(Redirected from The Bee Gees)
| Bee Gees |

|
| Background information |
| Origin |
Manchester,
England
Brisbane, Australia |
| Genre(s) |
Blue-eyed soul
Rock
Soft
Rock
Blues |
| Years active |
1958–2003 |
| Label(s) |
Festival,
Polydor, Atco, RSO, Warner
Bros., Rhino |
| Website |
Official
Bee Gees.com |
| Former members |
Barry
Gibb
Maurice Gibb (deceased)
Robin
Gibb
Vince Melouney
Colin Petersen
Geoff Bridgeford
Alan
Kendall
Dennis Bryon
Blue
Weaver
|
The Bee Gees were a singing trio of
brothers — Barry, Robin,
and Maurice
Gibb — that became one of the most successful musical acts of
all time. They were born on the Isle of Man to English parents,
lived in England and moved to Brisbane, Australia during their childhood years,
where they began their musical careers. Their worldwide success came
when they returned to England and signed with producer Robert
Stigwood. The group's name is derived from the initials "B.G.",
primarily standing for "The Brothers Gibb."
The multiple Grammy Award-winning group was
successful for all of its forty years of recording music, but it had
two distinct periods of exceptional success: as a harmonic "soft rock"
act in the late 1960s and early 1970s, and as the foremost stars of the
disco
music era in the late 1970s. They were best rated band in the world in
1978
No matter the style, the Bee Gees sang tight three-part
harmonies that were instantly recognizable; as brothers, their voices
blended perfectly, in the same way that The
Beach Boys' voices blended. Barry sang lead on many songs, and an
R&B falsetto
introduced in the disco years; Robin provided the clear vibrato lead
that was a hallmark of their pre-disco music; Maurice sang high and low
harmonies throughout their career. The three brothers co-wrote most of
their hits, and they said that they felt like they became 'one person'
when they were writing. The group's name was retired after Maurice died
in January 2003.
It has been estimated that the Bee Gees' record sales total
more than 220 million, easily making them part of the list of
best-selling music artists. Their 1997 Rock and Roll Hall of
Fame citation says "Only Elvis Presley, the Beatles, Michael
Jackson, Garth Brooks and Paul
McCartney have outsold the Bee Gees".
|
Contents
- 1 History
- 1.1 Early
years
- 1.2 1960s
in England
- 1.3 Early
1970s
- 1.4 Late
1970s: Saturday Night Fever
- 1.5 1980s
and 1990s
- 1.6 One
Night Only
- 1.7 Maurice's
death
- 1.8 After
the Bee Gees
- 2 Songwriting
success
- 3 Awards
& Recognition
- 3.1 Grammy
Awards
- 3.2 Stamps
- 4 Discography
- 4.1 Studio
albums
- 4.2 UK
Singles
- 4.3 US
Chart Performance
- 4.4 Limited
edition
- 5 Band
- 6 Parodies
of the Bee Gees
- 7 Notes
and references
- 8 See
also
- 9 External
links
|
History
Early years
The Gibb brothers were born in Douglas
on the Isle
of Man; Barry Alan Crompton Gibb on 1 September 1946, and fraternal twins Robin Hugh Gibb and
Maurice Ernest Gibb on 22 December 1949.
The family returned to father Hugh Gibb's home town of Chorlton-cum-Hardy,
Manchester,
England,
in the early 1950s where the boys began to sing in harmony, debuting in
public on one memorable occasion at the local Gaumont cinema. The boys
were going to lip sync to a record, which other children had done at
the cinema in previous weeks. However, as they were running to get
there, Maurice dropped the record on the street, causing it to break.
As a result, the brothers got on stage and sang themselves. They got a
very good response from the crowd, which convinced them that singing
was what they wanted to do with their lives.
In 1958, the Gibb family, including infant brother Andy
(born 5
March 1958
in Manchester,
England),
emigrated to Redcliffe in Queensland,
Australia.
The still very young brothers began performing where they could to
raise pocket change. First called the Rattlesnakes, later Wee Johnny
Hayes & the Bluecats, they were introduced to radio DJ Bill
Gates (not to be confused with the founder of Microsoft) by racetrack
promoter Bill Goode (who saw them perform at Brisbane's Speedway
Circuit). Gates renamed them the "Bee Gees" after his and Goode's
initials – thus the name was not simply a reference to the brothers
Gibb.
