| The Wedding
Present |

|
| Background information |
| Origin |
Leeds, England |
| Genre(s) |
Indie pop, Indie rock |
| Years active |
1985–present |
| Label(s) |
Reception, RCA, Island,
Cooking
Vinyl, Scopitones |
Associated
acts |
The
Ukrainians |
| Website |
Official
site |
| Members |
David
Gedge
Chris McConville
Terry de Castro
Graeme Ramsay |
| Former members |
Peter
Solowka
Keith Gregory
Shaun Charman
Simon
Smith
Paul Dorrington
Darren Belk
Jayne Lockey
Kari Paavola
Simon Cleave
Simon Pearson |
The Wedding Present is a rock group
based in Leeds,
England,
that was formed in 1985 from the ashes of the Lost Pandas. Their music has evolved
from fast-paced indie rock in the vein of their most
obvious influences The Fall, Buzzcocks
and Gang of Four, to more
varied forms.
|
Contents
- 1 History
- 1.1 Early
stages and the Reception era (1985-1989)
- 1.2 The
RCA era (1989-1993)
- 1.3 The
Island intermezzo (1994-1995)
- 1.4 The
Cooking Vinyl era (1995-1997/99)
- 1.5 Suspended
animation (1997-2004)
- 1.6 Resurrection
(2004-present time)
- 2 Discography
- 2.1 UK
singles
- 2.2 Albums
- 2.3 Video/DVDs
- 3 References
- 4 External
links
|
History
Early stages and the Reception
era (1985-1989)
The Lost Pandas fell apart in 1984 when singer David
Gedge's then girlfriend Janet Rigby, the drummer for the
band, left him for guitarist Michael Duane. Gedge and the Pandas' bass
player, Keith Gregory,
decided to continue the band, renaming it The Wedding Present.
Gedge had wanted to use the name "The Wedding Present" for
some time, but had been afraid of the perceived similarity with the
name of one of his favourite bands, The Birthday Party. By the
time the Lost Pandas broke up, however, The Birthday Party had also
split up, and Gedge felt free to name his new band The Wedding Present.
| “ |
I’ve
always thought that The Wedding Present was an inappropriate name for a pop group
— more like a poem,
or a book or
something — and therefore quite attractive (to me!). I’ve also always
been fascinated by weddings... |
” |
Gedge and Gregory recruited an old schoolmate of Gedge's, Peter
Solowka, to play guitar and auditioned a string of drummers, including John Ramsden, and Mike Bedford, with whom they recorded a
demo
tape, before settling on Shaun Charman. The country's clubs and
bars were toured as the band prepared for the recording of their first,
self-financed single.
After some consideration, "Go Out and Get ’Em, Boy!" was
chosen over early favourite "Will You Be Up There?". Charman felt
somewhat insecure about his drumming abilities and so the A-side
features drumming by hired hand Julian Sowa (Charman does, however, play
drums on its B-side).
The single was released on the band's own Reception Records label with
distribution through Red Rhino and received one of the most
glowing reviews ever in the pages of the New Musical Express,
generating enormous excitement about the band in (what seemed like) the
weeks between the review's publication and the appearance of the record
in the shops.
The review in question hinted that the Wedding Present had
taken rock to a new dimension and certainly the single and subsequent
singles contained some of the fastest rhythm guitar playing ever
recorded. This made the group one of the biggest draws on the indie
live circuit as people attended out of curiosity to see if the band
could play as fast live as they did on record (they could).
Two more singles followed that did well on the independent
charts and the band was spotted by veteran BBC radio DJ John Peel, who immediately started
championing them and invited them to do a radio session (three songs
from the session are included on the 1988
compilation Tommy
1985-1987; the entire session had already been released as an
EP
in 1986),
starting a long collaboration.
By the time the band started work on their debut album, a
number of independent and major record companies showed interest, but
the band declined all offers and decided to keep releasing their
material themselves. The album was released in 1987
and titled George Best
after the well-known Northern Irish football
player.
Disagreement on production values with the record's producer,
Chris Allison, led
to the product being remixed by the band and their engineer,
Steve Lyon. The larger
part of these conflicts seemed to lie with the personal and musical
incompatibility of Allison and Charman.
