| Steven Wilson |

|
| Background
information |
| Birth name |
Steven John Wilson |
| Born |
November 3, 1967 (1967-11-03) (age 39)
 |
| Genre(s) |
Progressive
rock
Neo-psychedelia
Art
rock
Dream
pop |
| Occupation(s) |
Musician |
| Instrument(s) |
Vocals
Guitars
Bass
Guitar
Piano |
| Years active |
1987 - present |
Associated
acts |
Porcupine Tree (1987-present)
Blackfield
(2001-present)
No-Man
(1987-present) |
Steven Wilson (born Steven John Wilson on November
3, 1967 in Hemel
Hempstead, Hertfordshire, England) is the
lead guitarist/singer/songwriter and the founder of progressive
rock band Porcupine Tree. Wilson is also a self-taught
producer,
audio
engineer, guitar
and keyboard player (among other
musical instruments).
|
Contents
- 1 Biography
- 2 Side
projects
- 3 Equipment
- 3.1 Recording
studio
- 3.2 On
stage
- 4 References
- 5 See
also
- 6 External
links
|
Biography
Steven Wilson discovered his love for music around the age of
8. It began one Christmas when his parents bought presents for each
other in the form of LPs. His father and mother
received Pink Floyd's Dark
Side of the Moon and Donna
Summer's Love to Love You Baby,
respectively. The young Steven spent much of his childhood listening to
these albums in "heavy rotation", as he once commented. Both LPs would
influence his future song writing. He claims "...in retrospect I can
see how they are almost entirely responsible for the direction that my
music has taken ever since." With Pink Floyd leaning him towards experimental/psychedelic
conceptual
progressive rock (as exemplified by Porcupine
Tree and Blackfield), and Donna Summer
with her trance-inflected
grooves (which No-Man, Wilson's
long-running collaboration with fellow musician and vocalist Tim
Bowness initially adopted as its musical approach.
Subsequently, the band's sound evolved and pursued a more meditative
and experimental Talk Talk-esque approach).
As a child, Steven was forced to learn the guitar, but he did
not enjoy it; his parents stopped paying for lessons. However, aged 11,
Wilson rescued a nylon string classical guitar from his attic and
started to experiment with it; or in his own words, "...scraping
microphones across the strings, feeding the resulting sound into
overloaded reel to reel tape recorders and producing a primitive form
of multi-track recording by bouncing between two cassette machines." It
was clear that the 11 year-old displayed an early fascination with
different possibilities of arranging and playing with sounds.
It didn't take too long before he began to form bands with his
friends from school and play live. However, the thing which kept him
truly satisfied was experimenting with sounds and producing the
recordings he made.
Between the years 1984 and 1986 he recorded material with underground
bands Altamont and Karma. Some of those tapes have
recently resurfaced due to the increasing popularity of Porcupine Tree.
Wilson describes it as "...a bit like a painter having his nursery
school paint blots on display..."
He was only 15 years old when he recorded a tape with
Altamont, called Si Vockings. This particular work
includes lyrics by Alan Duffy which Wilson later used for two Porcupine
Tree songs: "This Long Silence" and "It Will Rain for a Million Years".
Around the same time he played with Altamont he was also in a
band called Karma, which recorded two tapes: The Joke's on You
(1983) and The Last Man to Laugh (1985), which
contained the original versions of songs later used by Porcupine Tree,
"Small Fish" and "Nine Cats" (though not "The Joke's On You," which was
played live but not recorded).
Up to this point Wilson's diverse musical experiments
contained avant-garde
industrial,
psychedelia (with Altamont) and progressive rock (with Karma). Steven's next step was forming
two bands: No-Man
and Porcupine
Tree.
Afterwards he worked with Israeli rock star Aviv
Geffen, with whom he created the band Blackfield.
He splits his living time between Tel Aviv, Israel and London, UK.
Steven has also signed on to produce the next album of Israeli progressive
metal band, Orphaned Land.
Side projects
Apart from Porcupine Tree and No-Man, these are other
projects/collaborations Steven is currently working on or has been
involved with in the past.
- Bass Communion plays host to Wilson's
interests in drone and ambient music. For this project, he collaborated
in the late nineties with Muslimgauze, and more recently with Vidna
Obmana.
- I.E.M. is an exercise
in krautrock-influenced
sound experimentation.
- Blackfield is the name of a
recent collaboration with Israeli Aviv Geffen. Blackfield is similar to Porcupine
Tree but is more pop-oriented.
- Wilson also releases under his own name. For this and other
purposes he created his own record label Headphone
Dust.
- Currently, he is planning to record a collaborative album
with Swedish
band Opeth's
singer, guitarist and composer Mikael Åkerfeldt and Dream
Theater drummer Mike Portnoy, according to his MySpace
page this is "not looking very likely for a long time".
- He will be producing the next album of Israeli band Orphaned
Land, titled The Never Ending Way of ORWarriOR.
- He produced and contributed backing
vocals, guitar
and keyboards for Opeth on the albums Blackwater
Park, Deliverance and Damnation
- Has also worked with OSI, Marillion, Fish,
Cipher
and Anja
Garbarek.
- Wilson played guitar on one track on the Spirits Burning
CD New Worlds By Design.
- He is featured on the latest Fovea Hex EP "Allure" (Part 3
of the "Neither Speak Nor Remain Silent" trilogy of EP's) on bass
guitar. The EP will be released in April through Die-Stadt Musik.
- He made a guest appearance on Dream
Theater's newest album, Systematic
Chaos, as one of several musical guests
recorded apologizing to important people in their lives for wrongdoings
in the past.
- He made a guest appearance on Jordan
Rudess's upcoming album, The Road Home,
performing vocals on the track "Tarkus".
Equipment
Recording studio
- PowerMac G4 running Logic 6.4
- Digidesign
Mix
TDM system
- Apple EXS24 virtual sampler
- Apogee Trak2 Mic Pre
Amp/A-D converter
- Mackie
32-8-2 mixing desk
- Line
6 Pod + Variax Modelling Guitars
On stage
- Paul Reed Smith Custom 22 guitars,
Singlecut and Modern Eagle
- Babicz Acoustic Guitars and Octane
Acoustic/Electric
- Wah-wah
and volume
pedals
(plosive
electronics may treble booster pedal)
- TC G-System
effects processor
- Bad Cat Hot Cat combo amplifier
- ESP Stratocaster (used onstage up until the
In
Absentia tour, where he switched to Paul
Reed Smith guitars.)
- Boss
DD-20 delay and RT-20 rotary twin pedal effects
References
See also
- List of
progressive rock musicians
- List of hammered
dulcimer players
External links
| v • d • e Porcupine Tree |
| Richard Barbieri | Colin
Edwin | Gavin Harrison | Steven Wilson |
| Chris Maitland (Former
member) |
| John Wesley (Concerts Only) |
| Discography |
| Albums: On
the Sunday of Life... | Up
the Downstair | The Sky Moves Sideways
| Signify
| Stupid Dream | Lightbulb
Sun | In
Absentia | Deadwing
| Fear of a Blank Planet |
| Live albums: Coma Divine -
Recorded Live in Rome | Warszawa
| Rockpalast |
| Compilations:
Voyage 34: The Complete
Trip | Recordings
| Stars Die:
The Delerium Years 1991-1997 |
| DVDs:
Arriving Somewhere |
| Related
articles |
| No-Man
| Bass
Communion | Blackfield | Headphone
Dust | I.E.M. |