By 1960, the Bee Gees were featured on television shows, and
in the next few years began working regularly at resorts on the
Queensland coast. Barry drew the attention of Australian star Col Joye for
his songwriting, and Joye helped the boys get a record deal with Festival Records in
1963 under the name "Bee Gees." The three released two or three singles
a year, while Barry supplied additional songs to other Australian
artists.
A minor hit in 1965, "Wine and Women," led to the group's
first LP Barry
Gibb and the Bee Gees Sing and Play 14 Barry Gibb Songs.
By late 1966, the family decided to return to England, and seek their
musical fortunes there. They were not confident, however, of success in
England as Barry told a friend, Colin Stead, later of Lloyds World,
that they would be back next year.
While at sea in January, 1967, they heard that "Spicks and Specks", a
song they had recorded in 1966, had gone to #1 in Australia.
1960s in England
The act's arrival back in England in January 1967 was not
immediately propitious, as they were advised "Groups are out." However,
the Bee Gees were signed soon after their arrival by Robert
Stigwood, who added Australian musicians Vince
Melouney (guitar)
and former child actor Colin Petersen (drums) to the band.
Their first single recorded in England was "New York Mining
Disaster 1941" (1967),
a surreal, haunting and macabre composition that made the Top 20 on
both sides of the Atlantic. Robert Stigwood boldly claimed that the Bee
Gees were "the most significant new musical talent of 1967". Their
album Bee Gees' 1st
scored well with critics and the public, offering an innovative blend
of rock and orchestral ballads such as the charting "To Love Somebody"
and the well-regarded "I Can't See Nobody."
The next big single was "Massachusetts", which
launched the trio into stardom, followed shortly by the followup "Words". 1968 saw the release
of two albums, Horizontal
and Idea. The
latter contained two more hits, "I've Gotta Get a
Message to You" and "I Started a Joke."
The Bee Gees' next release was Odessa,
a dense and complex album with orchestral accompaniment. By this time,
Barry and Robin were increasingly at odds about the creative direction
of the group. Once Robert Stigwood made clear that he preferred to
promote Barry as the act's leader, Robin left. He and Maurice would not
even speak to each other for a year. Barry and Maurice released an LP
as a duo, Cucumber Castle
(the soundtrack to a television special), which contained the #2 UK hit
"Don't Forget to Remember".
Meanwhile, Robin released a solo album, Robin's Reign,
which included his #2 UK hit "Saved by the Bell."
Early 1970s
The three brothers reunited in the later part of 1970, their feelings
about the split perhaps reflected in many songs about heartache and
loneliness. Although they had lost traction on the British charts, the
Bee Gees hit #3 in America with "Lonely Days" (from the reunion LP 2 Years On)
and had their first U.S. #1 with "How Can You Mend a
Broken Heart?" (from Trafalgar).
In 1972, they hit #16 with "Run to Me" from the LP To Whom It
May Concern; the single also returned them to
the British top ten for the first time in three years.
By 1973, however, the Bee Gees were in a rut. The album, Life
in a Tin Can, and its lead-off single, "Saw a
New Morning," sold poorly with the single peaking at #94. This was
followed by an unreleased album (known as A Kick in the Head
Is Worth Eight in the Pants).
On the advice of Ahmet Ertegün of their U.S. label Atlantic
Records, Stigwood arranged for the group to record with famed soul
music producer Arif Mardin. The resulting LP, Mr.
Natural, included few ballads and foreshadowed
the R&B direction of the rest of their career. But when it too
failed to attract much interest, Mardin encouraged them to work with
the soul music style.
The brothers attempted to assemble a live stage band that
could replicate their studio sound. Lead guitarist Alan Kendall had
come on board in 1971, but did not have much to do until Mr.
Natural. For that album, they added drummer Dennis Bryon, and
they later added ex-Strawbs keyboard player Blue Weaver,
completing the late 1970s "Bee Gees band". Maurice, who had previously
performed on piano, guitar, organ, mellotron, and bass guitar, as well
as exotica like mandolin and Moog, now confined himself to bass onstage.
At Eric Clapton's suggestion,
the brothers relocated to Miami, Florida, early in 1975 to record.
