| The Small Faces |

|
| Background information |
| Origin |
London, England  |
| Genre(s) |
Rock
Rhythm & Blues
Psychedelia
Soul
British Invasion |
| Years active |
1965 – 1969 |
| Label(s) |
Decca
Immediate
Atlantic |
| Website |
Room For Ravers (unofficial) |
| Former members |
Steve
Marriott (deceased)
Ronnie
Lane (deceased)
Ian
McLagan
Kenney
Jones
Jimmy
Winston |
The Small Faces were a British
mod
group formed in 1965
by Steve Marriott, Ronnie
Lane, Kenney Jones, and Jimmy
Winston (who was soon replaced by Ian
McLagan). Heavily influenced by American
Rhythm
and blues, they later evolved into one of the UK's most successful psychedelic
acts before disbanding in 1969.
Despite the fact that they were only together four years, the
Small Faces' music output from the mid to late sixties remains amongst
the most acclaimed British mod and psychedelic music of that era. All
Music Guide refers to them as "The best English band never to
make it big in America."
The Small Faces were belatedly awarded the Ivor
Novello Outstanding Contribution to British Music "Lifetime
Achievement" award in 1996 at the Grosvenor
House Hotel, Park
Lane, London.
|
Contents
- 1 History
- 1.1 Origins
- 1.1.1 The Decca Years
- 1.1.2 The Immediate Years
- 1.1.3 Ogdens' Nut Gone Flake
- 1.2 Breakup
- 1.2.1 Post-breakup projects, reunion and legacy
- 1.3 Discography
- 1.4 Notes
- 1.5 Bibliography
- 1.6 External
links
|
History
Origins
Lane and Marriott met in 1965 while Marriott was working at
the J60 Music Bar in Manor Park, London. Lane came in
with his father Stan to buy a bass guitar, struck up a conversation
with Marriott, bought the bass and went back to Marriott's house after
work to listen to records. They recruited friends Kenney Jones and
Jimmy Winston (born Jimmy Langwith, April 20, 1945 in Stratford,
London),
who switched from guitar to the organ. They rapidly progressed from
rehearsals at The Ruskin Arms public house (which was owned by
Winston's parents) in Manor Park, London to ramshackle
pub gigs, to semi-professional club dates. Marriott's unique and
powerful voice attracted rising attention. Singer Elkie
Brooks was struck by Marriot's vocal prowess and stage presence, and
recommended them to a local club owner, Maurice King. Impressed, he
began finding them work in London and beyond. The band's early song set
included R&B/soul classics such as "Jump Back", James
Brown's "Please Please Please", Smokey
Robinson's "You've Really Got a
Hold on Me" and Ben E. King's "Stand By
Me". Alongside two Marriott/Lane self-penned compositions, a fast and
loud "Come on Children" and the "speed enhanced" song "E too D" around
which Marriott would perform his amazing vocal capabilities in the
style of his heroes and role models, Otis
Redding and Bobby Bland. "E too D" which appears on
their first album Small Faces
is named after the guitar chord structure. On US compilations albums
the track is titled "Running Wild".
They were kicked out of their first out-of-town gig, a tough working
men's club in Sheffield
after only three songs. The crowd at that concert was mainly made up of
Teddy
boys and hard-drinking workers. Despondent, they literally walked into
the mod-oriented Mojo Club nearby (then
owned by a young Peter Stringfellow) and offered
to perform for free. They played a set that had the local mods wanting
more and started a strong buzz. During a crucial residency at Leicester
Square's Cavern Club, they were strongly supported by Sonny
& Cher, who were living in London at the time and had first
seen them perform in Sheffield.
The Decca Years
Sha La La La Lee
picture record sleeve, circa. (1966).
They signed a management contract with impresario, Don Arden,
and they were in turn signed to Decca Records for recording. They
released a string of high-energy mod/soul singles on the label. Their
debut single was in 1965 with "Whatcha Gonna Do About
It", a Top 15 UK singles chart hit. Marriott and
Lane are credited with creating the instrumental to the song,
"borrowing" the guitar riff
from the Solomon Burke record "Everybody Needs
Somebody To Love". The lyrics were written by ex Cliff
Richard backing group member, Ian
Samwell, who arguably wrote the first British rock
'n' roll record, "Move
It").