Upon its release, the album was critically acclaimed and the
band were soon lumped in with some of their peers as the 'shambling' or C86
scene, a categorisation that they vehemently declined (although they
were featured on the original C86 compilation). Musically, the album
featured fast-paced rhythm guitar attacks; lyrically,
apart from a few tentative excursions into social critique ("All This
and More") and politics
("All About Eve"), Gedge's main concerns (which would become his
trademark) were love,
lust, heartbreak
and revenge.
Soon after the release of George Best, the early
singles and radio sessions were compiled and released as Tommy
(1985-1987).
When Solowka, who has Ukrainian roots, started fooling around with
a Ukrainian folk
tune during one of their many Peel sessions, the idea arose to devote
some of their radio time to recording their versions of Ukrainian and Russian folk song,
encouraged by Peel. To this end, two guest musicians were invited, singer/violin player Len Liggins and mandolin
player Roman Remeynes,
and three Peel sessions were recorded with Gedge temporarily limiting
himself to playing rhythm guitar and arranging the songs.
Between the recording of the first and the second 'Ukrainian'
session, Charman was fired from the band. It is said that musical and
socio-political differences between Charman and the rest of the band
were to blame. His replacement was Simon Smith, who remained the band's drummer until 1997
and for a long time was, next to Gedge, the only other stable factor in
the shifting line-ups.
The band planned on releasing eight cuts from the Ukrainian
sessions on a 10" LP and an initial batch was pressed
when Red Rhino went into receivership. Rather than trying to
find a new distribution company, the band decided to fold their
Reception label altogether and sign with a regular record
company: RCA.
The RCA era (1989-1993)
Although the band were criticized by some quarters for 'selling
out', the terms of their contract were revolutionary (for a major label
recording contract). They were allowed their own choice of producer and
singles and could even release singles independently without breach of
contract, should RCA find the songs uncommercial (this never happened).
The band's new record company bought the initial Reception
stock of the Ukrainian record from the band, pressed another batch, and
finally released the record in April 1989
under the unwieldy name of Українські Виступи в
Івана Піла (meaning 'Ukrainian John
Peel Sessions'; the Latin transliteration
Ukraïnski Vistupi v Ivana Peela appeared on the
sleeve's spine only).
The first proper album that The Wedding Present recorded for
their new label was released in the same year 1989
and reunited them with Allison. Bizarro’s
lyrical themes were largely the same as before (although they showed
that Gedge had grown as a lyricist) and the songs featured the same three-chord
structures, but its production was beefier (no doubt thanks to a better
recording budget) and many of the songs featured Velvet Underground-like
extended codas. The album's companion single, "Kennedy", provided the
band with their first British Top 40 hit.
Seeing that they were growing ever more popular in the American
college
radio scene, the band turned towards America for their next project.
Instead of taking another single off the album, the band decide to
re-record Bizarro track "Brassneck" with an engineer
whose work they admired, the former Big Black frontman Steve
Albini. It was the start of a two-year collaboration: the next single,
"Corduroy" (officially just one of three tracks on the Three
Songs EP) and album, Seamonsters,
were also recorded by Albini at Pachyderm Recording Studio in
Cannon Falls, MN.
Seamonsters saw the band take both their
music and lyrical themes to extremes and actually was just about a year
ahead of its time. Had it been released in early 1992
instead of early 1991, its grunge-like
intensity and Albini cred
could have made it a huge smash. As it was, listening to the record was
likened by Melody Maker to
sandpapering
your ears. Fans thought differently and polls invariably showed the
opening track and lead single of the album, "Dalliance", at the top of
the favourites list.
Almost directly after recording the album, the band announced
that they had sacked Solowka. His replacement was Paul
Dorrington of local band, A.C. Temple. Solowka teamed up again
with Liggins and Remeynes to form The
Ukrainians.
The next year saw the band testing the extent of their
contractual liberties (and the record company's patience) when they
announced their scheme to release twelve (12) 7" singles in one year.