After starting off with ballads, they eventually heeded the urging of
Mardin and Stigwood and crafted more rhythmic disco songs like "Jive
Talkin'" and "Nights on Broadway." The latter
featured Barry Gibb's first attempts at singing falsetto, in
the backing vocals toward the end. The band liked the resulting new
sound, and this time the public agreed, sending the LP Main
Course, which became their first R&B
album, up the charts. Barry Gibb's falsetto would become a staple of
subsequent recordings. Mardin was unable to work with the group
afterwards, but the Bee Gees enlisted Albhy
Galuten and Karl Richardson who had worked with
Mardin during the Main Course sessions. This
production team would carry the Bee Gees through the rest of the 1970s.
The next album, Children
of the World, was drenched in Barry's newfound
falsetto and Blue's synthesizer disco licks. Led off by the single "You
Should Be Dancing," it pushed the Bee Gees to a level of stardom they
had not previously achieved in the USA, though their new
R&B/disco sound was not as popular with some die hard fans from
the 1960s. The Bee Gees' band was now closer to a rock act, with rhythm
guitar and real drums behind the falsetto.
Late 1970s: Saturday
Night Fever
"Saturday Night Fever", became the number one best-selling soundtrack
of all time, selling over 40 million copies.
Following a successful live album, Here at Last… The
Bee Gees… Live, The Bee Gees agreed to participate in the
creation of the Saturday Night
Fever soundtrack. It was the turning point of
their career. The cultural impact of both the film and the soundtrack
was tremendous not only in the United States but in the world, bringing
the nascent disco
scene into the mainstream.
Three Bee Gees singles ("How
Deep Is Your Love", "Stayin' Alive", and "Night
Fever") reached #1 in the United States and in most countries around
the world, launching the most popular period of the disco era. They
also penned the song "If I Can't Have You" which
became a #1 hit for Yvonne Elliman. Such was the
popularity of Saturday Night Fever
that two different versions of the song "More
Than a Woman" received airplay, one by The Bee Gees, which was the
B-side of "Stayin' Alive," and another by Tavares,
which was the hit. The Gibb sound was inescapable. During an
eight-month period beginning in the Christmas season of 1977, the
brothers wrote six songs that held the #1 position on the U.S. charts
for 25 of 32 consecutive weeks-- three under their own name, two for
brother Andy Gibb, and the Yvonne Elliman single.
Fueled by the movie's success, the album broke multiple
records, becoming the highest-selling album in recording history to
that point. Saturday Night Fever
has since sold circa 40 million copies worldwide, making it the best
selling soundtrack
album of all time.
During this era, Barry and Robin wrote "Emotion" for Samantha
Sang, who made it a Top Ten hit (the Bee Gees sang back-up vocals). A
year later, Barry wrote the title song to the movie version of the
Broadway musical Grease for Frankie
Valli to perform, which went to #1. At one time, five songs written by
the brothers Gibb were in the U.S. top ten at the same time. It was the
first time this kind of chart dominance had been seen since April 1964,
when the Beatles had all five of the top-five American singles. In
1978, Barry Gibb became the only songwriter to have four straight
number one hits in the U.S.A, breaking the John Lennon and Paul
McCartney 1964 record. These songs were "Stayin' Alive", "Love Is
Thicker Than Water", "Night Fever", "If I Can't Have You".
In 1976, the Bee Gees recorded three Beatles cover
songs "Golden Slumbers/Carry
that Weight", "She Came in
Through the Bathroom Window" and "Sun King" for the transitory musical
documentary All This and World War II.
The three Bee Gees also co-starred with Peter
Frampton in the movie Sgt.
Pepper's Lonely Hearts Club Band (1978) loosely
inspired by the classic Beatles album released in 1967. The film had
been heavily promoted prior to release, and was expected to enjoy great
commercial success. However, the disjointed film was savaged by the
movie critics, and ignored by the public.
During this period, the Bee Gees' younger brother Andy
followed his older siblings into a music career, and enjoyed
considerable success. Produced by Barry, Andy
Gibb's first three singles all topped the U.S. charts.
