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William Lloyd Webber |
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| William Lloyd Webber | ||
|---|---|---|
| Background information | ||
| Born | March 11, 1914 |
|
| Died | October 29, 1982, aged 68 London, England |
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| Occupation(s) | Composer, Organist | |
William Southcombe Lloyd Webber (11 March 1914, London – 29 October 1982, London) was an organist and composer.
William Lloyd Webber was born into a poor London family in 1914. The son of a self-employed plumber, he was fortunate, from a musical point of view, that his father was a keen organ 'buff' who spent what little money he had travelling to hear various organs in and around the capital. Often he would take his son with him, and before long, young William started to play the organ himself and developed a keen interest that bordered on the obsessional.
By the age of 14, William Lloyd Webber had already become a
well-known organ recitalist, giving frequent performances at many
important churches and cathedrals throughout Great
Britain. He won an organ scholarship to
Parallel to his activities as an organist, he began to compose, and several interesting works date from this early period including Fantasy Trio of 1936. Although the second world war interrupted his composition (he was organist and choirmaster at London's All Saints, Margaret Street throughout the war) its ending marked the beginning of Lloyd Webber's most prolific years as a composer.
In 1938,
he was appointed Organist and choirmaster of All Saints, later moving
to Westminster Central Hall, London, one of the
most significant Methodist churches in the United Kingdom.
His first compositions developed in the 1930s. In 1942 he married the pianist and violinist
From 1945
until the mid-1950s, Lloyd Webber composed vocal and instrumental
music, choral and organ works, chamber music and orchestral works.
Works from this period include the oratorio 'St. Francis of Assisi',
the orchestral tone-poem 'Aurora', the Sonatinas for viola and piano,
and flute and piano, and numerous songs, organ pieces and choral works.
But Lloyd Webber's roots were firmly embedded in the romanticism of
such composers as Sergei Rachmaninov, Jean
Sibelius and
Disillusioned with composition, he wrote virtually nothing for the next 20 years - until shortly before his death, when a sudden flowering of creativity produced among a number of works the mass 'Missa Sanctae Mariae Magdalenae', (available on an ASV CD, DCA961).
William Lloyd Webber was by nature a shy and withdrawn character. He had an avowed dislike of self-promotion and found the 'cut and thrust' approach apparently necessary for the furtherance of a composer's career to be complete anathema. He also had no time for the trappings of verbosity, and was a man averse to wasting words or, in his music, notes. "Why", he would ask his pupils, “write six pages, when six bars will do?"
William Lloyd Webber's music has recently enjoyed a resurgence
and is heard increasingly in both live and recorded performances. When
'Aurora' was recorded for Philips in 1986 by Lorin Maazel and the
In 2005, Lloyd Webber's The Divine Compassion was revived by the Aeolian Singers. This large scale choral work takes 95 minutes to perform and is based on the account of The Passion of Christ in the Gospel of John.
A 'William Lloyd Webber Festival' will take place in the spring and summer of 2007 in London.
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