 and is variously listed as a cassette and a 7“ single - the 7" edition has been offered for sale on eBay. Also of note is the 1985 collaboration Rock and Roll Should Have Stopped With Bill Haley with The Strolling Ones - in which OFW and TSO proceed, by means of tape editing, to twist, subvert and ruin their record collections.

Two further cassettes have recently come to light, again through being offered on eBay. Both are primarily solo Youngs and appear under the artist name The Creation Room - Dark Shadow Breath b/w Roog Confetti and Apricot Tree & Will To Tedium b/w 19 Used Postage Stamps (the latter being explicitly referred to by Youngs in The Wire, issue 259 and reissued on the limited edition 20th Century Jams CDR in 2007). Neither names the Jabberwok label on its sleeve and the former features a number of collaborators, including Trussler. Other recordings issued under this name include the cassettes Music From the Creation Room (1984) and Music that Undid Him in a Japanese Minute (1985) as well as the song "Sometimes For Him", but none of these have been offered for sale in the recent past.

Solo recordings

With Simon Wickham-Smith

With the A Band

With Neil Campbell

With Matthew Bower

With Brian Lavelle

With Andrew Paine

With Alex Neilson

With Jandek

Other collaborations

Miscellaneous

Unreleased material

Youngs records prolifically and there are many, many unreleased projects. There are at least 5 unreleased albums recorded with Simon Wickham-Smith. Those known to exist are as follows -

Material from all except Parrots was broadcast across two special programmes by Californian radio station KFJC in May of 2001. The tracklistings are incomplete (with the possible exception of Song Phase) but represent all tracks that were broadcast.

Compilations, etc

External links


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