The general music press once again praised the
band's PR/marketing shrewdness and in the
record sales press, serious articles appeared that outlined how the
band's singles (which were limited to 10,000 copies that almost always
sold out within the week of release) showed the decline and general
worthlessness of the modern pop chart. Previously, record companies
were deliberately vague about singles sales to cover up sales decline,
but the band showed that they were able to score a Top 10 hit with just
10,000 sales ("Come Play with Me", #10 in May — in fact less than
10,000 sales since the record managed a second week at #65).
All the other singles reached the Top 30 as well and The
Wedding Present equalled Elvis Presley's age-old record for
most Top 30 hits in one year. To economise on songwriting, the B-sides consisted
of cover versions of songs proposed by all band members and saw Gedge
wrapping his tonsils
around such unlikely songs as Julee Cruise's "Falling" (the theme
tune from Twin
Peaks). The singles and their B-sides, which were produced by such
luminaries as Ian Broudie (Lightning
Seeds) and Jimmy Miller (The Rolling Stones)
were collected on two albums, appropriately called Hit
Parade 1 and Hit
Parade 2.
Seamonsters,
Hit Parade 1
and Hit Parade 2
were released in the United States in 1991
and 1992
by New
York based pseudo-indie label First Warning Records.
Shortly after the 1992 singles scheme had ended, the band
announced that contract renewal negotiations with RCA were going
nowhere and that they were leaving the label.
The Island intermezzo (1994-1995)
The band spent most of 1993 taking time off, occasionally playing
gigs. A stopgap compilation of three more archive radio sessions, Peel
Sessions 1987-1990, was released by Strange
Fruit. When they re-emerged in early 1994
with the news that they had signed to Island
Records, it was quickly followed by the announcement that Gregory had
left the band due to lack of enthusiasm. He was replaced by
long-standing fan Darren Belk.
For their next album, The Wedding Present again left for the
States and another well-known underground producer was enlisted: Steve Fisk
(Screaming
Trees, Nirvana). The result was their most
accessible record to date, the brilliantly poppy yet resolutely
alternative Watusi.
The album's songs ranged from warm lo-fi pop ("Gazebo", "Big Rat") to
semi-psychedelic, Velvets-like
workouts ("Click Click", "Catwoman"). Lack of promotional muscle and
perhaps the band's stubborn refusal to play the media game prevented
this album, which could and perhaps should have been their breakthrough
to the general public, from becoming a smash.
No further albums were recorded for Island, and the best part
of 1995
was spent the same way as 1993: touring, writing new material, no
recording. Paul Dorrington decided to quit the band; no replacement was
made as Belk moved up from bass to guitar. In the autumn of 1995,
The Wedding Present released "Sucker", a self-financed, no-label single
that was sold at their gigs only (it has since been included on the
international editions of their next album). Shortly after, the band
signed with independent label Cooking Vinyl.
The Cooking Vinyl era
(1995-1997/99)
The band, still a three-piece, wasted no time recording their
newly written material and issued the car-themed six-track mini-album called, of
course, Mini
(UK 1st Limited press, US and European editions, called Mini Plus,
added the "Sucker" single and B-sides). The songs showed diversity in
sound (both the lighter, Watusi-like style and the
heavier, Seamonsters noise aspects were present)
and deftness in wrapping Gedge's usual loved-and-lost interests around
the automobile-inspired theme.
Belk played both guitar and bass on the songs but struggled at
the lead instrument. Shortly after releasing the album, Jayne Lockey, who had already sung
backing vocals on Mini, was announced as the band's
new bass player. Feeling trapped in his unhappy role as guitarist and
unable to step back down to bass, Belk decided to quit the band. He was
replaced by The Wedding Present's current guitar player, Simon Cleave.
The band had still a wealth of material lying around from
their sabbatical year, songs that did not fit the Mini
format, and so they immediately went into the studio again to record Saturnalia,
which was released within the year from Mini. The
album, like Mini diverse in style and showing a
versatile, tight band at the height of its powers, was widely praised
in the music press.
Unfortunately, it also proved to be the last new material by
The Wedding Present for a long time. After playing a number of gigs to
support the album, the last one in Liverpool on January
18, 1997,
the band took a long sabbatical.