The Bee Gees' follow-up to Saturday Night Fever
was the Spirits Having Flown
album. It yielded three more #1 hits: "Too
Much Heaven", "Tragedy", and "Love
You Inside Out." This gave the act six consecutive #1 singles in
America within a year and a half (a record only surpassed by Whitney
Houston). "Too Much Heaven" ended up as the Bee Gees' musical
contribution to the Music for UNICEF Concert at
the United Nations
General Assembly in January 1979, a benefit organized by the Bee Gees, Robert
Stigwood, and David Frost for UNICEF that was
broadcast worldwide. The brothers donated the royalties from the song
to the charity.
The Bee Gees even had a country hit in 1979 with "Rest Your
Love On Me", the flip side of their pop hit "Too
Much Heaven", written by Barry and made the Top 40 on the country
charts. In 1981,
Conway
Twitty took "Rest Your Love On Me" to the top of the Country charts.
The Bee Gees' overwhelming success rose and fell with the
disco bubble. By the end of 1979, disco was rapidly declining in
popularity, and the backlash against disco put the Bee Gees' American
career in a tailspin. Following their remarkable run from 1975–79, the
act would only have one more top ten single in the U.S., and not until
1989. The Bee Gees' international popularity sustained somewhat less
damage.
1980s and 1990s
In 1981, the Bee Gees released the album Living
Eyes, but with the disco backlash still running
strong, the album failed to make the US top 40. In 1983, the Bee Gees
had greater success with the soundtrack to Staying
Alive, the sequel to Saturday
Night Fever. The soundtrack was certified
platinum in the US, and included their Top 30 hit "Woman In You".
Robin and Barry Gibb released various solo albums in the
1980s, but only with sporadic and moderate chart success. However, the
brothers had continuing success behind the scenes, writing and
producing for artists such as Barbra Streisand, Dionne
Warwick, Diana
Ross and Kenny Rogers, including Rogers'
multi-million seller and U.S. #1 hit with Dolly
Parton, "Islands in the Stream".
The Bee Gees released the album E.S.P.
in 1987, which sold over 3 million copies. The single "You Win Again"
went to #1 in numerous countries, including Britain, but reached only
#75 in the US.
In 1983, The Bee Gees were sued by a Chicago songwriter,
claiming that the Gibb brothers stole one of his songs which eventually
became How Deep Is Your Love. At
first, The Bee Gees lost the case, but was promptly overturned a few
months later.
On March
10, 1988,
younger brother, Andy, died at age 30 from myocarditis,
an inflammation of the heart muscle due to a recent viral infection.
His brothers acknowledge that Andy's past drug and alcohol use probably
made his heart more susceptible to the ailment. Just before Andy's
death, it was decided by the group that Andy would join them, which
would have made the group a four piece. The Bee Gees' following album, One
(1989), featured a song dedicated to Andy, "Wish You Were Here". The
album also contained their first U.S. top ten hit (#7) in a decade,
"One". After the album's release, they embarked on their first world
tour in ten years.
Following their next album, High
Civilization, which contained the UK top five
hit "Secret Love," the Bee Gees went on a European tour. After the
tour, Barry Gibb began to battle a serious back problem, which required
surgery. In the early 1990s, Barry Gibb was not the only Bee Gee living
with pain. Maurice had a serious drinking problem, which he had battled
for many years, but finally conquered with the help of Alcoholics
Anonymous.
In 1993, they released the album Size
Isn't Everything, which contained the UK top
five hit "For Whom the Bell Tolls". Four years later, they released the
album Still Waters,
which sold over four million copies, and debuted at #11 in the US. The
album's first single, "Alone", gave them another UK Top 5 hit and a top
30 hit in the US.
One Night Only
In late 1997, the Bee Gees performed a live concert in Las
Vegas called One Night Only.
The CD of the performance sold over 5 million copies. This led to a
world tour of "One Night Only" concerts. The tour included playing to
56,000 people at London's Wembley Stadium on September
5, 1998 and
concluded in the newly-built Olympic Stadium in Sydney,
Australia in March 1999.
In 1998, the group's score for Saturday Night Fever
was incorporated into a stage production
produced first in the West End and then on Broadway.
They wrote three new songs for the adaptation.
The Bee Gees closed the decade with what turned out to be
their last full-sized concert, known as BG2K, on December
31, 1999.
Maurice's death
In 2001, they released what turned out to be their final album
of new material as a group, This Is Where I Came In.