The group failed to capitalize on the success of their first single
with the follow-up which was written by Marriott/Lane, the hard-edged
mod number "I've Got Mine". The band appeared as
themselves in a 1965 crime film called Dateline
Diamonds starring Kenneth Cope as the band's manager. It
featured them playing "I've Got Mine". Arden thought the band's song
would receive publicity by the film however the film's UK release was
delayed and "I've Got Mine" subsequently failed to chart.
Whatcha Gonna Do About It
7" e.p. record sleeve, (Eva Records reissue).
Shortly thereafter, Jimmy Winston was released from the band.
Most common explanations for his dismissal are a clash of personalities
with Marriott or a lack of musical talent, though rumours persist he
was released at least in part because he compromised the band's
integrity of image by being too tall, the others all stood around 5'6".
(Indeed, the group took their name from a remark by a female friend of
Marriott's who noted that the band members had "small faces". The name
stuck in part because of the mod slang usage of the word "face" to mean
a popular, trendsetting individual). In a 2000 interview, Kenney Jones
stated the reason Winston was fired from the band was because "He
(Winston) got above his station and tried to compete with Steve
Marriott."
Winston was replaced by Ian McLagan, whose keyboard talents and
diminutive stature fit with the groove of the band perfectly.
original All Or Nothing sleeve, (1966).
The new Small Faces line-up hit the charts with "Sha-La-La-La-Lee",
written for the group by the unlikely team of American hitmaker Mort
Shuman (who wrote many of Elvis Presley's biggest singles,
including "Viva Las Vegas") and English
entertainer Kenny Lynch. The song was a
hit in England, peaking at No. 3 in the U.K. singles chart. Their first
album, Small Faces
was a considerable success. They rapidly rose in popularity with each
chart success, becoming regulars on British pop TV shows such as Ready
Steady Go! and toured incessantly up and down
the country. Their popularity peaked in August 1966 when "All Or Nothing"
their fifth single, hit the top of the UK charts, and proved to be
their only Number One hit record. A Marriott/Lane composition "All Or
Nothing", shared the top no. 1 spot in the UK with "Yellow
Submarine" by The Beatles. On the BBC's Top
of the Pops that week the show blended two pictures of the bands
together.
By 1966, despite being one of the highest earning live acts in
the country and scoring many successful singles including four UK Top
10 chart hits, financially the band had nothing to show for their
efforts. After a messy confrontation with the notorious Arden (who
tried to face down the boys' parents by claiming that the whole band
were addicted to heroin) they broke with both Arden and Decca.
The Immediate Years
"Here Come(s) The Nice" (spelling error) reissue record sleeve
original Tin Soldier record sleeve, (1967).
They were almost immediately offered a deal with the newly
established Immediate
label, formed by ex-Rolling Stones manager, Andrew
Loog Oldham. Given a virtual open account at Olympic
Studios in Barnes,
London,
the band progressed rapidly, working closely with engineer Glyn
Johns. Their first Immediate single was the daring "Here
Come The Nice", which was clearly influenced by their drug use, and
managed to escape censorship despite the fact that it openly referred
to speed
(amphetamines). A second self-titled Immediate album Small Faces
followed which, if not a major seller, was very highly regarded by
other musicians and would exert a strong influence on a number of bands
both at home and abroad.
Lazy Sunday (1968) reissue record sleeve
At the same time, their old label Decca released a spoiler
album called From The Beginning, combining old hits
with a number of previously unreleased recordings. It included earlier
versions of songs they re-recorded for Immediate, including "My Way Of
Giving", which they had demoed for Chris
Farlowe, and "(Tell Me) Have You Ever Seen Me", which they
had given to Apostolic Intervention. The album also featured their
stage favourite "Baby, Don't You Do It" featuring Jimmy Winston on lead
vocals and guitar.
Their mid-1967 single "Itchycoo Park" is one of Small Faces'
best-remembered songs and was also the first of the band's only two
charting singles in the United States, reaching No. 16. "Itchycoo Park"
was the first British record to use phasing, playing two tapes simultaneously
but at differing speeds, it was an effect developed by Olympic
Studios engineer George Chkiantz in 1966. Itchycoo
Park was followed by the powerful and stylish soul-rock epic "Tin
Soldier", (originally written by Marriott for American
singer P.P.