Suspended animation (1997-2004)
To fulfill contractual obligations, two more compilations were
released by Cooking Vinyl: another Peel sessions volume, John
Peel Sessions 1992-1995 (1998),
and Singles 1995-1997
(1999),
a package that for some reason included the entire Mini
album but also offered some b-sides. Additionally, Strange Fruit
offered another radio sessions compilation, Evening
Sessions 1986-1994 (1997),
and the band's American label released Singles
1989-1991 (1999), 2CD package, which
added rarities and live track from 1990 era. But apart from these,
things remained quiet in the Wedding Present camp. David Gedge recorded
an album called Va Va Voom in
1998 under the Cinerama band name with
his girlfriend, Sally Murrell, and some session
musicians. The project blossomed into a full-time new band.
In recent years, Gedge expressed interest in reviving The
Wedding Present, but Smith and Lockey apparently were not terribly
interested. Cleave was, and joined Cinerama. The latter started to
regularly play Wedding Present songs at their concerts.
Resurrection (2004-present time)
News came in early September 2004 that Cinerama would be rebranded as The
Wedding Present. The line-up was to be the same as the last line-up of
Cinerama. The first new single, "Interstate 5", was issued on November
15, 2004, to lead off the new album, Take
Fountain, which was released on
February 14, 2005. A second single, "I'm From Further North Than You"
was released in January 31, 2005. Due to fan pressure, third and final
single "Ringway To SeaTac" was given a limited, non-promoted release in
October 2005.
All singles, their B-sides & specially recorded
acoustic versions from this period were compiled on the 2006
compilation "Search For Paradise". The release came with a DVD
compiling the videos for "Don't Touch That Dial" (a Cinerama single
re-recorded for Take Fountain), "Interstate 5", "I'm
From Further North Than You", "Ringway To SeaTac" + others.
The Wedding Present toured Europe and North America in the
Spring of 2005 (with John Maiden on drums) and again in Europe towards
the end of 2005 (this time, with Simon Pearson on drums).
During Christmas 2006, guitarist Simon Cleave left the group
to pursue personal projects and was replaced by the group's sound
engineer Chris McConville - who played on the 2006 tours of North
America (with Charlie Layton on drums) and Europe (with Graeme Ramsay
on drums).
In March 2007, Sanctuary Records released a box set comprising
of all the sessions that had been recorded for the John Peel show as
well numerous interviews and live performances broadcast by the veteran
broadcaster.
The current line-up (Gedge/De Castro/McConville/Ramsay) are in
the process of writing and recording new songs, some of which have been
played live at recent gigs. Titles include I Lost The Monkey; No Soup
For You; Drink You, Eat You; Model, Actress, Whatever and The Thing I
Like Most About You Is Your Girlfriend.
At a gig in Holmfirth, West Yorkshire, in April 2007, Gedge
told the audience that the band was about to play the 'world premiere'
of The Thing I Like Most About You Is Your Girlfriend. Sadly McConville
launched into the opening riff from Model, Actress, Whatever. Guffaws
of the kind reminiscent of the band's earlier recording sessions could
be witnessed for the diehards who were in the audience.
Discography
Key to personnel:
Because there have been a number of personnel changes over the years, a
key has been appended to each entry to indicate which line-up was
involved. Album compilations may, of course, feature multiple line-ups.