The album gave each member a chance to write in their own way, as well
as composing songs together. For example, Maurice's compositions and
leads are the "Man in the Middle" and "Walking on Air," while Robin
contributed "Déjà Vu," "Promise the Earth," and "Embrace," and Barry
contributed "Loose Talk Costs Lives," "Technicolour Dreams", and "Voice
in the Wilderness". The other songs are collaborative in writing and
vocals. The Bee Gees' last public live show together was Live by Request,
a special shown on A&E.
Maurice, who had been the musical director of the Bee Gees
during their final years as a group, died suddenly on January
12, 2003,
from a strangulated intestine. Initially,
his surviving brothers announced that they intended to carry on the
name "Bee Gees" in his memory. But as time passed they decided to
retire the group name, leaving it to represent the three brothers
together. The same week Maurice died, Robin's solo album Magnet
was released.
Although there was talk of a memorial concert featuring both
surviving brothers and invited guests, nothing materialized.
Since then Barry and Robin have continued to work independently and
have both released recordings with other artists.
After the Bee Gees
In late 2004, Robin embarked on a solo tour of Germany, Russia
and Asia. During January 2005, Barry, Robin and several legendary rock
artists recorded "Grief Never Grows Old," the official tsunami relief
record for the Disasters Emergency Committee. Later that year, Barry
reunited with Barbra Streisand for her
top-selling album Guilty
Pleasures, released as Guilty Too
in the UK as a sequel album to the previous Guilty.
Robin continued touring in Europe.
In February 2006 Barry and Robin reunited on stage for a Miami
charity concert to benefit the Diabetes Research Institute. It was
their first public performance since the death of brother Maurice.
Barry and Robin also played at the 30th annual Prince's
Trust Concert in the UK on May 20, 2006.
Songwriting success
The Bee Gees have been incredibly successful, selling in
excess of 180 million records and singles worldwide.
"How Deep Is Your Love" is their most popular composition, with over
400 versions by other artists in existence.
Their songs have been covered by singers of all stripes
including Elvis Presley, Janis
Joplin, Al
Green, Eric Clapton, Lulu,
Elton
John, Tom Jones, and Nina
Simone as well as newer acts like John
Frusciante, and Feist singing a soulful "Love You
Inside Out", Billy Corgan and Robert Smith
covering "To Love Somebody", Steps and Destiny's
Child. Songs written by the Gibbs but better known through versions by
other artists include, "Immortality" by Celine
Dion, "If I Can't Have You" by Yvonne Elliman, "Chain Reaction" by Diana Ross
and Steps,"Tragedy"
by Steps,"Spicks
and specks" by Status Quo , "Emotion" by Samantha
Sang and Destiny's Child, "Come On
Over", by Olivia Newton-John, "Warm Ride" by Graham
Bonnet, "Guilty" and "Woman in Love" by Barbra
Streisand, "Heartbreaker" by Dionne Warwick, "Islands in the
Stream" by Kenny Rogers and Dolly
Parton, "Grease" by Frankie Valli, and "Only One Woman" by
The Marbles. Many hit covers and
album tracks of the Bee Gees' songs have been recorded, and the band's
music has also been sampled by dozens of hip hop artists.
Awards & Recognition
The Bee Gees were inducted into The Rock and Roll Hall of
Fame in 1997;
fittingly, the presenter of the award to "Britain's first family of
harmony"
was Brian
Wilson, leader of the Beach Boys, America's first family of
rock harmony. The Bee Gees were inducted into The Vocal Group Hall of Fame in
2001 as well as the ARIA Hall of Fame in 1997.
Grammy Awards
-
- 1977
Best Performance by a Group — "How Deep Is Your Love"
- 1978
Best Performance by a Group — "Night Fever"
- 1978
Album of the Year — "Saturday Night Fever"
- 1978
Producer of the Year — "Saturday Night Fever"
- 1978
Best Arrangement of Voices — "Stayin' Alive"
- 2000
Lifetime Achievement Award
- 2003
Legend Award
Stamps
In October 1999 the Isle of Man Post Office unveiled a
set of 6 stamps. The official launch took place at the London Palladium
where the stage show of Saturday Night Fever
was playing. A similar launch was held in New York shortly after to
coincide with the show opening across the Atlantic.
The songs depicted on the stamps are "Massachusetts", "Words",
"I've Gotta Get A Message To You", "Night Fever", "Stayin' Alive" and
"Immortality".
Discography
For a further discography of the Bee Gees, see
Bee Gees discography.