Arnold), who can be heard clearly on backing vocals; it remains one of
their best-known singles. However, when the song only reached No. 73 on
the US Hot 100 chart, Immediate Records was said to have abandoned its
short-lived effort to establish the act in America.
original The Universal record sleeve, (1968).
"Lazy Sunday" released in 1968,
was a bright and breezy Cockney music-hall style song released by
Immediate against the band's wishes, it was written by Steve Marriott
as a joke because he was always getting thrown out of his rented
accommodation by neighbours complaining about the noise he made. The
single reached number 2 in the British charts but the band continued to
resent the fact that their sound was being represented by what they saw
as a novelty single. Many years later "Lazy Sunday" was to inspire Blur's
hit song "Parklife" in 1994.
The final official song release during the band's career was folksy
sounding " The Universal" in
the summer of 1968, recorded by adding studio over-dubs to a basic
track Marriott cut live in his back garden in Essex with an acoustic
guitar, taped on a home cassette recorder, complete with his dogs barks
heard in the background.
The single's subsequent lack of success in the charts (it reached
number 16 in the UK Top 40 singles chart) and critical panning in the
UK music press, devastated Marriott, who then refused to write music
for the following few months.
Ogdens' Nut Gone Flake
original Ogden's Nut Gone Flake
sleeve, (1968).
At home in England, their career peaked with the classic
psychedelic album Ogdens' Nut Gone Flake
in 1968, widely regarded today as an all-time classic, which featured
an innovative round cover, the first of its kind, designed to resemble
an antique tobacco tin. It stayed at number one in the UK
Albums Chart for six weeks.
The two-act Concept album consisted of five
original songs on Side One and a whimsical psychedelic
fairy
tale on Side Two with the adventures of "Happiness Stan" and his need
to find out where the moon went when it waned. It was narrated by Stanley Unwin, though
original plans to have Spike Milligan narrating the album
were dashed when he turned them down.
Critics raved, and the album sold well, but they were
confronted by the practical problem that they had created a studio
masterpiece which was all but virtually impossible to recreate on the
road.
Ogden's was performed as a whole just once, memorably live in
the studio on the BBC's television programme, Colour Me Pop.
Breakup
After several months of break-up rumours in the British
press, Marriott officially quit the band at the beginning of 1969, walking off
stage during a live New Years Eve gig. Citing frustration at their
failure to break out of their pop image and their inability to
reproduce the more sophisticated material properly on stage, Steve was
already looking ahead to a new band, Humble Pie, with Peter
Frampton. On the subject of the group's breakup, Kenney
Jones, in an interview with John Hellier (2001), said:
| “ |
"I
wish we had been a little bit more grown up at the time, if we had
played Ogdens’ live it would have boosted our confidence so much, we
were labelled as a pop band, which definitely got up Steve’s nose more
than we realised. I wish we had been more like The Who in the fact that
when they have problems they stick together until they’ve overcome
them, Steve just thought well how do we top Ogdens’ and he was off.
Ogdens’ was a masterpiece if we had played it live we would have gone
on to even greater things, I reckon we were on the verge of crossing
the great divide and becoming a heavier band. |
” |
A posthumous album, The Autumn Stone,
was released later in the year, and included the major Immediate
recordings, a rare live concert performance, and a number of previously
unreleased tracks, including the classic Swinging Sixties instrumental
"Wide Eyed Girl on the Wall" and "Donkey Rides, A Penny, A Glass",
co-written by Ian McLagan. The final single, "Afterglow (Of Your
Love)", was released in 1969
after the band had ceased to exist, with nobody to promote it, it only
reached the UK Singles Chart Top 40.
Post-breakup projects, reunion
and legacy
Marriott's next venture was with the rock group Humble
Pie formed with ex "Herd" member Peter
Frampton. The group was a huge hit in the U.S., though not in
the UK. They split in 1975 due to financial problems and good old
'musical differences' and Marriott later formed Packet of
Three. After the Small Faces split, Lane, Jones and McLagan
floundered briefly before joining forces with former members of the Jeff
Beck Group, singer Rod Stewart and guitarist Ron Wood. They
released one album as Small Faces before becoming simply The
Faces and later Rod Stewart & The Faces.