UK singles
- Go Out and Get ’Em, Boy! (Reception 1985/City Slang
[reissue] 1985) GSGC
- Once More (Reception 1986) GSGC
- Don't Try and Stop Me Mother 12"
(Reception 1986) GSGC
- You Should Always Keep in Touch with Your Friends/This Boy
Can Wait (double A-side, Reception 1986) GSGC
- The Peel Sessions EP (Strange Fruit
1986) GSGC
- My Favourite Dress (Reception 1987) GSGC
95
- Anyone Can Make a Mistake (Reception 1987) GSGC
- Nobody's Twisting Your Arm (Reception 1988) GSGC
46
- Why Are You Being So Reasonable Now? (Reception 1988) GSGS
42
- Давні Часи (promo, Reception 1988/RCA 1989) GSGS
- Kennedy (RCA 1989) GSGS 33
- Brassneck (RCA 1990) GSGS 24
- 3 Songs EP (RCA 1990) GSGS
25
- Dalliance (RCA 1991) GSGS 29
- Lovenest (RCA 1991) GSGS 58
- Blue Eyes (RCA 1992) GDGS 26
- Go-Go Dancer (RCA 1992) GDGS 20
- Three (RCA 1992) GDGS 14
- Silver Shorts (RCA 1992) GDGS 14
- Come Play with Me (RCA 1992) GDGS
10
- California (RCA 1992) GDGS 16
- Flying Saucer (RCA 1992) GDGS 22
- Boing! (RCA 1992) GDGS 19
- Loveslave (RCA 1992) GDGS 17
- Sticky (RCA 1992) GDGS 17
- The Queen of Outer Space (RCA 1992) GDGS
23
- No Christmas (RCA 1992) GDGS 25
- Yeah Yeah Yeah Yeah Yeah (Island 1994) GDBS
51
- It's a Gas (Island 1994) GDBS 71
- Sucker (no label 1995) GBS
- 2, 3, Go (Cooking Vinyl 1996) GCLS
67
- Montreal (Cooking Vinyl 1997) GCLS
40
- Interstate 5 (Scopitones 2004) GCCP
62
- I'm from Further North Than You (Scopitones 2005) GCCP
34
- Ringway to Seatac (Scopitones 2005) GCCP
157
Albums
- George Best
(Reception 1987) GSGC 47
- Tommy (1985-1987)
(compilation, Reception 1988) GSGC
- Українські Виступи в
Івана Піла (compilation, RCA 1989) GSGC/GSGS
22
- Bizarro (RCA
1989) GSGS 22
- Seamonsters (RCA
1991) GSGS 13
- Hit Parade 1
(compilation, RCA 1992) GDGS 22
- Hit Parade 2
(compilation, RCA 1993) GDGS 19
- John Peel Sessions
1987-1990 (compilation, Strange Fruit 1993) GSGC/GSGS
- Watusi
(Island 1994) GDBS 47
- Mini (Cooking
Vinyl 1995) GBS 40
- Saturnalia
(Cooking Vinyl 1996) GCLS 36
- Evening Sessions 1986-1994
(compilation, Strange Fruit 1997) GSGC/GDBS
- John Peel Sessions
1992-1995 (compilation, Cooking Vinyl 1998) GDBS/GBS
- Singles 1989-1991
(2CD compilation, Manifesto 1999) GSGS
- Singles 1995-1997
(compilation, Cooking Vinyl 1999) GBS/GCLS
- The Hit Parade
(2CD compilation, Camden Deluxe 2003) GDGS
- Take Fountain
(Scopitones 2005) GCCP 68
- Search
for Paradise : Singles 2004-5 (Scopitones 2006)
GCCP
- The Complete
Peel Sessions 1986-2004 (6CD Box Set, Sanctuary
2007) GSGC/GSGS/GDGS/GDBS/GCLS/GCCP
Video/DVDs
- *(S)punk (BMG-1990)
- Dick York's Wardrobe: The Hit Parade Videos
(BMG - 1993)
- Search For Paradise : Singles 2004-5
[Disc 2] (Scopitones-2006)
References
-
David Gedge quoted from the Wedding Present FAQ.
External links
| The Wedding Present |
| Terry de Castro | David
Gedge | Chris McConville | Graeme Ramsay |
| Mike Bedford | Darren
Belk | Shaun Charman | Simon Cleave | Paul
Dorrington | Keith Gregory | Jayne Lockey | Kari Paavola | Simon Pearson | Simon
Smith | Peter Solowka |
| Discography |
| Studio albums:
George Best
| Bizarro | Seamonsters
| Watusi | Mini | Saturnalia
| Take Fountain |
| Compilation
albums: Tommy (1985-1987)
| Hit Parade 1 | Hit
Parade 2 | Singles 1989-1991
| Singles 1995-1997
| The Hit Parade |
| Radio sessions
compilation albums: Українські Виступи в
Івана Піла | John Peel Sessions
1987-1990 | Evening Sessions 1986-1994
| John Peel Sessions
1992-1995 | The Complete Peel Sessions
(6CD box set) |
| Related
articles |
| Cha
Cha Cohen | Cinerama | The
Popguns | The Ukrainians |
|
This
box: view • talk • edit
|