Studio albums
- 1967
— Bee
Gees 1st UK #8, US #7
- 1968
— Horizontal UK
#16, US #12
- 1968
— Idea
UK #4, US #17
- 1969
— Odessa
UK #10, US #20
- 1970
— Cucumber
Castle UK #57,US #94
- 1970
— 2
Years On UK Did Not Chart, US
#32
- 1971
— Trafalgar UK Did
Not Chart, US #34
- 1972
— To Whom It
May Concern UK Did Not Chart, US
#35
- 1973
— Life in a Tin Can UK
Did Not Chart, US #68
- 1974
— Mr. Natural UK
Did Not Chart, US #178
- 1975
— Main Course UK
Did Not Chart, US #14
- 1976
— Children of the World UK
Did Not Chart, US #8
- 1979
— Spirits Having Flown UK
#1, US #1
- 1981
— Living
Eyes UK #73, US #41
- 1987
— E.S.P. UK
#5, US #96
- 1989
— One UK #29,
US #68
- 1991
— High Civilization UK
#24, US Did Not Chart
- 1993
— Size Isn't Everything UK
#23, US #153
- 1997
— Still
Waters UK #2, US #11
- 2001
— This Is Where I Came In UK
#6, US #16
UK Singles
- "Spicks and Specks" (1966) Did Not Chart
- "New York Mining
Disaster 1941" (1967) #12
- "To Love Somebody" (1967) #41
- "Massachusetts" (1967)
#1
- "World" (1967) #9
- "Words" (1968) #8
- "Jumbo" / "The Singer Sang His
Song" (1968) #25
- "I Started A Joke" (1968) US
Single only
- "I've Gotta Get a
Message to You" (1968) #1
- "First Of May" (1969) #6
- "Tomorrow Tomorrow"
(1969) #23
- "Don't Forget to Remember"
(1969) #2
- "I.O.I.O." (1970) #49
- "Lonely Days" (1970) #33
- "How Can You Mend a
Broken Heart" (1971) Did Not Chart
- "Don't Wanna Live
Inside Myself" (1971) Did Not Chart
- "My World" (1972) #16
- "Run to Me" (1972) #9
- "Alive"
(1972) Did Not Chart
- "Saw a New Morning" (1973) Did
Not Chart
- "Wouldn't I Be Someone" (1973) Did
Not Chart
- "Mr. Natural" (1974) Did
Not Chart
- "Throw a Penny" (1974) Did
Not Chart
- "Charade"
(1974) Did Not Chart
- "Jive Talkin'" (1975) #5
- "Nights on Broadway" (1975) Did
Not Chart
- "Fanny (Be Tender With
My Love)" (1976) Did Not Chart
- "You Should Be Dancing" (1976)
#5
- "Love So Right" (1976) #41
- "Boogie Child" (1977) Did Not
Chart
- "How Deep Is Your Love?"
(1977) #3
- "Stayin' Alive" (1977) #4
- "Night Fever" (1978) #1
- "Too Much Heaven" (1978) #3
- "Tragedy" (1979) #1
- "Love You Inside Out" (1979) #13
- "Spirits (Having Flown)"
(1980) #16
- "He's A Liar" (1981) Did Not
Chart
- "Living Eyes" (1981) Did
Not Chart
- "The Woman In You" (1983) Did
Not Chart
- "Someone Belonging To
Someone" (1983) #49
- "You Win Again" (1987) #1
- "ESP" (1987) #51
- "Ordinary Lives" (1988) #54
- "One" (1989) #71
- "Bodyguard" (1990) Did
Not Chart
- "Secret Love" (1991) #5
- "The Only Love" (1991) Did
Not Chart
- "When He's Gone" (1991) Did
Not Chart
- "Paying The Price Of Love"
(1993) #23
- "For Whom the Bell Tolls"
(1993) #4
- "How To Fall In Love
(Part 1)" (1994) #30
- "Kiss of Life" (1995) Did Not
Chart
- "Alone" (1997) #5
- "I Could Not Love You More"
(1997) #14
- "Still Waters Run Deep" (1997)
#18
- "Immortality" (1998) #5
- "This Is Where I Came In"
(2001) #18
US Chart Performance
- "New York Mining
Disaster 1941" (1967) #14
- "To Love Somebody" (1967) #17
- "Holiday" (1967) #16
- "Massachusetts" (1967) #11
- "Words" (1968) #15
- "Jumbo"/"The Singer Sang His Song" (1968) #57
- "I Started a Joke" (1968) #6
- "I've Gotta Get a Message to You" (1968) #8
- "First of May" (1969) #37
- "Tomorrow Tomorrow" (1969) #54
- "Don't Forget to Remember" (1969) #73
- "I.O.I.O" (1970) #94
- "If I Only Had My Mind On Something Else" (1970) #91
- "Lonely Days" (1970) #3
- "How Can You Mend a Broken Heart?"