Following the breakup of the Faces in 1975, the original
Small Faces line-up reformed briefly to film videos miming to the
reissued "Itchycoo Park" (a Top 10 hit for the
second time), and "Lazy Sunday" (which went Top 40). The group tried
recording together again but Lane left after an argument. Unknown to
the others, he was just beginning to show the symptoms of multiple
sclerosis, and his behaviour was misinterpreted by Marriott and the
others as a drunken tantrum. Nevertheless, McLagan, Jones and Marriott
stayed together long enough, with ex-Humble Pie bassist Rick Wills taking Lane's place, to create
two albums Playmates in 1977 and 78 In
The Shade in 1978 released on Atlantic
Records. Guitarist Jimmy McCulloch also briefly joined
the line-up after leaving Wings. Paul
McCartney, who had found McCulloch increasingly difficult to
work with, allegedly phoned Marriott and said "You can have him." The
absence of Lane's bass playing and songwriting however was all too
noticeable, together with the fact that mainstream music in Britain was
rapidly changing direction, punk rock was established around this
time, and the reunion albums as a result, were both critical and
commercial failures.
Kenney Jones became the drummer in The Who
after Keith
Moon's death in 1978.
Ian McLagan went on to perform with artists such as Bonnie
Raitt, the Rolling Stones and most recent Billy
Bragg. In 1998 he published his autobiography
All the Rage. He now lives in the small town of
Manor (pronounced 'Maynor') just outside Austin,
Texas.
On Saturday, April 21, 1991 Steve Marriott died in his sleep
when a fire , caused by a cigarette swept through his home in Essex,
England,
tragically just a couple of days after beginning work on a new album in
America with his former Humble Pie bandmate Peter Frampton.
Ronnie Lane died at his home in Trinidad, Colorado, on
June 4, 1997, after battling multiple sclerosis for nearly 20
years.
Discography
| The
Small Faces |
| Steve
Marriott | Ronnie "Plonk" Lane | Kenney
Jones | Ian "Mac" McLagan |
| Jimmy
Winston (1965-1966) |
| Discography |
Small
Faces (1966) - From the
Beginning (1967) - Small Faces
(1967) - Ogdens' Nut Gone Flake
(1968) - The Autumn Stone
- Playmates
78 In The Shade - Itchycoo Park |
| Live albums (The BBC Sessions) |
BBC Session
(Saturday Club) 23 August 1965
BBC Session (Saturday Club) 14 March 1965 - BBC
Session (Saturday Club) 3 May 1966
BBC Session (Saturday Club) 30 August 1966 - BBC
Session (Top Gear) 14 April 1968
1968 Sessions - The Final Tour
1969 |
| 7" Singles |
"Whatcha Gonna Do About
It"/"What's a Matter Baby" (1965) - "I've
Got Mine"/"It's Too Late" (1965)
"Sha-La-La-La-Lee"/"Grow
Your Own" (1966) - "Hey Girl"/"Almost Grown" (1966) - "All or
Nothing"/"Understanding" (1966)
- " My Mind's Eye"/"I Can't Dance
With You" (1966) - "I Can't Make It"/"Just Passing"
(1967)
"Patterns"/"E Too D" (1967) - "Here Come The Nice"/"Talk To You"
(1967) - "Itchycoo Park"/"I'm Only Dreaming"
(1967)
"Tin Soldier"/"I Feel Much Better"
(1967) - "Lazy Sunday"/"Rollin' Over" (1968)
"The
Universal"/"Donkey Rides, A Penny, A Glass" (1968) - "Afterglow (Of Your
Love)"/"Wham Bam Thank You Mam" (1969)
"Itchycoo
Park" (re-release) (1975)) - "Lazy Sunday" (re-release) (1976) |
| Listings |
| - Discography - |
| Other related people |
| Don Arden - Andrew
Loog Oldham - Tony Calder - John Glyns |
See also
- The Small Faces
discography
Notes
Bibliography
External links