(1971) #1 (4 weeks)
- "Don't Want to Live Inside Myself" (1971) #53
- "My World" (1972) #16
- "Run to Me" (1972) #16
- "Alive" (1972) #34
- "Saw a New Morning" (1973) #94
- "Wouldn't I Be Someone" (1973) Did Not Chart
- "Mr. Natural" (1974) #93
- "Throw a Penny" (1974) Did Not Chart
- "Charade" (1974) Did Not Chart
- "Jive Talkin'"
(1975) #1 (2 weeks)
- "Nights on Broadway" (1975) #7
- "Fanny (Be Tender With My Love)" (1976) #12
- "You Should Be Dancing"
(1976) #1 (1 week)
- "Love So Right" (1976) #3
- "Boogie Child" (1977) #12
- "Edge of the Universe (Live)" (1977) #26
- "How Deep Is Your Love"
(1977) #1 (3 weeks)
- "Stayin' Alive"
(1977) #1 (4 weeks)
- "Night Fever"
(1978) #1 (8 weeks)
- "Too Much Heaven"
(1978) #1 (2 weeks)
- "Tragedy"
(1979) #1 (2 weeks)
- "Love You Inside Out"
(1979) #1 (1 week)
- "He's a Liar" (1981) #30
- "Living Eyes" (1981) #45
- "Paradise" (1981) Did Not Chart
- "The Woman in You" (1983) #24
- "Someone Belonging to Someone" (1983) #49
- "You Win Again" (1987) #75
- "E.S.P." (1987) Did Not Chart
- "One" (1989) #7
- "Bodyguard" (1990)
- "Secret Love" (1991) Did Not Chart
- "When He's Gone" (1991) Did Not Chart
- "Happy Ever After" (1991) Did Not Chart
- "Paying the Price of Love" (1993) #74
- "For Whom the Bell Tolls"
(1993) #29
- "Alone"
(1997) #28
- "Still Waters (Run Deep)" (1997) #57
- "This Is Where I Came In" (2001)
Limited edition
Ellan
Vannin was recorded in 1997 as a
1,000 quantity limited edition single for Isle of
Man charities. The song was featured in the Bee Gees World Tour and on
ITV's "An Evening With…" but to date has not been released generally.
The single was subsequently also available as part of the 1999 Bee Gees
Stamp issue.
Band
Barry Gibb plays rhythm guitar.
Robin Gibb does not play any instruments onstage, but
plays piano, cello, and other instruments privately.
Maurice Gibb played bass guitar, rhythm and lead guitar,
piano, organ, mellotron, and electronic keyboards, synthesizers and
drum tracks. From 1966 to 1972 he played multiple instruments on many
records. During the late 1970s he played mainly bass guitar. From about
1986 onward he usually played keyboards.
These musicians were considered members of the band:
- Colin Petersen — drums 1967–69
- Vince Melouney — guitar 1967–68
- Geoff Bridgeford — drums 1969–72
- Alan Kendall — lead
guitar 1971–80, 87–01
- Dennis Bryon — drums 1974–80
- Blue Weaver — keyboards
1975–80
Here are some other musicians who backed up the Bee Gees
live
and in the studio:
- Carlos Alomar — guitar
- Ray Barretto — bongos
- Reb Beach — guitar
- Tony Beard — drums
- Michael Bennett — keyboards
- Matt Bonelli — bass
guitar
- Tim Cansfield — guitar
- David Foster — keyboards
- Stephen Gibb — guitar
- Reggie Griffin — guitar
- Adrian Hales — drums
- Steve Jordan — drums
- Manu Katché — drums
- Robbie Kondor — keyboards
- Rhett Lawrence — Synthesizer
Programming
- Mike McEvoy — keyboards/guitar
- John Merchant — engineer
- Scott Glasel — Synth
Programming|Drum Programming
- Marcus Miller — bass
guitar
- Tim Moore — keyboards
- Nick Moroch — electric
guitar
- Russ Powell - bass
guitar
- Pino Palladino — bass
guitar
- George "Chocolate" Perry — bass
guitar
- Greg Phillinganes — keyboards
- Steve Rucker — drums
- Raphael Saadiq — bass, guitar, drum
programming, vocals
- Marc Schulman — guitar
- Steve Skinner — synthesizer
- Ben Stivers — keyboards
- Michael Thompson — guitar
- Peter-John Vettese — keyboards,
engineering,
backing vocals
- Waddy Wachtel — guitar
- Jeff Porcaro — Former member of Toto — drums
Parodies of the Bee Gees
The Bee Gees were often parodied by British and American
comics, on records and television.
A TV sketch by Kenny Everett in which he
played all three Gibbs as well as an interviewer, had the Bee Gees
answering all of his questions with songquotes.
The Bee Gees also appeared in a sketch on Big Train,
wherein they were bandits in a shootout with fellow singer Chaka Khan.
They were also parodied by Philip
Pope, Angus Deayton, and Michael Fenton Stevens
recording as The Hee Bee Gee Bees,
singing "Meaningless Songs (in Very High Voices)".
David Walliams and Matt Lucas
in the Rock Profile
television show in 2000, showed Barry Gibb bossing his two brothers,
using a system of claps and whistles to allow them to speak.
In an episode of The Simpsons while at a yard sale Homer
and Disco Stu perform the "Staying Alive" parody "Table Five".
In 2003, 2005 and 2006 Jimmy
Fallon and Justin Timberlake parodied the Bee
Gees on Saturday Night Live in their Barry
Gibb Talk Show sketches.
The pop punk band Blink 182
parodied the Bee Gees in their "First Date" video.
In the cartoon show Sheep
in the Big City, there is a skit where there is a person disco dancing
singing, " My voice is so hiiiiigh, and I don't know whyyyyyy," in a
Bee-Gees like pitch.
An episode of Family Guy had
the lead character Peter Griffin sell his soul to the
devil for Bee Gees tickets.
Rush Limbaugh played a parody by Paul
Shanklin on his radio show of John Edwards singing that he is "More
of a Woman" than Hillary Clinton.
Notes and references
-
Melinda
Bilyeu, Hector Cook, and Andrew Mon Hughes (2000/2004). The
Bee Gees: Tales of the Brothers Gibb. Omnibus Press, 34–35.
-
text of citation
-
Dolgins, Adam: Rock Names: From Abba to ZZ Top, 3rd
ed., p.24. Citadel Press, 1998.
-
Bee Gees Fan Club Bio
-
BBC
-
Bee Gees Record Sales
-
R&RHofF citation
-
Kenny.
-
TV.com.
-
Lyrics
-
Sound file
-
RushLimbaugh.com
See also
- Best selling music artists
- List
of artists who reached number one on the Hot 100 (U.S.)
- List
of artists who reached number one on the U.S. Dance chart
- List of
Number 1 Dance Hits (United States)
- List
of artists by total number of USA number one singles
- List of
number-one hits (United States)
External links
| The Bee Gees |
Barry
Gibb | Robin Gibb | Maurice
Gibb
Colin Petersen | Vince
Melouney |
| Studio
albums |
| Bee
Gees 1st (1967) | Horizontal (1968) |
Idea (1968) |
Odessa (1969) |
Cucumber Castle (1970) |
2 Years On (1970) |
Trafalgar (1971)
| To Whom It
May Concern (1972) | Life
in a Tin Can (1973) | Mr.
Natural (1974) | Main
Course (1975) | Children
of the World (1976) | Spirits
Having Flown (1979) | Living
Eyes (1981) | E.S.P. (1987) |
One (1989) |
High Civilization (1991) |
Size Isn't Everything (1993) |
Still Waters (1997) |
This Is Where I Came In (2001) |
| Compilation
albums |
| Best
of Bee Gees (1969) | Best
of Bee Gees, Volume 2 (1972) | Greatest (1979) |
Their Greatest Hits:
The Record (2001) | Number Ones (2004) |
|